एक ब्रिटिश कॉलेज छात्र एक अमरीकी छात्र से प्यार करने लगती है, और उससे अलग हो जाती है जब उसे अमरीका में घुसने से मना कर दिया जाता है क्योंकि वह अपनी वीज़ा अवधि से ज़्यादा दिन रुक जाती है।एक ब्रिटिश कॉलेज छात्र एक अमरीकी छात्र से प्यार करने लगती है, और उससे अलग हो जाती है जब उसे अमरीका में घुसने से मना कर दिया जाता है क्योंकि वह अपनी वीज़ा अवधि से ज़्यादा दिन रुक जाती है।एक ब्रिटिश कॉलेज छात्र एक अमरीकी छात्र से प्यार करने लगती है, और उससे अलग हो जाती है जब उसे अमरीका में घुसने से मना कर दिया जाता है क्योंकि वह अपनी वीज़ा अवधि से ज़्यादा दिन रुक जाती है।
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 9 जीत और कुल 7 नामांकन
- College Roommate
- (as Kayla Barr)
- Delivery Man
- (as James Messer)
- Natalie
- (as Natalie Blair)
- Figurine Band Member
- (as Jimmy Tamborello)
फ़ीचर्ड समीक्षाएं
I was also married to an American citizen just out of College and had to follow the same process in order to be with him. Truth is, the bureaucratic aspect of it has done exactly the same to my relationship. The movie captures so so well the frustration, the disappointment, the fears of not knowing if you have what it takes to fight "like crazy" for each other;
The moment in the movie when she calls him and asks him to come over in 30m, breaks my heart! So real, so in despair.
So, not only because I can relate to the story, but because the acting is superb, so natural and because I believe the production & direction have accomplished what they were looking for with the movie, I give it great points.
The movie is a true mirror of youth, freshness and it's timeless, Like a Romeo & Julieta of contemporariness.
The music is fantastic. It provides the heartbeat to the film and is a wonderful compliment. It's well edited - the film ultimately takes place over what seems to be a couple of years. Unlike early versions of the film, title cards have been removed and a series of jump cuts progresses the time. You have to pay close attention at times to have a firm grasp on the passage of time. There are moments when they are happy and together that are so iconic. Walking the streets of London, at times they looked like the cover of a Bob Dylan cover. Quick cuts of them together whether in LA or London are quite beautiful.
This film was obviously made based on real experiences, and the filmmakers admitted that it was the combination of many of their experiences. It's a realistic film. Things aren't easy. You will smile and laugh and other times feel just as much despair as our characters. There are no easy answers in this film, and your ultimate interpretation and perhaps enjoyment of the film depends on what you bring to the table, and your feelings on love, and just how much you believe in it. This film should make Felicity Jones a star in the way that 'An Education' benefited Carey Mulligan.
"Like Crazy" is just about their relationship. We watch as they fall in love, grow apart, find a middle road, and then try and pick an extreme. Anna is a writer and Jacob is a furniture constructor. But their lives are just so inconsequential to the film which is the way it has to be when it is only about their relationship.
The film is minimal in story, in characters, in budget, and in production. And that's what makes it so sweet. Made for only $250,000 and edited in the director's bedroom, it's a story and film of passion.
I found it to be very similar to "Blue Valentine" (2010), but perhaps not as impactful — at least to me. Both played to rave reviews at Sundance, last year "Blue" picked up the Grand Jury Prize nomination, this year "Crazy" got the Jury win for both director Drake Doremus and actress Felicity Jones.
I first saw Felicity Jones last year in "Cemetery Junction" (2010). She played this beautifully innocent girl in a town where innocence just doesn't really exist. In "Like Crazy" she plays a beautiful, adult-like young woman growing up in a world of love but learns that she might not know what love is after all.
क्या आपको पता है
- ट्रिवियाAt the Toronto International Film Festival (2011), the director admitted that much of the movie was improvised. The script outlined what would happen, but Felicity Jones and Anton Yelchin improvised much of their dialogue.
- गूफ़During the party scene where Jacob meets Sam and is receiving texts from Anna, the date of her first text is December 1st. The second text, received moments later is dated May 23rd.
- भाव
Anna: I thought I understood it, that I could grasp it, but I didn't, not really. Only the smudgeness of it; the pink-slippered, all-containered, semi-precious eagerness of it. I didn't realize it would sometimes be more than whole, that the wholeness was a rather luxurious idea. Because it's the halves that halve you in half. I didn't know, don't know, about the in-between bits; the gory bits of you, and the gory bits of me.
- कनेक्शनFeatured in Ebert Presents: At the Movies: एपिसोड #2.15 (2011)
- साउंडट्रैकCrazy Love, Vol. II
Written by Paul Simon
Performed by Paul Simon
Published by Songs of Universal, Inc. on behalf of Paul Simon Music
By arrangement with Sony Music Licensing
टॉप पसंद
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,50,000(अनुमानित)
- US और कनाडा में सकल
- $33,95,391
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,23,140
- 30 अक्टू॰ 2011
- दुनिया भर में सकल
- $38,52,774
- चलने की अवधि1 घंटा 26 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1