IMDb रेटिंग
3.9/10
4.4 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंThree adults during a single day in New York City filled with sex, drugs, and indecision.Three adults during a single day in New York City filled with sex, drugs, and indecision.Three adults during a single day in New York City filled with sex, drugs, and indecision.
Jon Orsini
- Rick
- (as Jonny Orsini)
फ़ीचर्ड समीक्षाएं
If I could give it a 6.5, I would. While it was not hugely captivating, it did hold my attention.
First of all, one of the best things about the movie is that it appears to be an independent film. What that means to me is that you will not have to suffer through all the trite Hollywood-isms like the boy risking his life for the girl of his dreams.
I will say that if you do not like dialog driven movies, this is not the movie for you. Nothing 'happens'. In fact, there isn't even much dialog. But, the content was fresh and cohesive. I think the acting/actions and cinematography carry the movie adequately enough that I never feel myself urging to hit the fast forward or stop button. Oddly enough, I do not recall if there was any soundtrack music. If there was, it blended in well enough as not to be a distraction.
Of major importance is the fact the the acting was good enough that at no point in the movie was I reminded that I am watching an actor. You know how in Django, every time Jamie Fox said something, you were reminded that he is an actor from the 21st century. To me, that ruins the movie experience. Some one is going to say, 'Every time I watch Keaneau Reeves, I think of "Bill and Ted."' To that I can only say, "Every time I hear Sean Connery talk, I think of James Bond. Every time I hear Robert DeNiro talk, I think of Taxi. Every time I hear Al Pacino talk, I think of Scarface. Yet these are all actors who are never criticized for being one-denominational" My point is, there are chameleon actors, and there aren't. The bulk of the actors out there aren't like Gary Oldman, who reinvents himself every movie.
Moving on, the last thing I have to say about the movie is that the ending was awesome. I can't say much more without spoiling it. I love when a movie forces me to re-frame events. Well done.
If I had to categorize the movie, then I would use the key words 'psychological drama'.
First of all, one of the best things about the movie is that it appears to be an independent film. What that means to me is that you will not have to suffer through all the trite Hollywood-isms like the boy risking his life for the girl of his dreams.
I will say that if you do not like dialog driven movies, this is not the movie for you. Nothing 'happens'. In fact, there isn't even much dialog. But, the content was fresh and cohesive. I think the acting/actions and cinematography carry the movie adequately enough that I never feel myself urging to hit the fast forward or stop button. Oddly enough, I do not recall if there was any soundtrack music. If there was, it blended in well enough as not to be a distraction.
Of major importance is the fact the the acting was good enough that at no point in the movie was I reminded that I am watching an actor. You know how in Django, every time Jamie Fox said something, you were reminded that he is an actor from the 21st century. To me, that ruins the movie experience. Some one is going to say, 'Every time I watch Keaneau Reeves, I think of "Bill and Ted."' To that I can only say, "Every time I hear Sean Connery talk, I think of James Bond. Every time I hear Robert DeNiro talk, I think of Taxi. Every time I hear Al Pacino talk, I think of Scarface. Yet these are all actors who are never criticized for being one-denominational" My point is, there are chameleon actors, and there aren't. The bulk of the actors out there aren't like Gary Oldman, who reinvents himself every movie.
Moving on, the last thing I have to say about the movie is that the ending was awesome. I can't say much more without spoiling it. I love when a movie forces me to re-frame events. Well done.
If I had to categorize the movie, then I would use the key words 'psychological drama'.
Low user ratings are to be expected when the names of Keanu and Bojana fuel edge-of-your-seat anticipation. This however documents (partly videotaped by Keanu's character) a 24 hour stretch in the lives of three people who are beyond clueless, they don't even care if there is such a thing as clue, purpose or direction in life. They don't even bother to define the relationships amongst the 3 of them. They don't even care to find words to describe their feelings and their lack of any accomplishment gives new meaning to the word void. I do believe this to be a socially relevant document of the lives of some of the 20- or 30-something generation who are one level below the entitled ones. It's there, it's real, no comedy nor drama, but it did powerfully communicate awareness to me as a viewer.
Initially after watching I was confused as I could not understand what was happening to the characters in the movie. Once I finished the movie, it began to make sense. I was surprised. This is not a movie that one understands initially after viewing. It is like peeling an onion. After watching the movie twice, I have learned a bit more about the what the symbolism means. Each member of this pseudo family reveals a little bit more about themselves, which takes time to develop. The director and the actors are patient as the undertones of the movie are revealed one by one. It is through this patience that one learns of the real issues that face each member of this cast.
"Generation Um..." is a pretentious shallow film about nothing. The pointless plot is about the lives of three uninteresting persons that live in New York: John (Keanu Reeves) is an unemployed guy and small-time thief and pimp. The Call-girl Violet (Bojana Novakovic) is a promiscuous drug addicted woman that has slept with at least two hundred men and three women. The call-girl Mia (Adelaide Clemens) is a disturbed woman that saw her father kicking the belly of her pregnancy mother that aborted a baby girl. Violet shags John and Mia and she are best friends. On the day of his birthday, John steals a video-camera and makes footage in the Central park and interviewing Violet and Mia. Then the girls go to a bachelor party. My vote is two.
Title (Brazil): "Sem Destino" ("Without Destiny")
Title (Brazil): "Sem Destino" ("Without Destiny")
I really didn't want to watch this movie. The low rating is an absolute no go. But thanks to some user comments i saw a potential.
I'm happy that i took the chance. It's a movie about life in a certain age - my age. Maybe thats the the reason i liked the movie. It was true. I had a good feeling watching it. I didn't always like the way the camera was moving, but in the end it gave the movie an innocent touch.
This movie takes you into the life of some people you get to know just a little bit. it's like going to a party and listening to other peoples conversations without yourself interrupting. It's a pure view of the world in the eyes of John, Mia and Violet. It's so pure you see their skin 'unphotoshopped' and thats refreshing.
I often feel being betrayed or lied about how things look like, how people look like or how locations, bars, streets look like. All the lights, all the make up, all the color boosts... sometimes its just too much.
To view a movie about kind of a real life story - it's a nice idea to do that with real faces, real streets, real situations. And with that comes no explosion, no special close up event, no beautiful candle light sex scene... etc..
That said, this movie is definitively underrated. If you like Lost in Translation or Vicky Christina Barcelona - you may like this movie too. Just don't expect beautiful colors, perfect romance or a Hollywood type movie in general.
I'm happy that i took the chance. It's a movie about life in a certain age - my age. Maybe thats the the reason i liked the movie. It was true. I had a good feeling watching it. I didn't always like the way the camera was moving, but in the end it gave the movie an innocent touch.
This movie takes you into the life of some people you get to know just a little bit. it's like going to a party and listening to other peoples conversations without yourself interrupting. It's a pure view of the world in the eyes of John, Mia and Violet. It's so pure you see their skin 'unphotoshopped' and thats refreshing.
I often feel being betrayed or lied about how things look like, how people look like or how locations, bars, streets look like. All the lights, all the make up, all the color boosts... sometimes its just too much.
To view a movie about kind of a real life story - it's a nice idea to do that with real faces, real streets, real situations. And with that comes no explosion, no special close up event, no beautiful candle light sex scene... etc..
That said, this movie is definitively underrated. If you like Lost in Translation or Vicky Christina Barcelona - you may like this movie too. Just don't expect beautiful colors, perfect romance or a Hollywood type movie in general.
क्या आपको पता है
- ट्रिवियाThe shots of Keanu spread online of him stealing the camera and running from a paparazzi were actually from this movie and not real.
- कनेक्शनFeatured in Celebrated: Keanu Reeves (2015)
- साउंडट्रैकMy Song
Written by Riliwan Salam "Ril Good", Philip Gomes "Rated PG", & Brandon Smith "B-Smith"
Composed & Performed by Riliwan Salam "Ril Good", Philip Gomes "Rated PG", & Brandon Smith "B-Smith"
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Generation Um...?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Một thế hệ...
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $17,00,000(अनुमानित)
- चलने की अवधि
- 1 घं 37 मि(97 min)
- रंग
- ध्वनि मिश्रण
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