The Lords of Salem

The Lords of Salem is a picture that replicates Rob Zombie's style in such a way that it will live up to his indelible, trashy standard he has made his films so often center around. I'd be foolish for neglecting to mention it, but I'd be lying if I said the film was a solid entry in the horror genre. Too often does Zombie seem to be taking the story in alternate directions, that he has made witches, what the film seems to be wanting to focus on, products of the background. In the foreground are mildly amusing, but forgettable characters and loads of pretty satanic imagery.

The story revolves around Heidi (Zombie's wife Sheri Moon), a local-girl DJing at a radio station with two close friends, both named Herman (Jeff Daniel Phillips and Ken Foree). One day, a mysterious wooden package housing a strange vinyl stating "a gift from the Lords" shows up addressed to Heidi. Assuming it's a band's attempt to make it big, she plays the record, which responds by playing itself backwards, making her flashback to traumatic life events and incomprehensible, jumbled visuals. Soon, the track becomes a hit with the listeners when they play it the way it should be played, but it isn't long before we discover the Lords aren't a rock band, but a ghastly group of depraved witches looking to claim the land as their own.

If this picture is supposed to be about witches and the resurrection of demons, it does a pretty poor job at staying focused. As stated, Zombie can't help but find different ways to make his imagery grossly trashy (not a derogatory remark) and deliciously depraved. He keeps getting caught up in ways to make Heidi's trances seem more and more questionable and disturbing, rather than emphasizing the significance this story has. By the time we reach the hour mark, and have not had any of our witch cravings fulfilled, the remaining thirty-two minutes become drab and uninteresting.

Sheri Moon, once again, does a wonderful job at portraying a character that is a few tires short of a car. Her work in The Devil's Rejects showed she truly has an affection and a talent for playing the kind of dirty, deranged roles her husband has in mind, and to be costarring alongside the likes of Bill Moseley and Sid Haig - two greats and frequent Zombie collaborators - only showed that she could hold her own. Here, without the help of Haig and Moseley, she is left to carry almost the entire film with her empty character and this poses a grave problem for the way the story conducts itself. Heidi very rarely does anything remotely intriguing, and her actions are confusing and seemingly inert. Often we see her randomly walking, hallucinating, losing and regaining consciousness, and being victim to the likes of witches and we do not sense any form of sympathy or sadness. There's just a looming feeling of emptiness on the narrative's part. Who is this woman and why should we care? It should come as no surprise that the framing, aesthetics, music choices, cinematography, and placement of the picture are all top-notch. The set design, which really kicks in during the last twenty-minutes, is beautifully presented in all its twisted, oddball glory. The inclusion of heavy metal music and astute framing also adds to the film's overall deranged-beauty. I've recently become acquainted with Rob Zombie's music (especially his nineties work, which is the kind of heavy metal I crave) and once you get his taste in music down, his films become a bit more accessible. I kind of wish The Lords of Salem was a cool, ten-minute long rock song rather than a film. I think Zombie could've gotten his expression of witches, depravity, and the witchcraft subplot more originally and less monotonously through the likes of music and loud riffs rather than cinematic redundancy.

This is Zombie's sixth directorial effort in about ten years now, with his first picture, House of 1000 Corpses, dating all the way back to 2003. It was an interesting, stylistically potent piece of work, and was followed by the likes of the terrific Devil's Rejects, the tolerable Halloween remake, the loathsome sequel, the lukewarm Haunted World of El Superbeasto, and now the mixed bag that is The Lords of Salem. The last thing I want Zombie to do is quit the horror game when he has already made three truly well-done films that show off the insanity, dirtiness, and complete and total lunacy of the horror genre. The first thing I want him to do is find a story that compliments his style greatly and pursue it in a manner that doesn't distract him.

NOTE: Rob Zombie released two new albums recently, one of them the soundtrack to The Lords of Salem and, the other, his latest solo work Venomous Rat Regeneration Vendor. Both of them I strongly recommend picking up for their wonderful contributions to the genre of guttural, disturbing rock and roll. I suppose, in the case when a director's work suddenly slips, when one door becomes cracked another one optimistically opens.

Starring: Sheri Moon Zombie, Jeff Daniel Phillips, and Ken Foree. Directed by: Rob Zombie.

"Fate leaves you no choice. It is predetermined by forces stronger then ourselves." Heidi Hawthorne (Zombie) is a DJ at a local radio station. One night as she is leaving she receives a record from a local band. Playing it when she gets home she begins to feel strange. When a local man starts to investigate the song they played he starts to uncover a horrifying secret. This one overall isn't that bad but I think it was more disturbing then scary. I have only seen the Halloween remakes by Rob Zombie and not the other ones he has done but I still had an idea of what to expect and for the most part I was right. The movie,while it was OK and kept me watching did seem slow and repetitive in parts, really just seemed like a movie he wrote as a reason to show off his wife. Bruce Davison is good in this and he really helps the movie out. There is a ton of Satan worship in this so if that bothers you avoid this...but since it's a Rob Zombie movie you kind of expect something like that anyway. Overall, nothing that amazing, but also not that bad, an OK rent for me...horror fans may really like this more then I did though. I give it a B-.

I've never been a huge fan of Rob Zombie. There's something so sophomoric and immature about his writing style as if he's a 13 year old boy amusing his friends by dropping f-bombs and playing The Misfits. There doesn't usually seem to be a lot below the surface of his film, but imagine my surprise when I watched Lords of Salem and found myself loving every bizarre minute of it.

Zombie has dispatched of the white trash and "edgy" characters that typically populate his films and has given us a mature, stylish, and remarkably unsettling witchcraft story that feels like it could have been made my some European auteur in the 70's.

From the very first scene, Lords of Salem pulls us in with a disturbing prologue featuring a terrifying performance by Meg Foster (who goes for broke) as the head of a coven of witches. She vows to control all the women in Salem. Years later, a DJ plays a mysterious record on the air that ends up doing just that - controlling all the women of Salem to do the witch's bidding.

Lords of Salem is a surreal, nightmarish, and bizarre film that I'd compare to the works of Kubrick, Russell, Fulci, and Argento. It has a few missteps here and there, but it's a satisfying and unforgettable film.

Rob Zombie has made another movie, and its not as great as his previous works of art. The Lords of Salem is completely different from his other films, but it is still done pretty well. When you watch this you feel like you went back in time to the 1970s. It is a weird, art horror flick that shows graphic images and scenes of all different sorts! I guess I recommend this dark film, especially if you can handle controversy, satanism, and nudity. The jist of this movie is about a radio DJ (Sheri Moon) that receives a record from a group called "The Lords", and when the song plays, she gets gruesome visions of witches and witch torture that took place plenty of years ago. Thats pretty much all you can say because this movie is so hard to summarize. When its over you think to yourself, "what the f**k just happened." Lords of Salem takes you on a crazy journey that you'll remember for a while. One thing that got me a little upset was how Sid Haig's scenes got cut from the movie. However, Zombie has a great cast of the past including Meg Foster, Judy Geeson, Dee Wallace, and Patricia Quinn. Rob Zombie has disappointed me a little with this film. But still, it's not bad, worth a try I guess. and I give this film a strong 6/10.

I can start by saying, at least at times this movie was a visual treat. I can't say all the time, though. The majority of this movie was Sheri wandering around aimlessly from location to location, where the script highlighted her laughably bad acting. I can't say she is by any means a bad actress, this movie just never gave her an opportunity other than to sleepwalk. Sleepwalking is probably the best way to describe this film, which takes a rather interested premise and manages to bore the death out of everyone with it. Literally the only saving grace is the orgasmic last 1/6th of the movie, without it this score would've been borderline 1. Also, I will add, for a musician to be making this film, I expected a far greater soundtrack.

Where did this go wrong? First thing comes to mind is the decision to make this a feature film. This film had about as much content as a short film, and if it would've stuck to this route, IMO, it would've been much better. The film almost consists of entirely filler. The first time we are introduced to the Salem witches it is a visual treat, the 10th time it has long warn thin. I'm just wondering why Hollywood can't seem to make a witch movie right. The Craft is usually pointed to, but upon second viewing the Craft is nothing special. Don't bring up Hocus Pocus, either. It seems that witch movies tend to be so poorly done, and it is such a shame. I really wanted Lords of Salem to bring something new to the table.

What we got instead was every horror cliché in the book, terrible acting, horrific soundtrack, filled with at least an hour of pointless filter.

This film far from accomplishes what it set out to do, though, I must admit, towards the end I had a smile on my face. It was a sad reminder of exactly what this film could've been. 4 out of 10.