Diana

I went to see this movie almost without any expectations. Granted, in my mind, Naomi Watts's performance in "Mulholland Dr." was exceptional, but that was over ten years ago, so I made a deliberate effort not to compare the roles. I had not seen any reviews and did not know anything about the movie, except its title character. I knew the main outlines of Diana's life and had seen some of her interviews, although I was more familiar with her death. Thus I had no opinion of Diana herself, except that I had heard a little of her famous charity work. With these things in mind I went to the theater. To me the movie was excellent. The atmosphere was enchanting and at times haunting. Watts played Diana like a shape shifter, matching her every move when the character presented herself to the media, while breaking her facade in private. She portrayed tons of difficult emotion that had to convey an aristocratic filter created by the character's upbringing. Diana's life was presented as a complex mixture of personal and public, feelings and constraints, that lead to her being slowly crushed by the outside pressures she could not control. The movie's purpose was obviously apolitical and tried to convey Diana's driving force that was interpreted in the movie as love. It succeeded in this very convincingly. The credit for this goes not only to Watts, but also the director Oliver Hirschbiegel (who, I now notice, directed "Der Untergang", an exceptional film in its own right) and Naveen Andrews, who played his role with credibility and originality. Altogether I found the movie to be on-par with the best biographical dramatizations in film, even coming close to "King's Speech".

Now that I had seen the film, and had been thoroughly impressed by it, imagine my surprise when I tuned in on IMDb. At this moment the score was 4.9. I immediately noticed a pattern. Of all the 2900 voters 446 (15.4 %) had voted 1. In fact the value 1 dominated the chart, being the most frequent vote of all the values. I interpreted this is a symptom of pure ignorance. Obviously the movie is not the worst of all time, like for example "The Room", "Manos: The Hands of Fate" or "Plan 9 from Outer Space". There in fact seems to be an almost organized effort to trash the movie. I do not think this has much to do with the film itself, but is a continuation of the politicization of Diana's life. I would recommend, when reading reviews, to recognize the critics who judge the film based on their own preconceived notions and those who judge the film on its own merits.

My score for "Diana" is between 8 and 9, which rounds it up to 9.

Diana, not making a peep upon its release nor since, is one of those movies that simply exists where neither its content nor the way it was put together, where the techniques used to convey a well-known story, brought about no great insight, revelation or even valid emotional impact that only served to re-enforce the fact there was no reason for it to exist. It seems no matter how much director Oliver Hirschbiegel thought he might bring an interesting point of view to this film his attempts end up being completely ineffective in the fact that a majority of the people interested in the figure of Diana, Princess of Whales likely knew everything this movie would be bringing to the table (or had already read it in Kate Snell's book on which the screenplay was based) and thus found no reason to watch famous people play dress-up and re-hash the events of their beloved Diana while no doubt dramatizing it as much as possible. There was no need for a film though not because we all know how it turns out, but because Diana was such a figure that the public felt like they knew so well, personally even, that it is almost a betrayal to them to see this actress portray a part of the peoples princess they might not have seen before. This is no fault of the writers, filmmakers or actors and obviously is an element they have no control over, but while it may have felt like a valiant effort, a story worth bringing to a feature film the end result is something that points to every reason why it wasn't a good idea. All of that being said, there is indeed an effort put forth here and despite the bad press it received before it was given a chance there is a Naomi Watts performance here that while she no doubt had much higher hopes for it should be recognized as what it is: convincing on what were impossible levels. The same stigma that applied to the movie applies to the person picked to play Diana and the performance they ultimately gave. What Watts is able to do is somehow transcend the barrage of images we've all seen and do what the movie as a whole wasn't able to do and that is make us believe in this material. No, I didn't necessarily enjoy the film or find much of it interesting, but it has its moments and it had enough to show there is a solid biography to be made about Diana, but this just isn't it.

I can understand why Diana might be a disappointment for most.

If one is after a detailed portrait of "The Loneliness of the Disaffected Princess" then this film will only partially fulfill.

If, however, one is after a simple, easy to watch love story about the affair so well hidden from the public eye in the 18 months prior to her sudden death, then fulfilled you shall be.

The disappointment for me came from the fact Diana's director, Oliver Hirschbiegel, created Downfall, the depiction of Hitler's final days. The film was an Oscar nominee, a deserved reward for its depth. Diana is his first foray into a love story. He talks of his research coming from the 2004 inquiry and The Kate Snell book of the affair. I suggest that the details coming from those sources was light and frothy.

The film is pleasant enough with a shallowness to match a children's wading pool, but as I say, it depends on what you are expecting. Oh, and Naomi Watts is lovely but not quite as beautiful as The Princess we remember!

The last few years of Diana's tragic life post separation and divorce is depicted in this biopic. It is fascinating, voyeuristic and quite moving.

Good points: Naomi Watts acts well. She has a satisfactory Diana accent and good imitations of her facial expressions. She captured Diana's essence despite being much more petite in build and having more delicate facial features than Diana. Good effort to recreate famous photographic moments and wardrobe and clothes. Physical resemblance isn't a must. After all Helen Mirren doesn't look like the Queen but she still won an Oscar. So Naomi's portrayal should be nominated at least.

The story highlights Diana's efforts in the campaign against land mines. And it gives her life a meaningful legacy. The hounding of the press and photographers, and her intimate daily life are fascinating to watch. Also the tragedy of her personal isolation and quest for happiness are very moving.

There are some faults. The balance of the screenplay was off when it came to her romantic life. Other TV biopics have shown the disintegration of her marriage but not so much the later relationships. However in this movie too much was spent on the affair with Dr Hasnat Khan. Naveen Andrews wasn't dignified enough for the role of a specialist doctor. He seemed crude and coarse. Quite disturbing to see her in his squalid flat. More screen time on the relationship with Dodi Al Fayed would have helped show contrast and give a more complete picture about her last months. The scenes on the yacht and Ritz Hotel are nicely done and should have been longer.

Overall worth a watch for the perennially fascinating subject matter.

It's the last 2 years in the life of Princess Diana (Naomi Watts). She's separated and meets Pakistani heart surgeon Hasnat Khan (Naveen Andrews). They fall in love in a secret affair. She would finalize the divorce. The open secret of the love affair would be front page news and he would break up with her. They would get back together but it would not last.

The romance doesn't come off right away. It's supposed to be love at first sight. However it's a weak start. Naveen is playing very cold and the relationship has very little heat. It does build up to a more reasonable romance but this is more of a tragedy. And it doesn't rise up to be a good tragedy. It's more of a beautifully shoot Lifetime movie. It doesn't help that there are some cheesy lines thrown in. I don't like to argue over accuracy about this movie. I doubt it's important enough to warrant the absolute truth. Naomi Watts gallantly tries to keep this from being a complete waste of time.