नजदीकी भविष्य में, पत्रकार एक तेज़ी से बढ़ते गृहयुद्ध के दौरान संयुक्त राज्य अमेरिका का दौरा करते हैं.नजदीकी भविष्य में, पत्रकार एक तेज़ी से बढ़ते गृहयुद्ध के दौरान संयुक्त राज्य अमेरिका का दौरा करते हैं.नजदीकी भविष्य में, पत्रकार एक तेज़ी से बढ़ते गृहयुद्ध के दौरान संयुक्त राज्य अमेरिका का दौरा करते हैं.
- पुरस्कार
- 8 जीत और कुल 58 नामांकन
सारांश
Reviewers say 'Civil War' delves into war journalism, conflict brutality, and societal impact, though it faces criticism for lacking context, underdeveloped characters, and political neutrality. Praise is given for cinematography, sound design, and performances, yet some find it slow-paced and shallow. The portrayal of journalists sparks debate, with appreciation for their perspective but critique of their ethics and motivations.
फ़ीचर्ड समीक्षाएं
I've watched this Film four times and every time I seem to like it more. Most everyone I know felt let down with It and I almost skipped it. But I am so glad I didn't because I find more of the message each time I do. The soundtrack for me sets the mood with not being mainstream and actually creates an unfamiliar terrifying world. The dark shadows in the photography also set the tone of what the Country is experiencing. Is there action? Sure there is and I feel too much would have ruined the message and the mission of the characters. The action and violence is unsettling, but appropriately placed. I don't think the filmmaker intended to make an action film. Forget what others have said and give it a watch.
The title is "Civil War" but that's the closest you're gonna get to an actual Civil War during this movie.
This is sort of a low rent version of Apocalypse Now. The characters are going on a mission to reach the White House. And along the way they wind up in several violent misadventures.
But Apocalypse Now fleshed out the target - Colonel Kurtz. In this story, we have no idea who the President is psychologically and why others want to kill him. So the underlying motivation driving the protagonist is completely lacking.
Moreover, during the course of what is supposedly a war, some of the characters engage in teenage antics that undermine the seriousness of their plight.
As many other commentators have stated - this movie is disjointed. If you're expecting to see a Civil War, DON'T watch this movie. There ain't one in there.
This is sort of a low rent version of Apocalypse Now. The characters are going on a mission to reach the White House. And along the way they wind up in several violent misadventures.
But Apocalypse Now fleshed out the target - Colonel Kurtz. In this story, we have no idea who the President is psychologically and why others want to kill him. So the underlying motivation driving the protagonist is completely lacking.
Moreover, during the course of what is supposedly a war, some of the characters engage in teenage antics that undermine the seriousness of their plight.
As many other commentators have stated - this movie is disjointed. If you're expecting to see a Civil War, DON'T watch this movie. There ain't one in there.
There is a good movie to be made about the polarisation and aggression of US politics leading to civil war. This was not it. Uses a grossly undeveloped political scenario as an excuse to show us routine, gratuitous violence and contrived relationships. Casting an actress who looks 14 as a 23 year old was a big mistake and pushing her from wide eyed innocence through a ridiculous, unbelievable journey to awakening ambition via horror was crudely handled. Taking photos of people while they suffer and die is obscene and the pain and gore of violence was trivialised, not dignified by this sad movie.
I think many people have missed the real message of the movie. Could it have been better, of course. However, my rating isn't about the movies political implications, but rather about how it shows the possibility of our country heading in that direction. The film effectively illustrates potential realities we could face. It highlights how extremists on both sides, driven solely by their own beliefs, can overlook the impact on others. One of the early scenes brought me to tears, reflecting on the possibility of such actions happening among us. By the end, I was overwhelmed with a sense of dread. I encourage you to watch this film with an open mind, rather than expecting polarizing content, so you can grasp how quickly our relatively young nation could shift towards such a daunting new normal.
Civil War isn't science fiction-it's speculative reality drawn from the headlines we scroll past every day. Alex Garland has crafted something rare: a war film without glorification, a dystopia without excess. What unfolds is a portrait of America not as it might be, but as it nearly is-fractured by polarization, eroded by propaganda, and abandoned by leadership more concerned with loyalty than legitimacy.
Through the lens of war journalists (played with haunting restraint by Kirsten Dunst and Cailee Spaeny), we traverse a country in pieces-some cities crumbling, others clinging to an eerie normalcy. The genius lies in the nuance: this isn't red vs. Blue, good vs. Evil. It's chaos as governance, ideology as identity, and cruelty as currency.
For those watching recent history with a furrowed brow, Civil War lands like a flare in the darkness. It doesn't tell us what to think-it forces us to ask how close we already are. And in doing so, it becomes not just a film, but a quiet, urgent warning.
Watch it while it's still fiction.
B. Mitchell / J. Vail.
Through the lens of war journalists (played with haunting restraint by Kirsten Dunst and Cailee Spaeny), we traverse a country in pieces-some cities crumbling, others clinging to an eerie normalcy. The genius lies in the nuance: this isn't red vs. Blue, good vs. Evil. It's chaos as governance, ideology as identity, and cruelty as currency.
For those watching recent history with a furrowed brow, Civil War lands like a flare in the darkness. It doesn't tell us what to think-it forces us to ask how close we already are. And in doing so, it becomes not just a film, but a quiet, urgent warning.
Watch it while it's still fiction.
B. Mitchell / J. Vail.
क्या आपको पता है
- ट्रिवियाIn an interview with The New York Times, director Alex Garland revealed that the "Christmas Wonderland" decorations in the sniper scene were not designed for the movie. Someone had built it as an attraction and decided to leave it up after the attraction was a financial failure. Alex decided to incorporate it into the movie to symbolize the chaos in the country. "If you haven't put away the Christmas decorations, clearly something isn't right."
- गूफ़A military helicopter will not turn on its navigation lights during combat.
- भाव
Joel: There has to be some mistake. We're American, right?
Unnamed Soldier: Okay. What kind of American are you? You don't know?
- क्रेज़ी क्रेडिटThe opening A24 and DNA logos are accompanied by static from a pink noise calibration test.
- साउंडट्रैकLovefingers
Written by Simeon Coxe & Stanley Warren
Performed by Silver Apples
Courtesy of MCA Records Inc.
Under license from Universal Music Operations Ltd.
Published by Rough Trade Publishing Ltd.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Civil War?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- $5,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $6,87,56,072
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,55,37,368
- 14 अप्रैल 2024
- दुनिया भर में सकल
- $12,72,68,065
- चलने की अवधि1 घंटा 49 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें