Exit Strategy

I took a chance on this "indie" film one night (playing AMC Philly) and left with not only a new opinion about indie films in general and specifically the urban romantic comedy genre, but I walked out with a smile. No bombs, no nudity, no kids out of wed lock, no dirty language, and amazingly - for urban - no drugs and guns. And yet, still very relate-able, honest -- and great acting (full cast) and unnoticeable directing by Michael Whitton. I really admired his choices, both for the actors and camera angles: unlike most independent flicks I see, which are often overbearing artistically and aesthetically too artsy -- Exit Strategy surpassed my expectations of first-time filmmaking. I'd like to see Whitton helm a 50 million dollar machine. Apparently, from what I read, it was made on a scant budget, but it didn't look like it at all. A solid visual movie feel to it. The editing was unique... very -- for a romantic comedy, but I must say it surprisingly worked quite nicely. Right to the point. Smash flashbacks and forwards made it exciting to watch. Very creative. Very. I wish more films came out like this. This film is raw, funny, complex, and mirrored real life entertainingly. Low budget doesn't mean low quality with this film.

Built wholly from familiar ingredients, assembled with skillfully and charming performances from Jameel Saleem and Kimelia Weathers, Exit Strategy gives formula a good name with ample laughs and sharp performances.

This anecdote centers around James (Jameel Saleem) who gets evicted from his apartment and moves in with his girlfriend of three months Kim (Kimelia Weathers) and quickly discovers she's everything he never wanted in a woman… Sounds familiar with a twist? There's no denying this film's warm humor and big heart as this generational comedy suffers issues of movement and character development although offering film goers a fine, low-calorie screwball feast containing ugly anachronisms courtesy of high-schooler "Scoop" that prove to enhance it's charm at low moments.

Customary cynicism is leavened here by "tender" humor, "dry" romance, and genuine pathos with perfectly light, romantic comedy kept afloat by Michael Whitton's unobtrusive direction and sharp performances from Q Deezy (Carville) and cameo via "it" comedian Kevin Hart.

Rarely does an unrealistically funny comedy connect with audiences but the exploration of gender roles and the limits of relationship with a mixture of sensitivity, raw honesty and wit between the two main characters actually work abetted by the sharp interplay between Big Boy and supporting cast.

While the editing isn't parallel with timing of the comedy which affects it's pace, Exit Strategy is a hilarious, poignant and refreshing look at the rigors of tolerance bearing, with savvy script writing that is ably acted and directed.

I enjoyed and I believe you will also. 2 thumbs UP!

I totally giggled watching this movie. The chemistry between the main characters is beautiful to watch. Their sense of comedic timing made it all the more enjoyable. I brought my boyfriend to see this at the rave theater and he liked it too - but still won't admit that he laughed just as much as I did. The colors were fun - the pink was all too familiar with me and my girlfriends. I just love pink pink pink. Kevin hart was super laughs of course, but not any more than the other actors, which says a lot. The party scene by the pool was my favorite. The editing made me excited and wanted to be there with them. They must have had a good time making this. I recommend this movie because it's definitely outside the box of the typical rom-com, or should I say, un-rom-com - Nice to see a movie like this rise above all the Hollywood studio flops. You can make funny and inexpensive entertainment for the masses. Exit Strategy is proof.

What's interesting about this film, is that it does not address race. It's not labeled as a "Black movie" and the plot does not have anything to do with race. Weathers and James, both African-American, are the main characters and their issues in the film don't necessarily relate to their racial identities. Also, they each have a diverse group of friends in the film.

Many may argue that the majority of films we see with a Black cast, either harp on stereotypes or focus on an issue dealing with race. While dealing with race is important, are there enough films where we can just be light?

Literally batshit crazy. The entire movie is just bizarre... The summary I read was completely wrong. This is a movie about a pathetic guy who can't get his life together and wants his girlfriend to break up with him, instead of him doing it, because somehow he thinks that means he'll still get to mooch off of her and get to still sleep on her couch. But she's a complete lunatic, how he didn't know that in the 3 months prior to moving in, who knows, but she's the type of girl you'd run away from 5 minutes in to the first date. So the entire movie is just a crazy pathetic mess. It's not worth the dollar I rented it for. complete waste of time.