The Way Way Back

There are some movies which sound so simple that it's hard to convey to people just how good they are. The Way, Way Back is one of those movies. It's simply a coming-of-age story about a 14-year-old boy over the course of his summer break. There are no big action scenes or special effects here, just really good writing with actors who can bring such a realistic story to life.

The movie begins with the boy, Duncan, riding in a car with his family to his mother's boyfriend's beach house. As the mother sleeps in the passenger seat, the boyfriend asks Duncan to rate himself on a scale of 1 to 10. After replying with a 6, the boyfriend insists that he's just a 3. What's surprising is that this seemingly heartless guy that the mother is dating is played by Steve Carell. Carell is known for playing lovable and funny characters. But he switches it up with this role. That scene sets the tone for how little Duncan is looking forward to this summer trip. And it doesn't help that his mother doesn't really set her boyfriend straight even when she is awake.

To escape the annoyances at his new temporary home, Duncan takes a bike to ride around town with. When he finds a way into the local water park, he meets one of the middle-aged operators there named Owen. Duncan seems fascinated by Owen (played by Sam Rockwell) and how he uses humor in almost everything he says. It seems like he's never met anyone like him who's so worry-free and exudes such confidence all the time. (Sam Rockwell is perfect at playing this care-free kind of man-child.) Owen manages to get Duncan a job at the park where he tries to instill some of that same confidence in him as well. It becomes clear that as they bond with each other, Duncan wishes this would be the kind of guy his mother would date instead. The job at the water park also opens up a whole new fun side that this 14-year-old kid didn't even know he had in him.

If not for the occasional Google or iPad reference, this movie could easily have taken place in the 1980's. The setting as well as the way people dress and talk to each other is right out of an 80's film - is it a coincidence that all of the music played in the movie is from that era? There's a very natural and wholesome vibe to it, especially in the water park scenes - nothing looks too modern or high-tech; it's just a place where people go to have an old-fashioned good time. While Steve Carell may be the most popular name on the poster, the movie has a great cast altogether. Toni Collette (The Sixth Sense, Little Miss Sunshine), in particular, does an amazing job as the mother torn between defending her son and trying to make things work with the arrogant boyfriend who doesn't always treat them right. But it's the scenes between Duncan and his new older friend Owen that are the heart of the movie. Sometimes it just takes the right person to bring out someone else's true colors and help them be comfortable in their own skin. And sometimes it takes the right movie to make you feel like a kid again. This one will have you yearning for the days when things were a little simpler.

The Way Way Back is marketed as a thoughtful, funny teen flick but, though it is thoughtful, funny and co-stars a couple of teens, the younger audience members shuffled and whispered as if bored, while the belly laughs and satisfied smiles came almost entirely from the 'more mature' audience members. It's not that this is an adult film but so many references require a certain level of life experience or simply that the audience was 'there' at a particular time. Like the blank-faced children queuing for the water chute during the superb Holding out For a Hero scene, it makes little sense for those who never sang along to Bonnie Tyler but tickles the funny bones of almost everyone over the age of 35.

The Way Way Back is a gentle coming of age comedy about the world Duncan (Liam James) has been thrust into. His divorced mum, Pam (Toni Collette), has shacked up with Trent (Steve Carell), forcing Duncan to deal with the absence of his father, the domineering, judgmental disdain of Trent and the withering stares of Trent's bitchy daughter, Steph (Zoe Levin). Dragged off to Trent's summer vacation home, Duncan endures humiliation and misery until he meets Owen (Sam Rockwell), the manger of the Water Wizz water park, who approaches life in his own manner and sees in Duncan what he cannot find in himself. And then there's the girl next door, Susanna (AnnaSophia Robb), and her mum, Betty (Allison Janney)…

It takes a while for The Way Way Back to really kick in. I knew I wanted to enjoy it, and nothing really prevented that from happening, but it felt half a beat off the pace. Then, about twenty minutes in, something sparked and the investment for the first quarter became worthwhile. Just as Duncan evolves into someone a little less awkward, a little more confident than the alien he feels himself to be in his world, so The Way Way Back develops into a heartwarming tale of angst, the reality of life and second chances. And it steps beyond 'quietly amusing' into 'very funny'.

The principal reasons The Way Way Back works are Nat Faxon and Jim Rash, the partnership that won an Oscar for writing The Descendants and have earned themselves loyal fan bases individually as actors, Rash particularly as Dean Pelton in Community. While The Way Way Back doesn't quite have the edge of The Descendants, it is still a tender, thoughtful visitor that carries a hidden knife to jab into your ribs when required. For anyone who couldn't wait to leave home and adolescence far behind and found exciting possibilities in their summer jobs, this is a film with enough references to make you smile and belly laugh in solidarity and complete understanding.

At the centre of The Way Way Back is James' Duncan. It's not a star-making performance that tugs at us like, say, Paul Dano's Dwayne in the supreme Little Miss Sunshine (which also starred Carell and Collette) but his character development is steady rather than breathtaking and we buy into him. He's odd but we like him because of that. This is no 'ugly duckling turning beautiful' hogwash but a considered performance from an actor who has inhabited his on-screen persona completely.

Collette is on fairly safe territory here as the mixed-up mum who is holding it together and hoping for the best but papering over the cracks with tissue. As her boyfriend, however, Carell is on superb form. There are many expletives and mild obscenities one could use to describe Trent but Carell avoids the pitfalls of making him purely evil. Trent isn't so much cruel as quietly unpleasant. Perhaps he even believes he is genuinely helping when he asks Duncan, "On a scale of one to ten, what do you think you are?" before crushing the teenager with his own damning, contrary assessment of him. This is a Carell we are rarely allowed to see but I sincerely hope he extends his range and gives us the dark side more often.

Rockwell is at his best here. Forget the overcooked oddball of Seven Psychopaths, he is on sincere form as the man who has never quite left his own youth and understands what really matters more than any of the other adults around Duncan. Rockwell has proved to be a versatile actor (compare his turns in Welcome to Collinwood, The Green Mile and Matchstick Men for a start) who adds a quirky tangent to most films. His Owen is not simply played for laughs but with honesty and sincerity.

On the periphery are some solid and amusing supporting performances from the likes of Rob Corddry and Amanda Peet as the neighbours, Kip and Joan, and Janney as the lush next door, but scenes are stolen frequently by Rash as the camp, dour Lewis, an kiosk attendant with no customers and no escape. Brilliant! The Way Way Back is far from perfect but, after the initial lacklustre, I enjoyed it immensely and laughed aloud. If you heeded my advice and enjoyed last year's Safety Not Guaranteed, add this to your viewing list. It's not quite a gem but it's worth taking a chance on a movie that flies because of some very, very funny delivery of superbly written dialogue.

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In all honesty, I completely loved this film, it is one of the most heartwarming coming-of-age stories of recent years and blends comedy, drama and emotion perfectly. With top notch performances, most notably from Sam Rockwell as the overzealous-yet-lovable waterpark manager Owen and Steve Carrel as the somewhat unexpectedly despicable Trent, both James and Robb also do wonders as the young duo. The film itself has a nice indie feel to it with a fantastic acoustic score, supported by some fine music choices and a generally satisfying story as a whole. A definite must-watch if you enjoy coming-of-age dramas with that hint of heartwarming humour.

I adore this movie. To me, it depicts an awkward age that every introverted kid has to wrestle with, more so than more popular movies like Stand by Me. The main character is Duncan, a sullen, depressed pre-teen who vacations with his divorced mom (Toni Collette) and her obnoxious new man (Steve Carrell, a long way from Seeking a Friend for the End of the World, which came out the previous year). The family heads to Carrell's beach home in an unnamed town that could be near Cape Cod, or somewhere on Long Island.

The other characters appear almost immediately as Carrell drives his station wagon with a "way way back" seat (hence the film's title) into the driveway. Characters tailor made for the comedy stylings of Allison Janey (a lush, totally flirtatious, and not the greatest role model for her children), Rob Corddry (once again playing Carrell's best friend), and Amanda Peet (as Corddry's Mr. Mister-loving current girlfriend).

Without revealing too much of the plot, during the course of the summer, Duncan pulls himself out of his shell, particularly after taking a job at a nearby water park owned by a perpetual slacker named Owen, played by Sam Rockwell, and managed by Owen's one-time girlfriend (Maya Rudolph). Owen becomes a surrogate big brother to Duncan, giving him life lessons while boosting his ego.

This is one of Sam Rockwell's most appealing characters. The talented former actor, who finally has an Oscar, as built a career out of playing weirdos or psychos. You get the feeling by the end of the movie that Owen really loves Duncan as a brother, or even son, and Rockwell's natural performance seals it. He's backed by actor and screenwriter Nate Faxon, who also co-wrote equally charming Alexander Payne comedy/drama "The Descendants," and who was so hilarious as the stoner in "Hamlet 2."

The movie has a mid '70s look and feel to it, and not just because of the car Carrell drives. The beach town is lifted straight from the town in "Jaws," yet the characters have cell phones and iPods - this odd mashing of American beach town eras gives the action in the film a nearly fantastical quality. And every character, including the kids in the film, have some zingers (the slightly older girl next door, daughter of Janney's character and played by AnnaSophia Robb, has a hilarious line about Duncan's love of REO Speedwagon).

A relatively unknown movie that you should seek out and treasure.

"Before you know kindness as the deepest thing inside, you must know sorrow as the other deepest thing"- Naomi Shihab Nye

Directed and co-written by Nat Faxon and Jim Rash who won an Oscar for the Best Adapted Screenplay for The Descendants, The Way Way Back is a warmhearted and beautifully realized teen comedy that is as poignant as it is funny. Though there are more coming-of-age films than references to God in the Bible, very few have really hit home for me as much as this one. Of course, there are the usual complaints from critics about how it "doesn't break any new ground" as if it was a construction site, but to me it felt fresh and alive with real and relatable characters far removed from the stereotypes of most films in this genre.

In the film, 14-year-old Duncan (Liam James) is a sullen, withdrawn adolescent whose shaky self-image is not helped by his divorced mother Pam's (Toni Collette) and her obnoxious boyfriend Trent (Steve Carell), or his snippy daughter Steph (Zoe Levin). On the drive to spend the summer at Trent's beach house called "The Riptide," Trent asks him how he would rate himself on a scale of one to ten. Not normally being asked to rate oneself, Duncan might have said "two thumbs up," if he thought about it, but all he can think of to say is a six.

When Trent tells him (calling him Buddy as he does throughout the film as if he has no name) that he thinks he is a three because he doesn't put himself out to people, he might think he is showing some tough love, but the result is that Duncan is pushed deeper into his shell. As Albert Einstein said, "Only two things are infinite, the universe and human stupidity, and I'm not sure about the former." At the New England beach house as his mother tries to make everyone happy, Duncan has to deal with adults whose maturity level on a scale of one to ten might be so low as to be off the charts. There is the boozy and off-the-wall neighbor Betty (Allison Janney) as well as Trent's friends Kip and Joan (Robb Corddry and Amanda Peet), all engaging in what Betty calls "Spring break for adults."

To make matters more uncomfortable, Betty's daughter Susanna (AnnaSophia Robb), who is slightly older than Duncan, tries to engage him in conversation but the stoop-shouldered boy is too withdrawn to respond. He is more at ease with Betty's younger son Peter (River Alexander) who is constantly being teased about his unfocused left eye. On one of his frequent bike rides on the pink bike he discovers in the garage, however, Duncan finds a kindred spirit at the Wizz World Water Park in the person of Owen (Sam Rockwell), the park's manager. As are-free and ungrounded as some of the other adults in the film, Owen has one attribute the others lack. He has a terrific sense of humor and takes an interest in the people around him.

These include long-time employee Maya Rudolph (Caitlyn) who had only planned to stay one summer but is drawn back by Owen's charm and wit. Owen also takes an interest in Duncan but it is not the "brother you need help" attitude. He gives him a job at the park's pools and water slides to help boost his self-esteem, a job which neither Trent nor his mother know anything about. Sam Rockwell's performance as Owen is pitch-perfect. Even though his communication with Duncan is mostly full of wisecracks, there is an underlying connection between the two that is not based on need alone. Pure and simple, they like each other and it shows, as does the remarkable chemistry displayed by the entire ensemble cast.

Duncan's transformation happens gradually, however. As he finds himself being accepted by the park's employees, his shoulders begin to straighten out, there is a hint of a smile on his face as well as a new look of confidence. Lian James, a Vancouver actor, not only disappears into the role of Duncan, he is Duncan and his struggle to reconnect with the world he has been estranged from is so honest and painful that we identify with him and want to help him, in Langston Hughes words, "to break his shadow into a thousand lights of sun." As in many great films, The Way Way Back has laughter and tears in equal measure.