Spartacus: Gods of the Arena

Although being the most vicious and malevolent character in the whole series, Quintus Batiatus brings out the best with his stunning, awe-inspiring, bold dialogues and insane temper.

In the mini series of Spartacus, to be honest Spartacus Season 2, we see the making of Batiatus as a Lanista. Gods of the Arena falls short if we compare Blood, Loss, Suspense and Avenge with Spartacus: Blood and Sand. It's all Quintus Batiatus show. The making of his wife as a cruel Domina is equally entertaining. Both shadowed the rise of the greatest Gladiator of that time, the legendary Crixus.

The making of Doctore and his relationship with the greatest Gladiator of that time, The Spartacus of Gods of the Arena aka Gannicus, is heartfelt.

We see all about Batiatus here: his cruelty, lawlessness, reckless crimes, Political ambitions, the love-hate relationship with his father.

Had the dialogues not been so magnificent and defying, it would have bored to a good extent in the middle.

Give your desire voice, and you shall see it well Satisfied - Quintus Batiatus.

All the four seasons of Spartacus have a terrific end, one quite similar to their common dialogue: One not to be forgotten soon!

Episode 5 and the climax of each season makes Spartacus stand strong!

As all of you probably know this is a prequel to Spartacus: Blood and Sand. I assume it is such because of Andy Whitfield's ongoing battle with cancer. Although harsh sounding as it may be, during the first episode you barely miss him. This is not because of anything other than the fact that it is a prequel and we all hope he will return for future seasons.

The episode was well thought out and gives real insight into the beginnings of certain characters from the first season. After waiting for so long (or what seemed like an eternity), I was definitely not disappointed with what looks like is going to be another great season.

Definitely do not miss!

By Jupiter's rooster! I'd be willing to wager coin that many a skeptic became a believer upon viewing the premier of "Spartacus: Gods of the Arena". From the opening moment to the final credits I could not gaze in another direction. The brilliant writing combined with outstanding performances and great visuals come together to produce what will no doubt become legend. The depiction of a world with honor among slaves and dishonor among their masters is masterful. The portrayal of a world which doesn't require the web or mass media for it's inhabitants to be exposed to every depravity and brutality known to humanity is enthralling. A better adrenaline rush could only be found by those living in such a world. A must see for connoisseurs of sex and violence. Mere mortals could do worse than vowing patronage to "Spartacus: Gods of the Arena". Never was a more visceral experience produced by a succession of images on an HD screen combined with surround sound!

I was shocked when this prequel season turned out to be amazing. Far from as good as season 1, but very entertaining with lots of connections to the main show, further character development, and some great emotional scenes (about 4 viewings, 5/7/2021)

There were many skeptics leading into this new season (not technically season 2) of "Spartacus: Gods of the Arena", many feared it would not be worth watching without Andy Whitfield. For those with concerns, here is some advice: watch it! The major antagonist was lost from the previous season, but the character depth/story of the new leading actor is building AND new depths of past characters from "Spartacus: Blood and Sand" are unveiled. The history of how they developed is fascinating. The relationship differences between the two season are significant, thus there is a huge void of curiosity leftover to reveal how they developed to become the personalities they portrayed in season 1.

It would be remiss to leave out the absolute, succulent gratuity that peaks our senses! The world is enriched with beautiful people, outstanding wardrobes cast in a time that fascinates most, the Roman Empire. Did I mention that many of these beautiful people are quite revealing? Nudity! It is with taste I might add! Of course, references to porn are made, but no porn has the character depth and sophistication that gives the sexual scenes the passion that is conveyed in this series. The necessity to produce these scenes is important in fostering the time-period's stance of sexual openness. The costume range is great; the rich are adorned with lavish jewelry and a colorful, flowing wardrobe which is artistically chosen, and for the poor, well sometimes they are left with nothing. The gladiators are especially left without much clothing, but the armor they do wear is often demonic, intimidating and everything you would naturally expect to find on a person when they are fighting to the DEATH!

The fight scenes are well choreographed and blood is everywhere! The array of weapons to choose from, the differences in fighting styles, the varying levels of fighting skill all make for interesting battles in the arena. Also, bear in mind that the arena is not only for physical fighting, but the political fold is the pressing force behind the fights. Basically, it is more than just a fight, what you see is not entirely what you get. The fight's value is difference for the gladiator, than it is for the crowd, than it is for the owner's of the gladiators; and, these differences are excellently contrasted. The graphics are not top-notch, but it adds a stylistic element to the show. The blood is vibrant and sometimes seems to defy physics--it's great! The acting is intense and the director seems to strive away from being "natural" which is good. The intensity is not monochromatic and individual to each characters personality.

In a short and sweet summary, this gratuitous mash of beautiful people, fight scenes, political undertones is nothing short of brilliant. Watch it for what it is and you will not be disappointed.