Stoker

Stoker is a psychological thriller that you might not expect. It's not the usual type of the genre. The storytelling is in pure style and it features its terror in a completely twisted way. It's a weird cinematic experience that might stuck in your head for some time. It didn't offer much new to the plot but it creates a both melancholic and terrifying atmosphere to the picture which made it fascinating. What's more fascinating is the filmmaking understands the psychosis beneath it and it clearly shows them on screen. Stoker is quite peculiar but in a remarkably stunning way.

The story is just simple but it is told very differently. Thrillers usually slowly builds the tension of the plot until it gets to the point that everything what's happening is not right. Here, it already shows the oddness of their lives. The only thing it does now is to explore what's happening to the characters and what they are going to do. The plot isn't really that complex but it's all rather provocative. It embraces the strangeness that is manipulated from the two Stokers. It's not ought to be scary or anything. It's all about taking the ride on their horrifying acts. These scenes are, without a doubt, bizarre and somehow disturbing.

The film has a set of amazing talents. Mia Wasikowska has always been lovely and talented. She gives a sense of weirdness inside of her innocence which is perfect to the character. Nicole Kidman makes a great desperate mother. Matthew Goode adds some creepy mannerism to the psychotic Uncle Charlie. It's easy to get infatuated by his deceiving charms. The violence is a bit tamed for a Chan-wook Park film, but here, he aims more at the fortitude. He fills them with an impressively energetic style which helps executing its eerie. The gorgeous cinematography captures the melancholia of their world. Everything is just stunning.

The story isn't really that subtle or original but Stoker is a stylishly made film that will give you a quite different experience. Instead of jump scares or whatever tricks that typical thrillers use, the film rather tests the anxiety of the audience in these strange haunting exteriors. The film is not trying to be innovative but the reason why it's interesting is because of its intense use of filmmaking styles. It leaves the clichéd modern thriller plot points for a while and it simply tells the story by exploring these people's little twisted lives. Overall, it's visually captivating despite of the horror underneath the surfaces and that what makes the film so appealing.

I read many of the reviews on this site before deciding to watch this movie. And since I really like slow moving psychological thrillers I gave this move an honest chance. That should not be given.

The movie is well shot, well acted, yet utterly uninteresting. The story does not build up in any straight direction, you never know what is real and what is not and there is just so much confusion in the storytelling that I never really knew where I was standing. I began to wonder if there would be some grand twist in the end, and was waiting for it through one pointless scene after the other, just to realize the ending could be seen a mile away and all that confusing storytelling really amounts to absolutely nothing.

I would recommend this movie only to people who can sit through two hours of something they are not exactly sure whether it is what you are watching. Just terrible in my opinion. The entirety of the story could be summed up in 30 minutes and it would make for a wonderful short movie. But as it is - it is tedious and unrewarding.

I almost DID NOT watch this movie due to the fact that the horrible reviews were really horrible and those people seemed to absolutely hate this film.I decided to give it a shot anyway and I am certainly glad I did. I sat down to watch the film expecting it to be bad and it was not. I loved it. The acting the was spot on, the characters flawless in their representation. The plot was extremely interesting. The movie as a whole was captivating. The only thing I hated about it is that it was over. It's not an action-packed, explode in your face kind of film. It's thought provoking, dark and highly enjoyable. I am glad I gave it a chance. It's a film more than deserving of the time I spent watching it and one I will own for myself.

This is the first English language film from South Korean director Chan-Wook Park. He is probably most famous for the intense psychological thriller Oldboy. With his American debut he reigns in the extremity somewhat but does retain the visual inventiveness that is also one of his trademarks. In many ways Stoker is a modern update of Alfred Hitchcock's Shadow of a Doubt (1943). Like that one, this film has a mysterious uncle re-emerge into the life of a family after many years of absence. Before long it becomes pretty clear that all is not as it seems with this man and he is in fact extremely dangerous. The main character is an 18 year old girl called India Stoker played by Mia Wasikowska who was recently in the not very good but very popular Alice in Wonderland. She leads the film very well and carries off the bookish character effectively. There is also able support from Nicole Kidman as her mother.

The look and feel of Stoker is impressive. The atmosphere is well sustained throughout. If I had a criticism it would simply be that the story ultimately isn't all that original and there aren't really a lot of surprises. What it does do though is to take a fairly standard psychological thriller story and make it interesting by way of cinematic techniques. It isn't a movie that is exactly going to break the mould but it is pretty accomplished nevertheless and is a pretty good first English language feature from its director.

Stoker, celebrated Korean director Chan-wook Park's English-language debut, is a dark, disturbing and diabolical film about an introspective young girl named India who witnesses the loss of innocence following the sudden and untimely death of her beloved father. In Stoker, Park's fixation for the bizarre and the morbid is once again on full display. But, he is clearly a bit more cautious than usual. He seems to keep his characters on a tight leash for a much longer duration, and this makes the movie's first half appear much slower and less hyper than a typical Park film. But, once the dust settles down, the viewer is treated to sheer mastery of Park's craft.

In Stoker, Park pays homage to the master of suspense, Alfred Hitchcock. Those who have seen Hitchcock's 1943 thriller Shadow of a Doubt wouldn't find it hard to draw parallels. Park limns a colorful canvas like only he can and his characters tread it like spirits caught in a limbo. While the characters are highly emotional, their strangely selfish actions make it difficult for the viewers to sympathize with them. Chung-hoon Chung's alluring cinematography gives the movie a hypnotic feel. The acting of movie's three lead characters viz. Mia Wasikowska, Nicole Kidman, and Matthew Goode is quite brilliant and in that order.

Overall, Stoker is an intriguing work of cinema that despite managing to stoke the fire of curiosity may still leave any keen-eyed, intelligent viewer high and dry. Those accustomed to watching the quintessential Hollywood product are likely to find Stoker very strange and deeply disturbing. But, if you are looking for something different to break your monotonous daily routine then Stoker will surely not disappoint you. 8/10

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