अपनी भाषा में प्लॉट जोड़ेंWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimac... सभी पढ़ेंWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a mas... सभी पढ़ेंWhat does it mean to lead men in war? What does it mean to come home? Hell and Back Again is a cinematically revolutionary film that asks and answers these questions with a power and intimacy no previous film about the conflict in Afghanistan has been able to achieve. It is a masterpiece in the cinema of war.
- 1 ऑस्कर के लिए नामांकित
- 4 जीत और कुल 9 नामांकन
- Self
- (as Sgt Nathan Harris)
- Self
- (as Lt Col Christian Cabaniss)
- Self
- (as Cot Eric Meador)
- Self
- (as Lt Edward Hubbard)
- Self
- (as Chaplain Terry Roberts)
- Self
- (as Lt Cmdr Robert Gaines)
- Self
- (as Lt Cmdr Matthew Swibe)
- Self
- (as Sgt Chris MacDonald)
फ़ीचर्ड समीक्षाएं
This documentary if on the basis of exposing how terrible the US Marines during combat, it should got 10 stars, because it had vividly shown us how pathetic the Marines were in general. But if you take it from a different patriotic angle, this documentary sucked big time, it did nothing to glorify the US forces, especially the Marines. They have mindlessly wasted their lives wherever they were thrown into. All of them just looked so lame, so timid, so scared, all they could and would do is just shooting blindly to their unknown enemies. What a pathetic documentary since what it showed to us only made us shaking our heads constantly.
The footage of Nathan at home, however, is what may bring out very different responses. He is obviously in extreme pain and has a harder life, yet is still very gung-ho and dreams of a full recovery and return to the front line (which got a gasp of disbelief by some in my theater). He also is very interested in firearms, and there are several shots of him and his pistols which he keeps near his bed and which he trains his wife how to use. She, meanwhile, must deal with the stress of caring for an injured husband while still performing her daily routine. Together, they see people in their community (who are quite positive), the marine doctors (who are hopeful for his recovery), and attend a very sad memorial for recently KIA soldiers at the base.
To anyone who is staunchly pro-military, the footage should be quite uplifting. Nathan is determined to recover (and he does noticeably improve though as of April 2011 is not fully healed) and the support of his community and especially his wife is heartwarming. Those who are not so gung-ho will probably be shocked by the footage. In the Q&A with the director and Ashley after the screening, one woman asked Ashley if she was scared for her life at all (a reference to Nathan's constant gun wielding, which she wasn't). Regardless of your leanings though this is an excellent documentary and should not be missed.
what we saw in this film was just a bunch of marines randomly shooting bullets aimlessly to nothing, while casualties added up more and more. then the wounded marine came home to find out that nobody in the u.s.a. gave a sheet to what he and his comrades did in that remote country. he couldn't even find a parking space in the big shopping center. he tried so hard to explain those "why we have to fight against taliban in that raghead country", because even he himself couldn't find an appropriate answer to satisfy himself.
this is a very boring and pointless documentary that didn't tell anything worth watching or understanding. this film is actually the worst one i've ever seen so far. by watching this kind of pointless film only wore out my patriotism thinner and thinner. why only poor kids from the lower income families got the privilege to serve their country, lost their lives, their arms and legs and hopes when they came back from that sheethole and they have to deal with their painful treatments and recoveries alone? now, we are backing out and getting away from that death trap, and all the lives of our wonderful young men we wasted there would only be a faded memory. America is just like the huge parking lot in a shopping center, finding a parking space for your vehicle is the most important mission on a daily basis. war on terror? who cares? patriotism is not just waving a stars-n-stripes flag or put a flag on your imported car or, wrapping a yellow ribbon on the tree in your front yard.
People made a big deal last year about Restrepo showing the intensity of moments in combat. That film, while great, doesn't even touch what young Danfung Dennis achieves here. The up close intimacy of the war moments took the most brazen courage to compile, but the shots are so beautifully constructed you truly can touch the daring and fear of those moments. I have only felt this before in narrative films like The Hurt Locker.
But the footage of the struggle this troubled soldier endures in his recovery from crippling injuries is equally compelling, frightening and heartbreaking. The sewing together of the two worlds presented has a power all its own.
I really believe this amazing young filmmaker, who really gives his all to the art in this film, deserves recognition. It won the documentary jury prize at Sundance. It now has been shortlisted by the Oscars for nomination consideration. These are so deserved.
I was entranced by how many ways the movie was pulling the opinion of the war. It first shows an injured Marine named Nathan who is crippled because of the war. Yet, the moment I began think it was an anti-war movie, Nathan is talking about how he wants to get back onto the front lines! I had to pause the movie and try to wrap my head around this and decide whether this was pro or anti-war. Then it hit me like a sack of bricks, this movie is not pro or anti, it's an actual documentary. It's what a documentary is meant to be, a picture of real life and a gap for the viewer to decide what is right or wrong. I un-paused the movie and continued to watch.
The rest of movie was as gripping and emotion provoking as the first fifteen minutes. The director managed to flip between the footage of the war and the home life of Nathan. You could see Nathan back home still recovering physically from the war while at the same time the 'flashback' clips of the war lets the audience remember that there is more going on than we can see. As an audience you are spell bound. You see Nathan playing Modern Warfare 3 and you wonder what is going on in his head. You see Nathan playing with a gun and you move to the edge of your seats and begin to think that something very real could happen right here. The sheer tension created in this documentary is massive and is not lost on audiences.
One of my favorite scenes in this movie is when Nathan and his wife are looking at a new house and Nathan opens a door. At that moment the movie flicks over to clips from Nathan overseas as he and his fellow soldiers are kicking down doors and then the movie flicks back to Nathan back at the new house where he is looking like he is about to throw up. The raw emotion in that scene really got me going. Overall I was pleasantly surprised at this movie. As a documentary it filled the requirements of not only being entertaining and thought provoking, but also being available to the public. The story was interesting and the people in the story were very real to me. I am giving this movie a 10 out of 10 rating and highly recommend that if you can spare 80 minutes of your life for this movie, then watch it.
क्या आपको पता है
- ट्रिवियाThe title is probably a reference to the classic war film To Hell and Back (1955), which starred Audie Murphy as himself in a dramatic re-telling of his experiences as the most decorated American combat soldier of WWII. This could be regarded as a documentary version of the same concept.
- गूफ़Despite an establishing shot of the exterior of a Walgreens pharmacy, the scene where Nathan's wife purchases his prescriptions is clearly filmed inside a CVS pharmacy, as seen on the cashier's name tag.
- भाव
Nathan Harris: If I do everything right, and all my men do everything right, I still can die. So You just have to accept it.
- कनेक्शनEdited into Independent Lens: Hell and Back Again (2012)
टॉप पसंद
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- 戰地迴聲
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $40,634
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,413
- 9 अक्तू॰ 2011
- दुनिया भर में सकल
- $40,949