IMDb रेटिंग
6.7/10
29 हज़ार
आपकी रेटिंग
आइरिस अपने दोस्त जैक को, उसके भाई की मृत्यु के बाद, अपने परिवार के द्वीप पर रहने के लिए आमंत्रित करती है. उनके निर्जन कमरे में, जैक की आइरिस की बहन, हाना के साथ नशे में मुलाकात, कई दिनों तक ... सभी पढ़ेंआइरिस अपने दोस्त जैक को, उसके भाई की मृत्यु के बाद, अपने परिवार के द्वीप पर रहने के लिए आमंत्रित करती है. उनके निर्जन कमरे में, जैक की आइरिस की बहन, हाना के साथ नशे में मुलाकात, कई दिनों तक उसे घेरे में ले लती है.आइरिस अपने दोस्त जैक को, उसके भाई की मृत्यु के बाद, अपने परिवार के द्वीप पर रहने के लिए आमंत्रित करती है. उनके निर्जन कमरे में, जैक की आइरिस की बहन, हाना के साथ नशे में मुलाकात, कई दिनों तक उसे घेरे में ले लती है.
- पुरस्कार
- 2 जीत और कुल 8 नामांकन
Michael Harring
- Tom - in photos
- (as Mike Harring)
Forrest Scherer
- Tom's Friend
- (as Dori Hana-Scherer)
फ़ीचर्ड समीक्षाएं
"Your Sister's Sister" is an indie romantic dramedy. One that tries to say so much with so little; "little" in terms of story and setting. It's a dialogue driven film about relationships. Jack (Mark Duplass) is depressed, mourning the loss of his brother. His friend Iris (Emily Blunt) sends him up to her father's cottage for some alone time and beautiful scenery.
Beautiful scenery there was plenty of; but not so much alone time. Unbeknownst to either of them, Iris's sister, Hannah (Rosemary Dewitt), was also retreating to their father's cottage for some alone time in the wake of an upsetting break-up. Two lonely people and an entire bottle of tequila lead to one inevitable place. In the morning, Iris arrives.
Duplass is fairly adept at comedy so he was able to navigate his way around two attractive sisters with a few well-earned laughs. There are more laughs during the description of Iris's boyfriends (each wears skinny jeans, skinnier than the next). As mentioned, this is a dialogue driven film which makes it or breaks it. For the most part it does the job and effectively introduces us to the three characters, but the common complaint that the dialogue is pretentious is certainly accurate.
The characters are real enough, if not a bit extreme in their ways, that likability isn't a huge factor. Although, Emily Blunt's character does get preachy when things don't go her way. She, and the audience, are thrown for a loop when a twist is introduced half-way through the film. At first I was relieved that the film was going to be about something other than just the relationships of these three people.
But ultimately "Your Sister's Sister" is just about the sister's relationship and their relationship with Jack. An ambiguous ending can certainly be welcome and interesting, but if you don't quite care enough about the relationships to begin with then the ending arrives just a beat too early.
Beautiful scenery there was plenty of; but not so much alone time. Unbeknownst to either of them, Iris's sister, Hannah (Rosemary Dewitt), was also retreating to their father's cottage for some alone time in the wake of an upsetting break-up. Two lonely people and an entire bottle of tequila lead to one inevitable place. In the morning, Iris arrives.
Duplass is fairly adept at comedy so he was able to navigate his way around two attractive sisters with a few well-earned laughs. There are more laughs during the description of Iris's boyfriends (each wears skinny jeans, skinnier than the next). As mentioned, this is a dialogue driven film which makes it or breaks it. For the most part it does the job and effectively introduces us to the three characters, but the common complaint that the dialogue is pretentious is certainly accurate.
The characters are real enough, if not a bit extreme in their ways, that likability isn't a huge factor. Although, Emily Blunt's character does get preachy when things don't go her way. She, and the audience, are thrown for a loop when a twist is introduced half-way through the film. At first I was relieved that the film was going to be about something other than just the relationships of these three people.
But ultimately "Your Sister's Sister" is just about the sister's relationship and their relationship with Jack. An ambiguous ending can certainly be welcome and interesting, but if you don't quite care enough about the relationships to begin with then the ending arrives just a beat too early.
A dialogue heavy film, which I am often very fond of and this is no exception. Basically a three- hander with a trio of sublime and believable performances from Mark Duplass, the always excellent Emily Blunt and the seriously under rated and forever sister (United States of Tara, Rachel's Getting Married) Rosemarie DeWitt. They simply inhabit these characters.
A film told with great honesty and natural flair, with a lot of the dialogue being apparently improvised, I was entertained and intrigued from beginning to end. I laughed out loud on a number of occasions at the spoken wit and the extreme awkwardness of some of the scenes. These are all flawed people, but they are all relatable and likable.
It does fall into a little bit of predictability and cliché as it moves on through the story and I surprisingly had no issue with one aspect that angers many a gay woman, as to me it made sense for the character.
It was a journey I very much enjoyed and it felt quite different from your average rom-com.
A film told with great honesty and natural flair, with a lot of the dialogue being apparently improvised, I was entertained and intrigued from beginning to end. I laughed out loud on a number of occasions at the spoken wit and the extreme awkwardness of some of the scenes. These are all flawed people, but they are all relatable and likable.
It does fall into a little bit of predictability and cliché as it moves on through the story and I surprisingly had no issue with one aspect that angers many a gay woman, as to me it made sense for the character.
It was a journey I very much enjoyed and it felt quite different from your average rom-com.
This is the first time I have ever felt so strongly about a movie to write a review. I watched it on an airplane yesterday and cannot stop thinking about the characters. I can't get over how real they were and how great the acting was. I laughed and cried and wanted to be friends with them. The end kills me though! I need a sequel!! Or I've even kept imagining a television series. I would LOVE to be able to continue watching these characters and see their lives play out. When I saw the preview, I thought, hmm this should be interesting with just 3 people in the movie pretty much the whole time, but I seriously loved it and thought it was brilliant. I didn't want it to end!
My rating: 88/100
I ended up seeing this movie at the Toronto film fest in a rather circuitous way but I'm awfully glad I did.
Nary a car chase nor explosion, but instead a quiet and thoughtful film. It touches on relationships, death, siblings, betrayal, unrequited love, honesty, fears, and forgiveness and does so in a very believable and refreshing way.
Most of the movie takes place at a secluded rustic waterfront cottage, a family cabin that Iris (Emily Blunt) has suggested her 'bestie', Jay (Mark Duplass) visit to clear his head; he's still emotionally stuck at the one year anniversary of his brother's death.
The secluded locale - without phones, computers and the usually daily distractions - is the conduit which allows the abundance of emotions and introspective feelings bubble up and expose themselves to a trio of characters connected in various and interesting ways.
These three individuals are both frustrating with their flaws, yet endearing with their fragility and weaknesses. How easy it is to identify with all of them! which can perhaps be attributed to the impromptu conversation Director Lynn Shelton nurtured and encouraged from the mere 70 page script. She confessed that 75% of the dialogue was improvised allowing a unique honesty to develop within each character, thanks to a stellar cast.
I'm thankful Shelton stuck around Toronto for this third screening – she's originally from Seattle which is where this was filmed - and was more than willing to open up to the audience at a post Q&A where we heard her speak passionately and reflectively about the 12 day shoot (wow!) with almost no funding and how she lucked in to Emily Blunt coming on board (thanks to a shared agent) who was keen on the challenge and experience. Also it was nice to hear that during the festival the film had found distribution through IFC, and that cast and crew would now be compensated for this wonderful collaboration.
This film's a winner to me. I hope you have an opportunity to see it.
I ended up seeing this movie at the Toronto film fest in a rather circuitous way but I'm awfully glad I did.
Nary a car chase nor explosion, but instead a quiet and thoughtful film. It touches on relationships, death, siblings, betrayal, unrequited love, honesty, fears, and forgiveness and does so in a very believable and refreshing way.
Most of the movie takes place at a secluded rustic waterfront cottage, a family cabin that Iris (Emily Blunt) has suggested her 'bestie', Jay (Mark Duplass) visit to clear his head; he's still emotionally stuck at the one year anniversary of his brother's death.
The secluded locale - without phones, computers and the usually daily distractions - is the conduit which allows the abundance of emotions and introspective feelings bubble up and expose themselves to a trio of characters connected in various and interesting ways.
These three individuals are both frustrating with their flaws, yet endearing with their fragility and weaknesses. How easy it is to identify with all of them! which can perhaps be attributed to the impromptu conversation Director Lynn Shelton nurtured and encouraged from the mere 70 page script. She confessed that 75% of the dialogue was improvised allowing a unique honesty to develop within each character, thanks to a stellar cast.
I'm thankful Shelton stuck around Toronto for this third screening – she's originally from Seattle which is where this was filmed - and was more than willing to open up to the audience at a post Q&A where we heard her speak passionately and reflectively about the 12 day shoot (wow!) with almost no funding and how she lucked in to Emily Blunt coming on board (thanks to a shared agent) who was keen on the challenge and experience. Also it was nice to hear that during the festival the film had found distribution through IFC, and that cast and crew would now be compensated for this wonderful collaboration.
This film's a winner to me. I hope you have an opportunity to see it.
i've seen several films that were just played out by one character or two , such as "Conversations with Other Women (2005)", "The Man from Earth (2007)" and "The Sunset Limited (2011)", but they were all so good that i never got bored from the very beginning to the very end. these three movies were all with great dialog and just because their dialogues were so alive and true, the dialogues themselves had become the storyline, the scenarios and the plots. but sadly, this movie totally missed the mark and turned out to be one of most boring movies i've ever watched. the location was Seattle, the two women one with English accent, one with American and they claimed to be sisters? half-sisters? how come two sisters grew up together would have different accent? this was such a bad casting job. i don't want get into details of this movie's flaws, i just want you guys to read all the reviews with the lower or lowest scores, those reviews would tell you what were wrong about this movie and then, you'd know how stupid and how ridiculous this movie was.
क्या आपको पता है
- ट्रिवियाThe movie was shot in 12 days and it was largely improvised.
- इसके अलावा अन्य वर्जनHalf Sister, Full Love-Original title: Et ta soeur 2015 France
- कनेक्शनFeatured in Maltin on Movies: The Twilight Saga: Breaking Dawn - Part 2 (2012)
- साउंडट्रैकHistorical Society
Written and Performed by Vinny Smith
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Your Sister's Sister?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Chị Yêu Em Gái
- फ़िल्माने की जगहें
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,25,000(अनुमानित)
- US और कनाडा में सकल
- $16,36,190
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,09,221
- 17 जून 2012
- दुनिया भर में सकल
- $32,42,802
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें