Last Days Here

I am not a fan of Pentagram, I have barely heard of them. However, I barely heard of Anthrax and thought that documentary was superb. That film was about a band soldiering on, ad midst a mostly apathetic public. This is the story of a broken wreck of a man named Bobby Liebling, someone who actually is doing drugs on film. Thankfully, he seems more coherent as the film goes on, to the point where you can understand him. Even if you think of him as a drug addled loser (this is not disrespect, watch the film), you want him to clean up and succeed. This film at first had no meaning to me, but it is the story of a second act. another chance. The best thing about the film are the interviews, as they are not with musical legends, but people who love him. You can see their frustration, but you also see the caring. I wish him well. The film is good, not in the echelon of the Anthrax and Rush documentaries, but worth watching.

I saw Robert Oscar Liebling and Pentagram in Socorro, New Mexico in 1974 -- just before I separated from the military. They'd boarded a bus somewhere in Pennsylvania headed for Secaucus, New Jersey, but a couple of them apparently were ticket-impaired so they all ended up in Socorro. Which worked out for me and the lads as we were based nearby and the sergeant announced their show at morning roll-call.

They played Tito's Tortilla Station in Socorro, which sounds funky but was actually a nice little restaurant with decent acoustics. A great show, but NOTHING like Bobby's final performance in the documentary. Dood it moved me to tears, to laughter, even did some snickering. His lyrics sunk into my forehead like a rock outta the hand of King David. And I haven't been free of those haunting, marvelous verses since. Nor of the occasional headache.

Robert Oscar Liebling was, clearly, the most overlooked major talent in American music, and this no-punches-pulled documentary makes mockery of the critics and music halls who fail to book Robert in, who thought him washed-up and just another crackshack. Instead, as the final performance showed, Robert had EVOLVED so far ahead of them that they cannot fathom his generous and hallowed offerings. But the critics, and club owners, and corporations shall be put to shame in the future, when the songwriting and performing wonders of Robert Oscar Liebling finally . . . finally are committed to Eternity, so that others in their own time may come upon his unique music, and be reborn in their own hope of triumph over a cruel world and against tremendous odds.

Inspiring documentary. We love you Bobby! Middle-finger forever baby! Thank you Robert! You'll never know exactly how much you've given us. I mean, how could you. You still have to count your fingers and toes.

But, all good. All good. The music still shines!

Many musicians I've met over the years have proudly proclaimed "Music is all I have man, it's all I know". But what happens when the years pass by, the success is few and far between and the musician is reduced to a withered husk waxing nostalgia? After a while, that declaration becomes a sad one, and it leaves said person in a questionable state. Last Days Here is an intense and unflinching look at the life of Bobby Liebling, lead singer for underground doom metal legends Pentagram. For many this will feel familiar, either like an episode of the reality show Intervention or along the lines of "from obscurity to greatness" rockumentaries, but there's something else to it. It's extremely raw.

Last Days Here will inevitably draw comparisons to Anvil: The Story of Anvil, but there are major differences. First and foremost, unlike Anvil, Pentagram was actually a good band in their day. Anvil were lauded by some as being pioneers of thrash metal of sorts, but watching that film it became apparent that the reason they never made it big was simply that they weren't very good, and that their music was far too cheesy and badly dated to be taken seriously. Bobby Liebling actually had considerable songwriting skills and came very close to securing a deal with Columbia Records. I could easily see old Pentagram songs such as "Forever My Queen" and "Wheel of Fortune" being played on classic rock radio stations alongside Black Sabbath, Led Zeppelin and Deep Purple. Second, while the people in Anvil were struggling, they were not in the state that Liebling was. And third, The Story of Anvil turned out to be a rather dishonest film in terms of the continuity editing, whereas Last Days Here plays out from start to finish, and the stakes are much higher.

After decades of drug abuse and failure, Bobby spends his days consuming crack, heroin and whatever else in his parent's basement in rural Maryland. He's an awful sight, looking just as ghastly as the ghouls he sings about in his songs. His parents, though well meaning, are profoundly naive and gutless. He has no real friends left. But then we meet Sean "Pellet" Pelletier, a die hard music fan and employee of the highly respected record label, Relapse Records. Pellet is the secondary protagonist of this story, a die hard fanboy who worships Pentagram and wants to share their music with the world. He becomes Bobby's manager, friend and number one supporter. For the duration of the film, Pellet does his best to wrangle Bobby into some kind of productivity of sorts, but it's an EXTREMELY bumpy ride.

What makes this documentary compelling is the position the viewer is put in while watching Bobby. It's strange, because most of the time you don't really feel sorry for him. He is his own worst enemy and is the main saboteur of Pentagram's success. He has burned countless bridges, destroyed many relationships, ruined promising opportunities of major label deals and has ripped a lot of people off. There's no real back story of childhood abuse or any personal tragedy to warrant his self-destructive lifestyle and arrogant behavior. Indeed, if anything his family is too supportive of him and are enablers of his addiction. What makes you believe in Bobby is the fact that Pellet believes in him. In many ways Last Days Here is about an unusual friendship between musician and fan rather than a narrative of a rocker's resurrection.

Things get more intriguing when Bobby has a romance with a very attractive 20 something music fan named Hallie. It presents both a boon to his existence and a challenge to Pellet's efforts to get him on the right track.

As a Washington DC native, I had never heard of bands like Pentagram or the Obsessed growing up. To me DC was all about hardcore punk and Go Go. But today, people of all ages are hungry again for solid heavy rock, and a lot of obscure bands are finally seeing their dues. Bobby may have been a jerk and junkie for most of his life but his art does stand on its own and redemption appears possible. Last Days Here is often not easy to watch, but it has its rewards.

This documentary ripped my heart out, stomped on it, glued it back together, put it back in, made it beat again - and Then did that whole procedure all over again! Its raw, its real and its larger than life.

Sometimes you come across stories that touches you beyond belief, although you are just an observer you cry and laugh like you yourself is the one going through what you are watching. I love Bobby Liebling now for giving me perspective and strength!

At first I was skeptical because I'm not a big rock-fan, but from the very beginning I understood that it was going to be much more than just a music-documentary. In fact, even though the music is the fundamental reason it was made in the first place that is not what moves you or what makes your lips tremble and your skin crawl all at ones.

Bobby Liebling has lived in the basement of his parents house for decades. With everyday sitting on his couch either with a crack-pipe in his mouth or a needle in his arm. He believes that termites live underneath his skin and daily he wants to do nothing other than to die. Already this is heartbreaking and you really feel for the sorry bastard. But the fact that at one on point in his life he could have become one of the greats in the rockworld, with his unique voice, understanding for the music genre, with his unbelievable performances on stage and his dedication to rock it only makes it that much sadder.

We follow Bobby and his friends who are trying to assemble this broken man to make a new album and with that some sort of comeback. And while this seems like a mission impossible, Bobby really is trying his best to cut the album, but with many setbacks and the fact that Bobby is a junkie, all of everybody's efforts may fall through. But life is full of surprises and sometimes even in the darkest places a little ray of beautiful shining light makes it's way through.

This documentary makes you think and reflect on life and how precious and fragile it is. It awakes sympathy and love for people around you. And at least for me it reminded me about the fact to continue to not judge and look down on anybody, because you never know their story and what makes them do what they do.

Watch this documentary, it is one of the best!

I had never heard of Pentagram and after hearing their music I'm not surprised that I had not.They didn't become famous because they aren't good, it's that simple.But none of that matters because this guy is definitely fun to watch.He lives with his very supportive parents who look to be about 10 years younger than him.He spends most of his time digging in the couch looking for crack and talking about the 70s.Somehow he has two or three fans and they will do anything for him, so he manages to get drugs and get his records reprinted.This movie definitely needed to be made.I heard that Pentagram is doing really good and touring a lot now.I hope he's giving his parents some money this time.