IMDb रेटिंग
5.3/10
7.5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंRacism collides with corporate greed when nine strangers - one of whom has a bomb - become trapped in a Wall Street elevator.Racism collides with corporate greed when nine strangers - one of whom has a bomb - become trapped in a Wall Street elevator.Racism collides with corporate greed when nine strangers - one of whom has a bomb - become trapped in a Wall Street elevator.
Aníta Briem
- Celine Fouquet
- (as Anita Briem)
Luis Jose Lopez
- Party Security
- (as Luis Lopez)
Johannes Alfvén
- EMT
- (as Johannes Alfven)
फ़ीचर्ड समीक्षाएं
This film begins in New York with a lavish party being held in the penthouse of a high-rise building on Wall Street. To that effect, the CEO of the corporation holding the event, by the name of "Henry Barton" (John Getz), joins several other people in the elevator to take them to the event. In the elevator with him is his young granddaughter, "Madeline Barton" (played by both Rachel Pace and Amanda Pace), along with several employees who work for Henry Barton. Also included in this group is a stand-up comedian by the name of "George Axelrod" (Joey Slotnick), who is extremely claustrophobic and lets everybody know how he feels about the elevator being too crowded. Being quite mischievous, Madeline decides to play a prank on him by pressing the emergency stop button near the 49th floor. What she doesn't realize, however, is that the gears on the elevator are in need of repair, and as a result, there is no immediate way to get out of their current dilemma. Even worse is the fact that one of the other people in this group has brought a bomb into this elevator, which is set to detonate within two hours, and this may not be enough time for maintenance to correct the situation. Now, rather than reveal any more, I will just say that this turned out to be a fairly entertaining movie which managed to keep my attention pretty much from start to finish. Admittedly, the film could have also used a bit more suspense here and there, but even so, it was good enough for the time spent, and I have rated it accordingly. Average.
Nine diverse people get stranded in an elevator of a corporate building after the head honcho's spoiled daughter hits the emergency button. Soon a person with a makeshift bomb makes his or her devious intentions known.
This movie, while filled with movie clichés, still manages to be somewhat tense and pretty watchable due to fairly competent acting from almost everyone involved (I personally didn't care for either the kid nor Joey Slotnick, the latter I can't recall anything good he's been in). It's not the best movie about people stuck in elevators but it's not the worst either.
This movie, while filled with movie clichés, still manages to be somewhat tense and pretty watchable due to fairly competent acting from almost everyone involved (I personally didn't care for either the kid nor Joey Slotnick, the latter I can't recall anything good he's been in). It's not the best movie about people stuck in elevators but it's not the worst either.
"Elevator" in most respects has a pretty simple plot - almost too simple, which made me think it would be rather thoughtless. A bunch of people are stuck on an elevator - and there happens to be a bomb among them. So, the question is, can they get unstuck in time before the bomb goes off.
There's nothing complicated or pretentious here, and the movie is barebones. Except for a few minutes in both the opening and the closing, the entire movie is set on the crowded elevator. At first, they don't know there's a bomb, and you basically just watch the group dynamic among a diverse group of people who deal with being trapped in a variety of ways - from complete calm to claustrophobia. For a while I was thinking that just the story of this diverse group being stuck together could have made for an interesting study of group dynamics without the bomb, and I was wondering if introducing the bomb was necessary. The bomb actually worked surprisingly well. The whole group dynamic study was still there, but the introduction of the added tension worked very well to ratchet this up.
None of the characters were well developed, but we learn enough about them as they interact on the elevator to at least get a sense of who they are. None of the actors are major stars. The best known and most recognizable to me was probably Jerry Slotnick. That lack of a big name created more a of a composite cast and helped us focus on the group rather than on one individual within the group. There are some story points that didn't work all that well for me. The reporter beaming some video out on her cell phone seemed contrived; and the attempt to free the elevator using a small crack through which an arm could be reached had predictable results - why would anyone even try that, given that the result of any success was so obvious? All things considered though I was surprised by how watchable I found this, made even more so by its very short (1:20) run time. (7/10)
There's nothing complicated or pretentious here, and the movie is barebones. Except for a few minutes in both the opening and the closing, the entire movie is set on the crowded elevator. At first, they don't know there's a bomb, and you basically just watch the group dynamic among a diverse group of people who deal with being trapped in a variety of ways - from complete calm to claustrophobia. For a while I was thinking that just the story of this diverse group being stuck together could have made for an interesting study of group dynamics without the bomb, and I was wondering if introducing the bomb was necessary. The bomb actually worked surprisingly well. The whole group dynamic study was still there, but the introduction of the added tension worked very well to ratchet this up.
None of the characters were well developed, but we learn enough about them as they interact on the elevator to at least get a sense of who they are. None of the actors are major stars. The best known and most recognizable to me was probably Jerry Slotnick. That lack of a big name created more a of a composite cast and helped us focus on the group rather than on one individual within the group. There are some story points that didn't work all that well for me. The reporter beaming some video out on her cell phone seemed contrived; and the attempt to free the elevator using a small crack through which an arm could be reached had predictable results - why would anyone even try that, given that the result of any success was so obvious? All things considered though I was surprised by how watchable I found this, made even more so by its very short (1:20) run time. (7/10)
Look at the title. You see that one word title, now tell me, what do you expect from a movie like that? I actually think it provides exactly what it is supposed to. Maybe a bit more. Not a lot more, but I did like the (obvious) characters. It's not amazing or earth shattering, but it is more than decent.
A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can
A few things are over the top of course, but still kudos to the actors, they did a good job on this. Things are predictable of course, but that doesn't change the fact, that you can enjoy the movie as it is. The inciting incident is of course something that would drive everyone mad in real life. Try to take the movie in, as it was intended if you can
I got to see this one on it's world premiere yesterday, at the Tromso International Film Festival. Not knowing what I could expect from this hardly known Norwegian director, Stig Svendsen, I was still hoping to see a nerve wrecking thriller about modern day terrorism. The film started out as expected, but it seemed very unoriginal at first. The main characters seemed too familiar and too smooth. Additionally I found a couple of the actors weren't any good. But as the film got going, it turned out this wasn't at all a dead serious thriller. A couple of really watchable characters showed up, and the scripted turned humorous, in a quite successful way.
The film goes on as a rare mix of comedy and thriller, that actually works brilliantly. The filmmakers have successfully combined a serious situation with humor, and the result is one crazy elevator ride. It owes a lot to traditional action comedy films, but at the same time it really is something of it's own. It's rare to see such entertaining films and especially films about such a relevant topic.
The film goes on as a rare mix of comedy and thriller, that actually works brilliantly. The filmmakers have successfully combined a serious situation with humor, and the result is one crazy elevator ride. It owes a lot to traditional action comedy films, but at the same time it really is something of it's own. It's rare to see such entertaining films and especially films about such a relevant topic.
क्या आपको पता है
- ट्रिवियाThe newspaper clipping in Jane Redding's wallet says:
Neil Redding, Tragic Victim of Collapsed Economy. By Samantha Halbert, Cleveland Spectator.
Neil Redding, 76, was pronounced dead yesterday, the apparent victim of a self-inflicted gunshot wound. The body was discovered at 6:20 PM, by his wife, Jane Redding. She told investigating officers that her husband had become increasingly depressed after learning that their life savings was lost by a New York investment firm. Investigating officers ruled out any suggestion of foul play, and determined the death was suicide. The wound was caused by a U.S. Army service revolver once owned by ther son, Jeffery Redding. Jeffery Redding died in the US invasion of Iraq. Ms. Redding said, "After Jeffery's death, my husband found it hard to regain his footing. When we lost our money, it was too much." Ms. Redding said that a memorial service would be held for close friends at a date yet to be determined.
- गूफ़No buttons are pushed in the elevator. Incorrect, many buttons are pressed on many occasions.
- भाव
[last lines]
Martin Gossling: [composing himself on now being trapped with a bomb] Well... I guess... I'm the hero
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Elevator?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $2,00,000(अनुमानित)
- दुनिया भर में सकल
- $14,221
- चलने की अवधि
- 1 घं 24 मि(84 min)
- रंग
- पक्ष अनुपात
- 2.35 : 1
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