Kalevet

In general I've been disappointed with Israeli cinema. Rather than giving sincere and insightful expressions of a country with such a heavy sociopolitical atmosphere, a land which underlies so much of the world's history and which has now been so quickly repopulated and rebuilt by a people who have achieved so much under the weight of hatred, exclusion, and genocide, most Israeli filmmakers have followed in the aimless and shallow footsteps of Hollywood trash and self-righteous American liberal con artists. The film "Kalevet," however, is an exception to the current trend of filmmaking in Israel and all the other countries of the world who are to some degree being culturally tainted by one of the worst things America has to offer, i.e., it's cinema. And interestingly enough, "Kalevet" manages to escape the Hollywood pattern by making use of one of it's most simple-minded conventions--the slasher film. By employing sophisticated directing, cinematography, editing, and a screenplay portraying morally complex characters and a narrative that serves as an insightful metaphor for Israeli society as well as a universal statement on the human condition, the creators of "Kalevet" have succeeded in doing what is usually more expected from filmmakers in the more eastern part of Asia, i.e., reinvent a usually meaningless Hollywood genre into something that is not simply entertaining but meaningful.

Rabies, despite the title, has nothing to do with rabies, I think it is supposed to represent how infectious the violence was between the characters as they found themselves in a fight for survival and being paranoid about each other's intentions. Rabies, however, is a really creative, different & entertaining film that I thoroughly enjoyed. It all starts with a female, Tali who has fell down a trap in the woods and her brother, Ofer who is trying to get her out. We learn that the trap was set up by a crazed killer who plans on torchering and killing her. as soon as Ofer goes to try and get help to get his sister free, the madman returns and begins his assault on Tali. This is not a formulaic slasher film where a killer in the woods kills off a group of young 20 somethings one at a time, in fact the killer plays a very small part in the movie and acts more as a catalyst for a series of events that lead to interactions between other characters that stumble into and around the woods.

In addition to Tali, Ofer and the killer, there is also a group of 4 friends on their way to a tennis match who get lost - they end up hitting someone on the road which is how they get involved in the plot & descent into the woods, 2 cops who are called to help the 4 friends and a man who is hunting and surveying the land in the woods with his dog. He also has a girlfriend who we meet at the beginning.

I would definitely recommend this movie. The story line has many unpredictable twists and turns and overall the acting was solid although the girl playing Shir, played by Yael Grobgas was the one weak link. I think her wooden, blank performance was supposed to be a result of her character being in shock but she was just as wooden, blank and unnatural before any bloodshed occurred so I think she's just a horrible actress. That would be my one complaint in this film.

8/10 = rating

And you know what they say about the first impression. It's the one you can't undo. And Rabies does not disappoint. Well it might not give you what you expect (given the title and what you think of that), but if you keep yourself open minded you will get an experience that is unique. And not because it is an Israeli movie, but because it has characters in it, that you care about.

Horror movies tend to get that wrong and just try to deliver the kills and thrills. But this one has "real" people in it. You can relate to some of them or not, but you will get to know them. That's the reason why the movie Rabies comes up in so many "Top 10" lists (mine included for 2011, when I saw it at Frightfest).

Defying expectations, I can really only recommend this to you. Watch it when you can

Israel's fist horror film, and it's quite a doozy. Not only that, but one of the more unconventional, genre bending efforts I've seen in the genre for a while which comes across especially impressive for not just first time directors but a first time country. I won't go into the plot too much as its a film that one ought to discover for themselves, but a look at the characters is in order. We have Ofer and Tali, who ran away from home only to run afoul of evil in an abandoned nature reserve. Then there's Menashe, surveyor of said reserve and next to get drawn into it. Next come four young tennis players on the way to a game but are waylaid by an accident and finally Danny and Yuval, two cops who come to investigate said accident. Once all the characters are set up, the film gets moving, a black comedy of confusion, strained friendships and mounting anger, plot dependent entirely on character and emotions that spiral inexorably out of control. It all comes down to human nature and breaking points and its rather good to see in the film that peoples actions and reactions in the film feel realistic, whether the odd moment of deliberate malice organic to a character or mostly just desperate and unthinking violent reaction to a problem the film really has something to say underneath the chuckles or the bloodshed. The film is pretty amusing in a largely deadpan manner and the humour is nicely mixed in with the horror even as the tension slowly mounts and things become towards the end rather affecting. There isn't all that much gore but what's there is decent, nice little gruesome jolts achieved with quality practical FX work. It as all the more effect for audience identification with the characters, all of whom are well portrayed. Special mentions for Danny Geva as horny sleaze-ball rich kid cop Yuval, Ania Bukstein as a girl with some Sapphic attraction to a friend going on and Ofer Shechter as a jokester whose assurance and easy manner is sorely tested by affairs. The film could have done with more constant tension I think, with early scenes before everyone gets entangled lacking much of a spark to them, and also towards the end slightly overdoes its emotional farewells, but its solid going all the way and even gave me things to think about afterwards. A fine start for a new entry into the world of horror, definitely worth a look.

RABIES is the first Israeli slasher film ever made, and it starts off as your typical slasher flick: A group of teens are driving on a shortcut through the woods. However, even this early in the film, it starts to veer off in a different direction when we are introduced to other characters, which includes the killer himself, two cops, a ranger and his dog, and siblings. As expected, an incident occurs that sets off a chain reaction that ultimately makes RABIES one of the weirdest and most original slasher flicks I've ever seen. All the ingredients of a slasher film are here, but they go against the conventions of a slasher film. Think of it like this: RABIES is the product of what the Coen brothers would do if they ever decided to do a slasher film. Saying anything more would ruin the experience, so I'll just leave it at that.

RABIES separates itself from other slasher flicks in many ways, including the fact that the entire film takes place in daylight and that most of the characters are fleshed out. Even the teens seem like real people, not dumb victims who make idiotic decisions to get them killed off. The film also has surprising levels of comedy and drama that's mixed with the horror, which is influenced by Korean horror films in the past few years. It also has something to say about the nature of human beings, so not only is RABIES an atypical slasher flick, but there's also an underlying commentary running through the film.

Because of how RABIES bend the slasher genre, I can see that it might not work for everyone. Some die hard slasher fans may be disappointed seeing that it doesn't follow a lot of the slasher conventions while others may open up their arms willingly to what the film has to offer. Although it doesn't revolutionize the slasher genre, I found it to be entertaining and weird overall, and I appreciate the originality put into it. I'd also keep my eyes on directors Aharon Keshales and Navot Papushado and on their next film, which is a murder mystery. Hopefully, this film will also open a lot of doors to what Israel can offer to the rest of the world in the future. And lastly, there's already talks of an American remake so watch this ASAP.