स्पार्टाकस के आगमन से पहले के समय में, बैटियाटस की सभा को प्रतिस्पर्धियों से और अपने ही घर के भीतर कई चुनौतियों का सामना करना पड़ता है.स्पार्टाकस के आगमन से पहले के समय में, बैटियाटस की सभा को प्रतिस्पर्धियों से और अपने ही घर के भीतर कई चुनौतियों का सामना करना पड़ता है.स्पार्टाकस के आगमन से पहले के समय में, बैटियाटस की सभा को प्रतिस्पर्धियों से और अपने ही घर के भीतर कई चुनौतियों का सामना करना पड़ता है.
- 1 प्राइमटाइम एमी के लिए नामांकित
- 1 जीत और कुल 4 नामांकन
एपिसोड ब्राउज़ करें
सारांश
Reviewers say 'Spartacus: Gods of the Arena' is a prequel focusing on the House of Batiatus, featuring graphic violence and political intrigue. Praised for its narrative, performances by John Hannah and Lucy Lawless, and realistic sets, it introduces key characters. Critics note less originality and reliance on explicit content. Liam McIntyre is well-received, though Andy Whitfield's absence is felt. It's a worthy but variable addition to the franchise.
फ़ीचर्ड समीक्षाएं
By Jupiter's rooster! I'd be willing to wager coin that many a skeptic became a believer upon viewing the premier of "Spartacus: Gods of the Arena". From the opening moment to the final credits I could not gaze in another direction. The brilliant writing combined with outstanding performances and great visuals come together to produce what will no doubt become legend. The depiction of a world with honor among slaves and dishonor among their masters is masterful. The portrayal of a world which doesn't require the web or mass media for it's inhabitants to be exposed to every depravity and brutality known to humanity is enthralling. A better adrenaline rush could only be found by those living in such a world. A must see for connoisseurs of sex and violence. Mere mortals could do worse than vowing patronage to "Spartacus: Gods of the Arena". Never was a more visceral experience produced by a succession of images on an HD screen combined with surround sound!
There were many skeptics leading into this new season (not technically season 2) of "Spartacus: Gods of the Arena", many feared it would not be worth watching without Andy Whitfield. For those with concerns, here is some advice: watch it! The major antagonist was lost from the previous season, but the character depth/story of the new leading actor is building AND new depths of past characters from "Spartacus: Blood and Sand" are unveiled. The history of how they developed is fascinating. The relationship differences between the two season are significant, thus there is a huge void of curiosity leftover to reveal how they developed to become the personalities they portrayed in season 1.
It would be remiss to leave out the absolute, succulent gratuity that peaks our senses! The world is enriched with beautiful people, outstanding wardrobes cast in a time that fascinates most, the Roman Empire. Did I mention that many of these beautiful people are quite revealing? Nudity! It is with taste I might add! Of course, references to porn are made, but no porn has the character depth and sophistication that gives the sexual scenes the passion that is conveyed in this series. The necessity to produce these scenes is important in fostering the time-period's stance of sexual openness. The costume range is great; the rich are adorned with lavish jewelry and a colorful, flowing wardrobe which is artistically chosen, and for the poor, well sometimes they are left with nothing. The gladiators are especially left without much clothing, but the armor they do wear is often demonic, intimidating and everything you would naturally expect to find on a person when they are fighting to the DEATH!
The fight scenes are well choreographed and blood is everywhere! The array of weapons to choose from, the differences in fighting styles, the varying levels of fighting skill all make for interesting battles in the arena. Also, bear in mind that the arena is not only for physical fighting, but the political fold is the pressing force behind the fights. Basically, it is more than just a fight, what you see is not entirely what you get. The fight's value is difference for the gladiator, than it is for the crowd, than it is for the owner's of the gladiators; and, these differences are excellently contrasted. The graphics are not top-notch, but it adds a stylistic element to the show. The blood is vibrant and sometimes seems to defy physics--it's great! The acting is intense and the director seems to strive away from being "natural" which is good. The intensity is not monochromatic and individual to each characters personality.
In a short and sweet summary, this gratuitous mash of beautiful people, fight scenes, political undertones is nothing short of brilliant. Watch it for what it is and you will not be disappointed.
It would be remiss to leave out the absolute, succulent gratuity that peaks our senses! The world is enriched with beautiful people, outstanding wardrobes cast in a time that fascinates most, the Roman Empire. Did I mention that many of these beautiful people are quite revealing? Nudity! It is with taste I might add! Of course, references to porn are made, but no porn has the character depth and sophistication that gives the sexual scenes the passion that is conveyed in this series. The necessity to produce these scenes is important in fostering the time-period's stance of sexual openness. The costume range is great; the rich are adorned with lavish jewelry and a colorful, flowing wardrobe which is artistically chosen, and for the poor, well sometimes they are left with nothing. The gladiators are especially left without much clothing, but the armor they do wear is often demonic, intimidating and everything you would naturally expect to find on a person when they are fighting to the DEATH!
The fight scenes are well choreographed and blood is everywhere! The array of weapons to choose from, the differences in fighting styles, the varying levels of fighting skill all make for interesting battles in the arena. Also, bear in mind that the arena is not only for physical fighting, but the political fold is the pressing force behind the fights. Basically, it is more than just a fight, what you see is not entirely what you get. The fight's value is difference for the gladiator, than it is for the crowd, than it is for the owner's of the gladiators; and, these differences are excellently contrasted. The graphics are not top-notch, but it adds a stylistic element to the show. The blood is vibrant and sometimes seems to defy physics--it's great! The acting is intense and the director seems to strive away from being "natural" which is good. The intensity is not monochromatic and individual to each characters personality.
In a short and sweet summary, this gratuitous mash of beautiful people, fight scenes, political undertones is nothing short of brilliant. Watch it for what it is and you will not be disappointed.
guys nobody is recognizing the role of batiatus.....i see no single comment mentioning about him....it is he who played long duration in all the episodes....and with his performance, has brought life to spartacus TV series...he was the one with highest dialogues in the serial, but he never made us feel bored of his role either in blood and sand or gods of the arena....he really showed us a true lanista......i agree that all the actors performed to their best.Anyways its a great entertainer for our period showing us about the lifestyle during the period of gladiators.I really love the politics in this series especially those played by lucretia and batiatus together in both blood and sand and also gods of the arena.....i really bow before the dialogue writer particularly for the phrase 'jupitor's c**k' during the scenes of frustration..
I enjoyed Blood and Sand, but as a guilty pleasure. Outrageous sex and violence, some truly terrible dialogue and dodgy acting from Kiwi accented muscle men. It was fun, but not gripping nor truly addictive.
I was happy to sit back and enjoy more of the same, but Gods of the Arena is a major evolution.
There's less blood (although still more that any other show, ever) and less sex (likewise) , but far more dastardly pots and intrigue. The dialogue is more Shakespearian and the accents are reigned in. A (small) dose of Deadwood has gone a long way to making this show a cult classic. I hope they keep making these.
I was happy to sit back and enjoy more of the same, but Gods of the Arena is a major evolution.
There's less blood (although still more that any other show, ever) and less sex (likewise) , but far more dastardly pots and intrigue. The dialogue is more Shakespearian and the accents are reigned in. A (small) dose of Deadwood has gone a long way to making this show a cult classic. I hope they keep making these.
Although being the most vicious and malevolent character in the whole series, Quintus Batiatus brings out the best with his stunning, awe-inspiring, bold dialogues and insane temper.
In the mini series of Spartacus, to be honest Spartacus Season 2, we see the making of Batiatus as a Lanista. Gods of the Arena falls short if we compare Blood, Loss, Suspense and Avenge with Spartacus: Blood and Sand. It's all Quintus Batiatus show. The making of his wife as a cruel Domina is equally entertaining. Both shadowed the rise of the greatest Gladiator of that time, the legendary Crixus.
The making of Doctore and his relationship with the greatest Gladiator of that time, The Spartacus of Gods of the Arena aka Gannicus, is heartfelt.
We see all about Batiatus here: his cruelty, lawlessness, reckless crimes, Political ambitions, the love-hate relationship with his father.
Had the dialogues not been so magnificent and defying, it would have bored to a good extent in the middle.
Give your desire voice, and you shall see it well Satisfied - Quintus Batiatus.
All the four seasons of Spartacus have a terrific end, one quite similar to their common dialogue: One not to be forgotten soon!
Episode 5 and the climax of each season makes Spartacus stand strong!
In the mini series of Spartacus, to be honest Spartacus Season 2, we see the making of Batiatus as a Lanista. Gods of the Arena falls short if we compare Blood, Loss, Suspense and Avenge with Spartacus: Blood and Sand. It's all Quintus Batiatus show. The making of his wife as a cruel Domina is equally entertaining. Both shadowed the rise of the greatest Gladiator of that time, the legendary Crixus.
The making of Doctore and his relationship with the greatest Gladiator of that time, The Spartacus of Gods of the Arena aka Gannicus, is heartfelt.
We see all about Batiatus here: his cruelty, lawlessness, reckless crimes, Political ambitions, the love-hate relationship with his father.
Had the dialogues not been so magnificent and defying, it would have bored to a good extent in the middle.
Give your desire voice, and you shall see it well Satisfied - Quintus Batiatus.
All the four seasons of Spartacus have a terrific end, one quite similar to their common dialogue: One not to be forgotten soon!
Episode 5 and the climax of each season makes Spartacus stand strong!
क्या आपको पता है
- ट्रिवियाOriginally had been planned as a single flashback episode for season 2. But it became a prequel mini-series instead.
- कनेक्शनReferenced in Film Junk Podcast: Episode 717: Once Upon a Time ... in Hollywood (2019)
टॉप पसंद
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- 1 घं(60 min)
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- 1.78 : 1
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