Honour

"Two people love each other, why can't people be happy for them? He's Punjabi, Mona. He's Muslim, Adel. Yeah, but that ain't how it works."

Occasionally you watch a movie with a rarely used (or abused) topic. No alien creatures threatening to destroy humanity, not another childish story about a post-apocalyptic world with a youngster as a liberator, not again cheap humor in a silly comedy with overstressed eager beaver, not an average action story with muscled guys or a horror with once again an evil spirit being driven out by using medieval rituals to the place where it came from. "Honour" is about honor killings.

Despite our modern society this ancient use is still applicable in some cultures. Especially in the Muslim communities they sometimes fall back on this custom. Mostly the targeted persons are those who ashamed their family and, believe it or not, these mad acts are justified by certain laws of Islam. In some countries the majority of perpetrators go unpunished like in Pakistan. It's a despicable thought that there are hundreds of women being killed each year because they have violated the family honor. And that's the starting point of this film.

"Honour" is a gray and depressing impression of the beautiful Mona (Aiysha Heart) whose life enters a gruesome cycle of violence after she began an affair with a Punjabi and therefore experiences the wrath of her primal conservative mother (Harvey Virdi). Mona's mother (the similarity with the nasty witch from Hansel and Gretel is striking) and brother Kasim (Faraz Ayub) first try to take the law into their own hands. This goes wrong (in an incomprehensible way) and they hire a bounty hunter (Paddy Considine) to liquidate Mona.

You can call the performances of the actress Aiysha Hart and the other actors commendable. Persuasive and dedicated. A cast that does its utmost to realize a credible and realistic story. Considine plays a sublime character role. You can see the duality in his character evolving. From a cold blooded, racist assassin into a true understanding person who apparently still has a bit of humanity inside him. Despite these superb performances, the film still fails on several points. Apparently Shan Khan couldn't really decide whether it should be a didactic documentary or a thriller. It's not a documentary because the background of the problem is pretty vaguely presented and there's hardly any explanation. For a thriller, there has been as much as no suspense. Also, the storyline was pretty confusing because of the constant use of time jumps and constantly viewing the same situation from a different viewpoint. The whole movie was like a Spaghetti Bolognaise: tasteful with a clew of story lines.

Despite being a low-budget film, "Honour" partly succeeded to convince. It throws some light on a mysterious and incomprehensible to our standards culture, where barbaric practices are still honored. All in all I thought it was a good movie and a must see, if only to conclude that unfortunately such practices are still part of our modern society. And despite the dark atmosphere, this film also shows a gentle side so there remains still a bit of hope. Technically, I thought the executed idea of the film being a loop, not unkind and creative.

More reviews at http://opinion-as-a-moviefreak.blogspot.be

I would not call this movie a thriller but a drama. Unfortunately a drama that still happens in these ages. The barbaric beliefs of people still living like in the middle ages. Whatever somebody wants to do with his life is his or her choice and nobody should interfere in that life as long as the person doesn't harm anybody. I thought the movie was well made with good actors that made the story believable. For me as a convinced atheist it is painful to watch that in the twenty-first century there are still people who act like that. I hate every religion or sect and I think we can only have a better future if all religions were to be abolished. I know this will never happen and that's too bad but if at least every believer of whatever religion would just get on with his own life and leave all the rest in peace then maybe we would get somewhere. From all the religions there are Islam is by far the most retarded of them all. It looks like they didn't evolve in time. Anyways, I thought the movie was interesting to watch even though it made me mad. Certainly worth a watch.

The film addresses the insanity of extremists who are so spiritually void that they believe it is okay to kill a member of their own family if that member wishes to choose their own lover, specifically a lover whom is out of favor with the said extremists. This kind of death-wish upon another is plain nuts and has no place what-so-ever on our planet or in the universe.

Anyone who considers honour killing an acceptable way to behave needs re-education in the ways of logic and compassion.

Crimes of passion will likely always happen, and happen across a variety of cultures worldwide. But when it happens, the appropriate penalties must be applied. It is a shame that in some counties it is tolerated by local authorities, this is the problem.

It is a murderous and sub-human practice. If severe punishment were dispensed to the imbeciles who order these murders, worldwide, then more children will learn the right way.

They will learn that love should not be restricted by race or religion.

"Honour killings are violent acts of vengeance, committed by male family members against female relatives ..." This is patently untrue. Honor killings do not discriminate by gender. Women simply get the publicity.

But it seems every writer must follow Feminist (gender Marxist) dogma and carry water for "the war on women" screed.

Again and again, bad male culture, poor 'heroic' women victims and the white knights that save them to prove how strong they are.

This inanity keeps cropping up again and again by a whole generation of writers brainwashed since childhood to despise the penis.

HONOUR is a difficult movie to watch. Centering on the idea of honor killings, a practice that not only prevails in Muslim communities but in other cultures as well, it focuses on the way in which Mona (Aiysha Hart), 'transgresses' her family's sense of ethics by falling in love with a Punjabi man Tanvir (Nikesh Patel). Spurred on by her elder brother Kasim (Faraz Ayub), who works for London's Metropolitan Police by day, the family engage a bounty- hunter (Paddy Considine) to pursue Mona and discover her whereabouts. This he agrees to do, while at the same time despising the family, especially Mother (Harvey Virdi), who spends most of her time at home working as a seamstress.

The movie opens explosively with the dénouement, and then goes back to tell the story of why Mona was considered to 'transgress'. The ideas might seem shocking to non-Muslims, but Shan Khan's film shows how important it is for young women - especially - to forge the right marriages, even if it means them being transported back to Pakistan to marry a spouse chosen for them by their family, and agreed upon (normally on financial terms) by the groom's family.

Shot in neo-documentary style around the streets of the London suburb of Southall, a major center for the Asian community, HONOUR makes much of the private/public distinction: by day Kasim spends his time working for an organization that explicitly pursues anti- racist policies (in the wake of the Stephen Lawrence inquiry, which exposed large-scale racism in the Metropolitan Police). By night he appears to embrace just the kind of racism that the police try to eradicate, as he abuses Tanvir - and at one point holds him captive. Yet director Khan does not criticize Kasim for this; on the contrary he suggests that this is a way of life for many of London's Asian communities.

The real villain of the piece is Considine's bounty-hunter, who has no sense of belief other than to obtain as much money as possible. He is the true racist in the sense that he makes no effort to understand anybody's motives; all that matters for him is that the job should be done and he should receive due financial reward. It is people like him who help to perpetuate the racist stereotypes that prevent members of different communities from integrating with one another in inner cities - not just in London, but everywhere.

HONOUR offers no comfort of an easy resolution. On the contrary, it suggests that second or third generation Asians living in western capitals have to acknowledge the presence of cultural difference, and observe the conventions laid down by their families, even it that means sacrificing the so-called 'freedom' of the west for a more confined existence. This might seem 'unfair' in Mona's cause, but only because she has been brought up in a culture that supposedly values free will.