उपयोगकर्ता समीक्षाएं

The extreme cold is a very important element in the construction of some Suspense and Horror narratives. It contributes to increasing the tension that usually surrounds the characters. The feeling of weakness in the face of nature, the risk of hypothermia, the need for a shelter or source of heat to keep us warm and the hunger that increases.

With what was mentioned above, it is easy to remember some classic productions. In The Enigma of Another World (1982), scientists face the cold of Antarctica and have to deal with an unknown creature that takes the form of their victims. In The Shining (1980), Jack Torrance (Jack Nicholson) needs to stay with his family in a hotel full of secrets during a harsh winter.

David (Allen Leech) ends up crashing his car into a ravine and, surrounded by snow, is unable to get out of there. As the snowfall increases, the situation worsens and the man is forced to wait for the weather to improve. However, he is not alone. You will have to face this situation with another person. At this point, we get to know the personalities and characteristics of the characters better.

Another feature of the film is creating a plot that can be sustained in a confined space. The interior of the vehicle will be the stage for two people in a gradual state of fear, distress and search for survival. Whether through dialogue waging psychological warfare, or through desperate measures to find an escape, time is running out and solutions are difficult to come by. And in this environment, everything fits together as a resource to survive. Knife, car heater, numbing liquid, duct tape.

As time progresses and the chances of survival decrease, the two characters fight a battle that reveals more details about each person's personality. Scenes alternating between reality or even representing an illusory/dreamlike moment make us more aware of the true motives and nature of the characters.

As if all the dangers of the extreme cold and the struggle between both characters were not enough, a strange creature starts to haunt the car. If the viewer paid attention to the narration at the beginning of the film, they will better understand the meaning of such a creature.

Of course, certain moments in the film receive a metaphorical meaning, but it is up to the viewer to better understand where the metaphors fit. As one of the characters in the film said: 'the blizzard is still one of the things you should least worry about if you manage to get out of here'.

Watch it on a very cold day, preferably.

This little indie movie does a decent job of combining certain popular psych thriller / horror tropes. The only two I'll list for fear of giving too much away are the use of isolated settings - in this case the first trope is Colorado Rockies just outside a tiny town during a blizzard. The second trope is the indomitable human will to survive the most unforgiving situations.

With that, enter main character David - an apparently mild mannered smallish 30 something guy just trying to get home in the early hours of a massive snow storm. Then enter pretty waitress in the only diner for miles that is trying to serve pie to David because the kitchen is otherwise closed. Then enter drunk and large boyfriend of said waitress who decides to smack her around in front of smallish David.

From the diner, we will eventually get back on those mountain roads, into an ever worsening and rather unpredictable storm. A storm that will prove to be the backdrop and indeed a growling character in itself as the two main characters fight to survive.

My main criticism of the movie will be the last 20 minutes. Without saying more substantively, I believe Directors missed an opportunity to make a much better and more horrifying movie. Instead we were left with a sudden and flat ending.

The acting was solid. The sets and cinematography are quite well done. But as often happens in B-land, the movie sputtered out.

This is a real thriller, but few people will be interested in just listening to the usual dialogues during the main action. The film was shot and directed well, but no more (in my opinion, of course) I liked the acting, but I wasn't interested... The main twist of the story, which will present a really unexpected surprise, is already read at the end of the first scene, while it is not obvious and well disguised. The monster itself is presented in the film only in order to diversify the narrative and enliven a slightly boring chronicle of events. The parallel between the villain and the monster seems invisible, but I was hoping to see the majestic philosophy of the struggle between good and evil. In this context, plot twists are necessary that would reveal unexpected motives, however, unfortunately, their absence makes everything too straightforward - the hunter and the victim become prey for an even more cruel beast under the influence of unforeseen circumstances.

In a sea of movies, we often hit hidden gems, most of them pleasant to the eyes. It is common, likewise, that the gem turns out to be just glass after care polishing. Cold Meat starts strong with a great opening scene but lost itself in the long run.

This movie is also a great example of false advertising. I had to rewatch the trailer to see if I was not going insane; is it that I completely misinterpreted the trailer altogether?

Nope. The trailer advertising and the final cut are completely different stories. That would be fine if the final cut was at least interesting, but it isn't.

Cold Meat starts with a voiceover telling of a legend about bad people and Nature's justice. Pay close attention to this info because you will only get to see it again by the end of the movie.

Then we get to a great opening scene showing huge traits of characters David and Ana, our main characters in this mess of a story. I will give it that the acting is at least good and commendable. This scene is the only good thing about this story, like chewing a sweet gum that ends up spilling spicy pepper sauce all over your taste buds.

The rest of the movie takes place in one setting without much happening, which would turn out interesting if the psychological aspect had better details. The dialogue is just plain and boring, not enough to keep us hooked.

And yet, I persevered. I endured because I'm that person, I wanted to see the end of the tunnel.

Turns out the light was a freight train coming my way.

90 minutes of downhill uninteresting plot points until a huge, unexpected Ex Machina, one that, although kinda foreshadowed, just comes out of nowhere, a cheating player or a breaking bug in a software.

Had the movie used its own advertised premise as the main theme for the story, I think Cold Meat would have better chances. As it is, I can't see a valid redeeming factor about this story.

I'm a sucker for low budget, few characters, isolation films. They can be hit or miss but I appreciated this one. I suggest going in blind and roll with it. It has its faults, a few minor things I would have changed/added but the acting was good, dialog was well written, and had some good use of timeline creativity. I don't want to say anymore more because not really knowing was a key pro for me. It's more of an watch alone for horror fans. I wouldn't play it for a friend movie night. It's no blockbuster but overall I was kept interested.

Also, props to the Downton Abbey actor, he has more range than I would have given him credit for.

Well, here I am, start to the week, work finished, feet up and so I fancied watching something online. Cold Meat came up unexpectedly, and unexpectedly I quite liked the premise of the film.

The opening scenes had my attention mostly due to the location and diner type feel (those diners that seem to look like bigger than average Trailer Units). The acting is good and when there is interaction it feels so in a not unnatural way which is always a plus for me in movies such as this.

Anyway, as other reviews have said, there are plenty of twists and turns so it will keep one's attention and interest. The acting between the two leads is good and you can see the effort they have put into portraying their respective characters.

I think movie lovers will enjoy this is probably my overall verdict.

I understand this was filmed in a short time but I have to say the film is well made, enjoyed the lighting, cinematography, and editing.

This lean 90min two person trapped in a car set up is well acted by the two leads, has an unexpected twist at the end of the first act and is well designed, despite its low budget,in the unforgiving, harsh snowstorm outside the car.

Some will find it needlessly talky throughtout it's, short, run time about the psychology of what drives 'David' to do what he does ,I however, found this interesting and added adds character and depth to this troubled mind.

Only the last five minutes let the film down with the appearance of a possible spirit in the forest/Wending that haunts the nightmares of David suddenly becoming'real' , this isn't a monster movie made real but more the'monsters' within us that drive us.

It felt cheap and tacked on!

This is a movie that I got the chance to see thanks to Kim from Dominion3. This was a movie that I saw did festivals rounds in 2023 but getting its wide release in 2024. It's not listed on the Internet Movie Database as horror but was on Letterboxd. I agreed to check it out as it looked like a good winter movie, which I'm a fan of.

Synopsis: David Petersen (Allen Leech) is passing through the Colorado Rockies. After saving a young diner server from her violent ex-husband during a break from driving, he hits the road again in a dangerous blizzard. One false move leaves his car stuck. But the cold is the least of his worries.

We start this by getting a good lay of the land. It is cold. The trees are covered in snow and ice. There is voice-over narration about how everyone has the capabilities of good and bad. There are certain people though that are only evil. The narration then says that in this part of an evil cannibal spirit that preys on these people. It also corrupts them. This piqued my interest more as I know this is wendigo.

It then shifts to David as he drives alone. The weather is getting worse and it is getting to be nighttime. We hear over the radio about how low the temperatures are and that it is only going to get colder. He stops off at a local diner. The server working is Ana (Nina Bergman). There is a father and son, who the former drives a snowplow. They stopped in for food and to get warm. They're wrapping up as it is going to be a long night ahead of them. Ana tells the cook that once he's finished wrapping up the son's meal to go, he can leave.

David takes a seat and asks for coffee as well as a steak. He's informed that the cook left and all they have available is pie. That works for him. Things get tense when Vincent (Yan Tual) shows up. He is the ex-husband to Ana. We saw before his arrival that she had almost 20 missed calls from him and text messages demanding her answer. He comes inside and yells at Ana. She has custody of their daughter and the judge wants him to stay away. He has a drinking and clearly, an anger problem. David makes a comment, which draws Vincent over. The former is calm in how he manages this brute and gets him to leave with logic. Not before he kicks David's side mirror off. In appreciation, Ana makes David a steak.

He then hits the road again. He's getting low on gas, so he stops off. We see an odd scene where he goes in to pay and grab snacks. He is short on cash and seems leery about using a credit card. While he's at the gas station, Vincent is prowling for him. He wants to enter the lot, but a police SUV comes in. Vincent waits until he hits the road and then tailgates him. David gets away by going down a side road.

This is where he makes a mistake. It is icy and hard to see. He loses control and gets stuck in a snow embankment. He tries to get free, but it is too cold. With the weather and temperatures as they are, he can't stay here for long. He sets off trying to find help. This doesn't go well as he injures himself. He must pull himself back to the safety of his car before it is too late. There is also a secret in his trunk that will complicate this even more. David also has nightmares about an entity that was referenced earlier.

That is where I'll leave my recap and introduction to the characters. Where I'll start is that we aren't working with the deepest story here. It is a simple set up with complications to it that get revealed as we go. The major one is the weather. This is set up from the beginning and David going along these mountain roads is dumb. Even more so is that he has a car that isn't equipped. I do like having him get stranded like he does. That raises tension due to how long humans can survive in weather like this. It also contains the story.

Now there is a major reveal that I've not given. I don't think that I am as that would be a spoiler. It didn't necessarily shock me as I started to guess before we saw the truth. What made me pause was that I didn't expect it necessarily but it works better with what we got to that point. Now what I will say is that it allows for a variation on a cat and mouse. It is a contained story being in this car. That feels believable with the make-up being done as frost bite settles in. Going along with this, David hurts his leg badly so that makes it more stressful as well. The last thing here, this isn't a new idea or concept. What they do with it is interesting, especially the power dynamic.

I do have a negative here though. I love that this is using the wendigo spirit. David sees it in his nightmares when he drifts off. There could be an actual creature here attacking the car. What is confusing is that it seems like this entity would use David, but it seems to want to feed on him. I don't mind this movie using it as an avenging entity. My problem is that it gets referenced in the beginning, then it doesn't come back up until the last like 25 minutes. By then, it is underutilized and rushed. I'd almost say if that was the intended plan, it needed to be used more throughout or scrapped. The story works without it. As a caveat, we do get glimpses through the dreams, but I needed more.

Next then will be the acting. This is really a two-person show. Both command the screen and I love how things get revealed, we see the dynamic not only change, but the character's position does as well. Not necessarily physically. In the scheme of the story. Leech as David is good, because at first, he thinks he's a nice guy. He's harboring a dark secret though. The more that we learn about him, the worse he becomes. I also like that Bergman reveals aspects to her character. She made a bad decision with marrying Vincent and having a child. He fell apart and is angry. Ana has a lot of obstacles she's overcome so we know by then that she's strong. Tual is fine in his minor role. This character is needed to strand David. The rest of the cast was fine in rounding this out for what was needed.

All that is left then is filmmaking. The best part of this movie is the setting and how cold it feels. I had to put a blanket on while watching this. Stranding our characters like they do is good. I'll credit the cinematography to capture that. The effects are good, especially the makeup. The longer this goes we can see the frost biting setting in which is a good touch. There isn't much more that I noticed. I'm guessing there is CGI, but no issues with that. I'd also say that the soundtrack fit what was needed.

In conclusion, this is a solid film. We have a great setting. It is unforgiving and has built in tension. It is freezing and it feels like it. I thought that the acting from Leech and Bergman were good. The different things that get introduced are good. This is well made. I'd say that the cinematography and makeup effects lead the way there. If I do have an issue, the wendigo story element feels underutilized. It needs more of it throughout to fully work as they try to. This does feel like Monster, just in the winter. It would make an interesting double feature. I'd recommend giving this a viewing if you like contained horror films or ones set in the middle of winter.

My Rating: 7 out of 10.

Only good part of this movie is the opening diner scene. The rest of the movie is a waste of time. The lack of action makes this movie just boring. The first few minutes of the diner draw you in and you keep hoping something is going to happen it just never does. The boredom keeps you there because you know any minute the action is going to begin, but then ghe boredom continues. If they had taken you truely back and explained why this was occurring it could have saved this movie. As they never really explained things well just giving you hints and bites its just not worth watching. Save your time and watch something else.

Basically that's it...

What a fantastic, totally suspenseful, and extremely well executed idea. As my title suggests, THIS is what can be done with very little and just some intelligent writing, smart direction, and outstanding acting.

Not giving anything away, but the core of the story is so good that quite honestly even without the tangential Supernatural aspect, it STILL would have been a great film. But, it does add a nice touch to the way things work out.

I haven't seen a movie done this well with pretty much only two characters and one VERY limited location that was so damn suspenseful and effective. That is a testament to the skill involved in putting together and pulling off something that is this powerful. YES, it is overall fairly simple, YES there is not a lot of 'Action' and stuff that many people need to keep their attention. BUT... what there is in my lowly and wretched opinion is an excellent demonstration of what can be done with a LOT of talent and not much else. This kind of quality I feel is quite rare these days.

I must also again stress how bloody GREAT the acting is. Particularly the fellow, but both do their job very well indeed. The expressiveness of the guy's eyes is just amazing. The way he conveys so many different moods and attitudes, just with his eyes, and in a VERY believable and effective way.

This movie is definitely better than the tepid 5.x rating is has now, oh yes... This kind of quality, whether you like this kind of story or not, is clearly evident. That is why I rated this film a strong and well deserved '8'

If you like movies with a simple setting, but with good, strong suspense, and you don't mind your Horror strongly character driven, you should indeed really appreciate this story as much as I did.

This was a very low budget movie, but that really didn't hurt it. The monster isn't a huge part of the story- but it is important. Nature is the main antagonist here. Interesting concept. Somewhat realistic (minus the monster). It combines a few different elements from different types of horror movies to create a unique, tense and claustrophobic situation. I don't want to say too much but I will say I didn't do much research before watching this, and I'm glad I didn't. There were a few twists and the movie progressed at a steady pace, it was never really boring and it kept me interested. Overall a good solid movie!

First things first: if you've seen the trailer and that's why you're here, forget it. The trailer is hella misleading.

Secondly, yeah this a a pretty wordy/talky movie, there's few to no Big Action Scenes or Big Chase Scenes. The dialogue IS pretty decent, though.

Thirdly, yeah there are some continuity issues in the editing, but that's no big surprise for a first-timer, and unless you're REALLY picky it doesn't ruin the movie.

All that being said this is absolutely worth a watch, even if it could have benefited from being a little bit longer in the runtime and maybe, just maybe, using the chloroform more realistically? Anyway, I had no idea what I was getting into with this movie, only that it was recommended by a YouTuber I tend to get great recs from, and I was absolutely impressed. Especially considering it's a first-time effort from the director.

The trailer made it look like a fight for survival movie which is a genre that I love. This movie is not that.

It starts off well enough in a diner during a blizzard. The first scenes really drew me in but it was sadly a downward spiral from there.

What should have been a suspenseful cat and mouse fight for survival between a killer and potential victim, as well as fighting against the life threatening situation of being stranded in subzero weather, turned into endless talky scenes in a car.

It's just boring back and forth conversation between killer and victim while the victim has him immobilized. I though they would at least be forced to work together to move the car out of the snowbank to survive, but it didn't go in that direction.

Just talk talk and more talk as I struggled to continue. Why didn't they work to get the car free? That would've been suspenseful because once the car is drivable again, it could've been a fight to who gets it.

Or at least have it warm enough so we can be treated with a suspenseful chase in the mountains.

But no....it's too much talking and no action. The woman is sitting there screaming about the women he killed and demanding he say their names lol. What the hell? This is not the time to get sanctimonious and criticize when both your loves are in immediate danger.

She's tossing the previous victim's drivers licenses at him and screaming their names to him. That's not being productive...why not channel that anger into surviving and getting that car moving?!

I watched till the anticlimactic end but have to rate this 1 star. Less talk and more action would have made this so much better.

It's hard to review a movie with such a basic plot that discussing any part of it might give it away.

It essentially consists of 2-3 characters, a car, and a snowstorm.

A confrontation between two guys at a diner in small Colorado town seems to set the direction of the movie. A short ways into the story, however, a very unexpected plot twist occurs which completely throws a wrench in things. From then on we are left sitting on the edge of our seat, riveted to the screen in anticipation.

The script definitely carries this movie, as it artfully weaves through the twists and turns of the story.

If you like psychological thrillers, and don't have grand, big budget expectations, then there are worse ways to spend 1.5 hours on a Friday evening.

Someone managed to coax Allen Leech away from the luxury of "Downton" to far chiller climes where he has to step in to avert a row between "Ana" (Nina Bergman) and ex-boyfriend "Vincent" (Yan Tual) in a roadside diner. Next thing, he's driving along the icy roads with his own vehicular stalker, manages to crash and then things take and even more ridiculous turn with a certain something lurking (not so willingly) in the boot. Can he survive? Should he survive? Probably more importantly - do we care if he survives? To be fair to auteur Sébastien Drouin he does use the wintery and dark conditions to elicit a sense of bone-chilling, claustrophobic, menace as the car is gradually covered in snow and events become rather more perilous, but the acting is almost as mediocre as the direction and that's only marginally better than the writing. Thanks to some budget gaffer tape, the story proceeds to take too many implausible turns as it quite literally goes nowhere fast. I wouldn't bother if I were you, this is low/no budget fayre that looks like a training film for aspiring creatives dipping their toes in the business.

No pun intended - actually it is getting cold in here. But you know that if you read what this is about. If not, I won't delve into any more details. Quite a lot of nasty turns and twists ... and quite claustrophobic ... with an ending the director had to think about a lot. Maybe the test audience played a role in that? I can only guess and assume of course.

That being said, the two main actors really work well off each other. And you sometimes even root for the evil one ... or at least think you do. Hopefully you don't ... of course some decisions are ... not really well thought of ... but if you didn't have people act wrong, you wouldn't have a movie. And there is sort of surprise that I did not expect like that ... even if we never really know what it was ... I reckon ...

Some movies are bad in a fun way, and some are just plain bad. Cold Meat falls squarely into the second category. What could have been a tense psychological thriller about a kidnapper and his victim trapped in a deadly snowstorm turns into an absolute slog, filled with poor writing, lifeless performances, and laughable tension. Instead of gripping survival horror, the movie delivers an awkward, frustrating experience that leaves you wondering why you wasted your time.

Cold Meat is a failure in almost every way. A thriller with no thrills, a survival story with no real stakes, and a psychological battle with no depth. The pacing is unbearable, the acting is lifeless, and the tension is nonexistent.