Ash

The production value is high, the actors are solid, the sets are fine. But this is has got to be the most overused clichéd script I have ever seen.

The scifi elements are just enough to create a coherent plot and unify all the elements. But it is incredibly boring slog fest, which they have tried to make more intelligent by the most overused trope of the main character losing their memory.

I think this is the wave of AI generated scripts. This simply has no value, there are so many better movies who have almost the identical plot.

It only requires two movie they stole from, and I cant really call it influenced. I have no idea how something can simply rip off the idea from "The thing", mix it with a bit of "Alien" to pad out the scenes, and actually manage to get it made.

These are two of the most most influential movies in the genre, didn't someone notice how it was such as blatent and poor ripoff.

ASH is a sci-fi horror directed by Flying Lotus. It stars Eiza González and Aaron Paul and was written by Jonni Remmler. It tells the story of Riya, who wakes up find that the crew of her space station has been killed. She doesn't know what has happened or who she is, but has quick flashes of nightmarish memories as time progresses. When another crew member shows up to offer help, Riya isn't sure she can trust him. The movie is a mash-up of mystery, sci-fi, and horror, and some parts are executed well while others fall short of hitting the mark. It is also in many ways symbolic representation of battling one's own demons, and there are multiple times where lighting and other scene events leave clues as to what is going on. A re-watch might reveal even more instances of such clues. ASH is not a sequel or a remake, so I do give this movie props for trying to be something original (though clearly influenced by superior films that came before it such as The Thing and Alien). Unfortunately, the writer and director have trouble fully sticking the landing with the execution and the story as a whole, and I left the theater feeling a bit disappointed that I couldn't enjoy this one more. Quick Take movie review on my YouTube channel.

Went in without having seen a trailer and only having read a brief synopsis, left confused and disappointed. The film is a jumbled aggregations of themes and concepts that have played out in other prominent sci fi films dating back to 2001: Space Odyssey and there are scenes that are straight ripped from others (looking at robot assisted medical procedures). Aside from some trippy fractal visuals that are never really explained, the sets are basic, special effects pretty minimal, and acting pretty bad across the board. The main character Raya is hot, so there is that. Twists and turns at the end kind of clue one onto what's going on, but it's clunky.

As my viewing mate said to me about ten minutes in "This is a very B movie".

Otherwise, the movie is tension free and not enough of a plot for a feature. I was looking forward to this based on the mysterious description. After watching it, the movie is an extremely basic sci fi action thriller with robotic horror thriller events that don't work. It's formatted with a plot device that delays the inevitable reveal while establishing atmosphere without any dialogue for large portions of the film.

As such, I found the film relaxing and the script had the quality of a wandering mind. No, I don't think the explanation makes up for it and it feels inappropriate for the film.

Is an interesting idea, some cool concepts, stunning imagery, lot of great pratical effects and stunts, but it just drags on.

Elza Gonzales and Aron Paul are great actors, but they have no chemistry or charisma in this, specially to drag a whole movie, and the dialogues doesn't help at all, Iko Uwais is straight up wasted. It just feels like they got this concept for a short or something, and some executives made then stretch it into a movie... So this is what we got, but hey, at least they did the right thing about the expositions, which is to show stuff, instead of telling through narration.