IMDb रेटिंग
7.1/10
4.9 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंDennis, a painfully shy 38-year-old bodybuilder who lives with his mother, sets off to Thailand in search of love.Dennis, a painfully shy 38-year-old bodybuilder who lives with his mother, sets off to Thailand in search of love.Dennis, a painfully shy 38-year-old bodybuilder who lives with his mother, sets off to Thailand in search of love.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 7 जीत और कुल 11 नामांकन
John Winters
- Jeff
- (as Jonathan Winters)
Per Otto Bersang Rasmussen
- Real estate agent
- (as Per Otto Rasmussen)
फ़ीचर्ड समीक्षाएं
This film tells the story of a respected and famous body building, who lives under the shadow of his judgemental mother. He travels to Thailand on the advice of his uncle, and finds a whole different world outside his home.
"Teddy Bear" looks cute on the surface, but addresses a lot of underlying psychological and ethical issues in the plot. The mother holds a strong stance against sex tourism, which is understandable, and a viewpoint that has to be portrayed in a film like this. While the bodybuilder goes to Thailand, he still holds respect towards women which is a welcoming subplot. The way he breaks through cultural barriers, and the shackles imposed on him by his family is also well explored and well presented. I enjoyed watching this film.
"Teddy Bear" looks cute on the surface, but addresses a lot of underlying psychological and ethical issues in the plot. The mother holds a strong stance against sex tourism, which is understandable, and a viewpoint that has to be portrayed in a film like this. While the bodybuilder goes to Thailand, he still holds respect towards women which is a welcoming subplot. The way he breaks through cultural barriers, and the shackles imposed on him by his family is also well explored and well presented. I enjoyed watching this film.
I really enjoyed this movie about a gentle giant who travels to Thailand and falls in love. The main character reminds me of myself, I too like bodybuilding and I plan to visit Pattaya in Thailand and hopefully find love with a normal girl who isn't looking for business only. This film was heart touching, a very nice story. There were some interesting characters as well as nice scenery. I recommend this film to anyone who's a fan of foreign cinema like I am. I'm now searching for some similar films which are about love and travel, preferably foreign, I'm a fan of local films too but foreign are my favourite. I really enjoyed this one. I rate it 7 out of 10.
It's a "feeling" movie. It's about a mood, a feeling. Inside one person, searching for it in another person. The feeling is gentleness. And the pervasive powerful, insistent sense of it coming out of such a person, is just... amazing.
It's totally a visual movie. The content and plot are nothing to be concerned with, they are Normal.
Watch how Abnormal this guy is. Watch how he persistently avoids the Normal and finds another person like himself. (She's actually quite a bit more normal than he is)
He is a Mountain, a Monument of abnormality, dedicated to being gentle in a world that is almost completely unable to let me (or any of us, for the matter) be gentle.
And it's Not just his nature, it's also a dedication. And somehow he Uses that bodybuilding to reinforce his gentleness. He Moves gently.
It's quite a performance. I have no idea who he is, or what he actually is like, nor do I care. But here, he and the director have built... and elephant of a person. Huge, powerful, and gentle.
Joy to watch.
It's totally a visual movie. The content and plot are nothing to be concerned with, they are Normal.
Watch how Abnormal this guy is. Watch how he persistently avoids the Normal and finds another person like himself. (She's actually quite a bit more normal than he is)
He is a Mountain, a Monument of abnormality, dedicated to being gentle in a world that is almost completely unable to let me (or any of us, for the matter) be gentle.
And it's Not just his nature, it's also a dedication. And somehow he Uses that bodybuilding to reinforce his gentleness. He Moves gently.
It's quite a performance. I have no idea who he is, or what he actually is like, nor do I care. But here, he and the director have built... and elephant of a person. Huge, powerful, and gentle.
Joy to watch.
"Some day love will find you; break those chains that bind you" - "Separate Ways," Journey.
I hope and wish on the brightest star I see tonight that Mads Matthiesen's Teddy Bear finds an audience not only in its home-country of Denmark, but in America, which is so accustomed to its spontaneous, mostly empty cinema that it's ridiculously easy and sickeningly common for small, human-driven pictures like this to go far below the radar. This is a stunning, poignant, masterful work involving immensely undiscovered talent, sensitive writing, smooth directing, and a storyline that is pure and viably sustainable when taken in the format presented.
Dennis is a thirty-eight year old bodybuilder, living with his controlling, domineering mother (Elsebeth Steentoft) who has kept him a shy, secluded introvert his entire life. Despite boasting a strong, incredibly toned exterior, his interior paints a feeble man three times smaller than him. He has never had a true relationship, and slogs through his days depressed and uninspired. His morose feelings only heighten upon visiting his uncle's wedding to a lovely Thai woman, and not long after, seeing his nephew so lonely and melancholy in live, encouraging Dennis to travel to Thailand to try and meet some women.
He lies and tells his mother that he will be competing in a bodybuilding competition in Germany, and then quickly boards a plane to Thailand. A close friend of his uncle's attempts to set him up with several different girls, but the fact they're all prostitutes unsettles Dennis and he becomes nervous and hasty around all of them. He finally meets a young, genial soul named Toi (Lamaiporn Sangmanee Hougaard), who owns a gym, and he believes he has found the one he'd love to form a relationship with; now if only his mother will approve of it.
Dennis is played by former bodybuilder Kim Kold to a bold, graciously welcoming extent. His character greatly reminds me of myself in some ways; he hungers for the attention of the opposite sex, but is unsure of how to balance it and handle it all once obtaining it. He struggles to maintain a consistent conversation, is notably tense and socially inept during the simplest little get-together, and feels gridlocked to long pauses and dialog that lacks confidence. This is a negative affect of the heavy nurturing of his mother, who seems to keep him well-fed and unambitious in not his dreams but his social life.
The way writers Matthiesen and Martin Zandvliet handle this delicate material is astonishingly poetic and nuanced. They stray far, far away from shouting matches between Dennis and his mother about "taking care of me" and other mother-son issues, and fights between Dennis and Toi about "growing up." We see from our scenes with them together that Toi knows exactly what the deal is between Dennis and his mom and prefers not to further belittle him for the minor baggage. She'd much rather go the extra mile to make the relationship as a whole work well.
Teddy Bear is also photographed with that beautifully melodic foreign film sensitivity that combines minimalist cinematography and gorgeously showcased settings that add fuel to this as a visually compelling picture much less a narratively compelling one. But it's inexcusable to note the majority of the film's success comes from its leading man, Kold, who completely handles this role with the utmost capability and realism. He provides us with one of the finest performances of the year, and with one of the year's most likable protagonists as well.
Starring: Kim Kold, Lamaiporn Sangmanee Hougaard, and Elsebeth Steentoft. Directed by: Mads Matthiesen.
I hope and wish on the brightest star I see tonight that Mads Matthiesen's Teddy Bear finds an audience not only in its home-country of Denmark, but in America, which is so accustomed to its spontaneous, mostly empty cinema that it's ridiculously easy and sickeningly common for small, human-driven pictures like this to go far below the radar. This is a stunning, poignant, masterful work involving immensely undiscovered talent, sensitive writing, smooth directing, and a storyline that is pure and viably sustainable when taken in the format presented.
Dennis is a thirty-eight year old bodybuilder, living with his controlling, domineering mother (Elsebeth Steentoft) who has kept him a shy, secluded introvert his entire life. Despite boasting a strong, incredibly toned exterior, his interior paints a feeble man three times smaller than him. He has never had a true relationship, and slogs through his days depressed and uninspired. His morose feelings only heighten upon visiting his uncle's wedding to a lovely Thai woman, and not long after, seeing his nephew so lonely and melancholy in live, encouraging Dennis to travel to Thailand to try and meet some women.
He lies and tells his mother that he will be competing in a bodybuilding competition in Germany, and then quickly boards a plane to Thailand. A close friend of his uncle's attempts to set him up with several different girls, but the fact they're all prostitutes unsettles Dennis and he becomes nervous and hasty around all of them. He finally meets a young, genial soul named Toi (Lamaiporn Sangmanee Hougaard), who owns a gym, and he believes he has found the one he'd love to form a relationship with; now if only his mother will approve of it.
Dennis is played by former bodybuilder Kim Kold to a bold, graciously welcoming extent. His character greatly reminds me of myself in some ways; he hungers for the attention of the opposite sex, but is unsure of how to balance it and handle it all once obtaining it. He struggles to maintain a consistent conversation, is notably tense and socially inept during the simplest little get-together, and feels gridlocked to long pauses and dialog that lacks confidence. This is a negative affect of the heavy nurturing of his mother, who seems to keep him well-fed and unambitious in not his dreams but his social life.
The way writers Matthiesen and Martin Zandvliet handle this delicate material is astonishingly poetic and nuanced. They stray far, far away from shouting matches between Dennis and his mother about "taking care of me" and other mother-son issues, and fights between Dennis and Toi about "growing up." We see from our scenes with them together that Toi knows exactly what the deal is between Dennis and his mom and prefers not to further belittle him for the minor baggage. She'd much rather go the extra mile to make the relationship as a whole work well.
Teddy Bear is also photographed with that beautifully melodic foreign film sensitivity that combines minimalist cinematography and gorgeously showcased settings that add fuel to this as a visually compelling picture much less a narratively compelling one. But it's inexcusable to note the majority of the film's success comes from its leading man, Kold, who completely handles this role with the utmost capability and realism. He provides us with one of the finest performances of the year, and with one of the year's most likable protagonists as well.
Starring: Kim Kold, Lamaiporn Sangmanee Hougaard, and Elsebeth Steentoft. Directed by: Mads Matthiesen.
This was such a venture into the unfamiliar for me, this small window into the life of a gentle giant who happens to be a body builder, living with his mother in Denmark and looking for love. That was a mouth full. I was initially taken aback because I did not expect subtitles, but the film had a good balance of the spoken English versus Danish and Thai, and it shows that around the world the unifying language is English. In all I was glad I did not have to read the whole movie. Dennis (Kim Kold) is so large that when you first take in his entire physique, he is a bit menacing. At one point in the film when he does the muscle flex poses that are part of the body building culture he has this strained smile on his face that is rather creepy. It dawns on me that everyone is faced with some prejudice based on their appearance. A chance encounter with Dennis would make most anyone consider turning to run the other way, but this film shows that he is so affable, that even with all his girth, he is completely dominated by his mother. This film could have easily been entitled Danish Mommy Dearest. The quirkiest part about the relationship between Dennis and his mother Ingrid (Elsebeth Steentoft) is that she is so diminutive that when they interact he hulks over her. As the story progressed and Dennis ventures out to Pattaya Thailand and meets Toi (Lamaiporn Hougaard), we truly get to know who Dennis is. This segment of the film is the reason for the aforementioned English language being a unifier. At home Dennis spoke Danish, he meets Toi who speaks Thai and as they get to know each other they speak English. Who woulda thunk it. I was at no point in the story sure of what recourse Dennis would take. Would he succumb to the wishes of his mother or seek some personal happiness for himself. This film made it quite clear why Dennis was a body builder, and proved if it ain't one thing it's your mother. The story was an unexpected delight, and it shows that no matter what is on the outside or what your background happens to be, that inside everyone is basically the same, no one wants to be alone. I give this charming little story an amber light.
क्या आपको पता है
- ट्रिवियाDavid Winters is the only American Actor to appear in the film.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Teddy Bear?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $16,000
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $5,388
- 26 अग॰ 2012
- दुनिया भर में सकल
- $21,561
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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