अपनी भाषा में प्लॉट जोड़ेंIt's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, ... सभी पढ़ेंIt's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, until tonight.It's the closing night at the last drive-in theatre in America, and manager, Cecil Kaufman's planned to show 4 movies; films so rare, they've never been exhibited publicly on American soil, until tonight.
- पुरस्कार
- कुल 1 जीत
- Hottie On Train (segment "Wadzilla")
- (as Alice Haig)
- Nurse Unger
- (as Olivia Dudley)
- …
फ़ीचर्ड समीक्षाएं
Segment Two, I Was a Teenage Werebear is, unfortunately, the proverbial black sheep of the family. Tim Sullivan (2001 Maniacs) is a real talent but the short's taboo pressing plot line only serves to alienate this movie's target demographic (straight males). It is a rousing musical about a sexually confused young man who is bitten by a were-bear (long story) and struggles to keep his morality.
Segment Three, Adam Green's (Hatchet, Frozen)The Diary of Anne Frankenstien, is a real treat. Although admittedly a little short on the horror aspect, it is actually quite funny. The Nazi's, led by Joel David Moore as Hitler, attempt to use Anne Frankenstien's journal to build a monster to help in the war effort. This segment is shot in a sublime old fashioned style and is subtitled as everyone speaks authentic German except for Hitler himself, who comes off as quite a bumbling fool.
Segment Four, Joe Lynch's (Wrong Turn 2) Zom-B-Movie, serves as the wraparound story and as the finale and it is just righteously over the top fun enough to completely win over this reviewer. A zombie outbreak threatens the people who had to sit through the last three shorts only to be threatened by a pack of sexually charged zombies. The real highlight is character actor Richard Riehle who gets to brandish a shotgun and quote more movies then any character in history.
For this reviewer's money, this movie succeeded at becoming exploitation without falling prey to insincerity like the similarly themed Grindhouse.
I had moderately high hopes for this film, and for the most part they were met. "Wadzilla" was better than I expected, and "Diary of Anne Frankenstein" far exceeded my hopes... it was, without a doubt the highlight of the film (the fake German was hilarious, Joel Moore plays a great Hitler, and Kane Hodder as a golem? Perfection). I also enjoyed "Deathification".
The problem comes with "I Was a Teenage Werebear". This is the segment I had the most hope for, and it was just boring. It slowed down the pace of the movie and made the overall film seem much too long. I appreciate the concept and the throwback to 60s beach films, but I think they blew it. I just did not find it very well developed.
I still recommend this one to all horror fans. If nothing else, watch the "Anne Frank" segment. Just downright hilarious. And see how many references to classic films you catch (some horror, some not). It is no secret that Joe Lynch and Adam Green are passionate about horror, and this film proves it.
From start to finish you get the impression that someone was trying to get the aforementioned mixture just right. It interweaves 3 different movies (essentially hilarious mockeries of the old grindhouse/midnight drive-in genre) with a story of what takes place in between at the drive-in where they're being shown (think of it as the play within a play from Hamlet). Mocking these types of films is certainly nothing new, but few have gone so over the top while still somehow staying true to the source material. I have to say my favorite segment has to be "The Diary Of Anne Frankenstein" if for no other reason that Joel David Moore's portrayal of Hitler. Watching him make up gibberish that was subtitled as legitimate German had me laughing my ass off.
Gripes? Only minor ones. The movie runs a bit long for this genre. Two solid hours is typically a bit more than you'd expect, but then again it doesn't feel stretched or wasted. I also kind of wished they had put a little more effort into the story of what happens at the drive-in. All in all I would (and already have) recommend it to just about anyone who enjoys a good, albeit sometimes crude, laugh.
This is definitely not my kind of Horror/Comedy. A good Horror/Comedy in my opinion, first of all should be a decent watchable film. Just because you are doing the potentially fun and pretty crazy combination of comedy and horror (for some people not the most obvious combination of atmospheres) doesn't mean you can get away with everything. Just because you are making a parody of something, does not mean you can throw all seriousness overboard. In all reality, you are combining two genres in their own rights, something that the makers of Chillerama do a magnificent job at misunderstanding. You're combining Horror and Comedy, two potentially great genres, maybe even the greatest ones for a lot of film fans out there. But just because you are combining a genre that takes itself pretty seriously with a genre where apparently everything goes, does not mean you can get away with doing everything in a bad way. Campy does not equal bad. And parody does not equal being ridiculous. Good comedy is a serious business.
The 'cringe' is so strong here as to make the film totally unwatchable. You literally want to look away at how campy and unfunny everything is. You start questioning your own sense of humor, looking at how much fun the makers apparently had creating 'Chillerama', while you find yourself unable to produce even a single smile.
The segments in this anthology were just the worst combinations of bad taste, far-fetched plot, generally unlikable characters, cringy acting and unfunny jokes. Some of those elements can work well when done right, sometimes even combinations of them. But you have to see this film if you want to find out how they can NOT work in the most spectacular way.
Generally I think a Horror/Comedy works great if they manage to keep the fun, enticing subjects of a horror film and the exciting, spooky atmosphere, and combine it with genuinely funny jokes. Jokes that seem to be up for grabs when looking at horror, because let's face it, in general it's a pretty crazy genre with lots of clichés and elements that are easy to poke fun at, while still doing it in a way that respects the genre and the characters. Bus as with everything that seems easy and up for grabs, it generally isn't...
Also, a good Horror/Comedy should be more exhilarating than the average non-horror comedy film (because hey, there's monsters, suspense, murder, spooky locations and what not), while having such a great atmosphere that they can measure themselves with, even be an homage to the great films of the Horror genre. Besides not being very funny, this film lacks any kind of horror atmosphere that makes you love Horror. The Horror atmosphere is totally lacking. Yeah, it's superficially there because there's blood and screaming, but literally everything is done so badly that... it just doesn't work on any level. Instead, it manages to make you hate both Comedy AND Horror at the same time.
That's just my opinion, my attempt at putting into words what makes this Horror/Comedy genre work, potentially. All I'm sure of is that whatever the X-factor is, it is NOT to be found here, but there are plenty of genuine masterpieces in the genre to be found elsewhere.
If I may recommend some Horror/Comedy films that DO work: * Shaun of the Dead * Killer Clowns From Outer Space * Zombieland * Young Frankenstein * Dracula, Dead and Loving It * Return of the Living Dead * Fido * Once Bitten * The Little Shop of Horrors * Mad Monster Party * Nightmare Before Christmas * Corpse Bride * Rocky Horror Picture Show, which I guess you could call a Horror/Comedy crossover.
... and let's not forget films like Ghostbusters and Beetlejuice!
क्या आपको पता है
- ट्रिवियाMost of the lines Joel Moore utters as Hitler are gibberish, with a few exceptions. When the subtitles read "Why is everyone so mean to me?," he declares in German, "I'm such a shitty actor." Instead of singing the titular line "I Don't Want to Rule the World," he keeps singing "I have worms in my penis."
- गूफ़In the "teenage wearbear" segment there is a reference to President Kennedy indicating that the scene is set in the early 60s; however, the van driven by the main character is a dodge tradesman 200 which was introduced in 1971.
- भाव
Adolf Hitler: Here. Write depressing stuff in this as if the little girl wrote it. We'll sell it after the war and make millions.
- क्रेज़ी क्रेडिटAt the end of the credits for "I was a teenage were-bear" it says "T-girls need love too!"
- इसके अलावा अन्य वर्जनEarly screenings of "The Diary of Anne Frankenstein" included Hitler's song "I Don't Want to Rule the World." The scene was noticeably cut out and relegated to the 'Chillerama' end credits because it followed the musical segment "I Was a Teenage Werebear," and the filmmakers decided its inclusion at that point in the movie would be musical overkill.
- कनेक्शनFeatured in Full Moon Fever: Behind the scenes of I was a Teenage Werebear (2011)
टॉप पसंद
- How long is Chillerama?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Chillerama: The Ultimate Midnight Movie!
- फ़िल्माने की जगहें
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- चलने की अवधि2 घंटे
- रंग
- पक्ष अनुपात
- 1.78 : 1