Stoker

"Stoker" is a beautiful, twisted, hypnotic trance - it's meant for an audience not overly concrete in it's thinking but who have an open imagination and are able to take the plunge into the darkly poetic vision of it's director. "Stoker" doesn't exist in a normal, everyday reality - it's more of an alternative dream reality, hyper-aware and sexually charged. The three principle actors are superb, but Mia Wasikowska really gives the film a beating heart, as she emerges from her innocence into her latent self - a mesmerizing performance. This movie is filled with images that are as disturbing as they are lyrical and open to endless interpretation (along with a subversive wit). I've seen the film multiple times and find that my impressions change with each viewing and that it has really haunted my imagination. "Stoker" is one of those unique and mysterious masterpieces that I'm sure I will be returning to frequently over the years - there's much to drink in, as the well runs deep.

'Stoker (2013)' tells the familiar tale of an enigmatic, long-lost family member emerging after the death of a patriarchal figure, doing little to differentiate itself from the plethora of other movies in its subgenre. When it boils right down to it, it's pretty much exactly what you'd expect it to be. As such, it all feels rather... inconsequential. It plays its hand far too early in some aspects and, in general, is just incredibly predictable. Even its more extreme elements are presented in a somewhat 'neutered' fashion, feeling like they were included to shock rather than to elevate the story (or, even, make it more unique). That's not to say the film is bad, though. It's a relatively engaging and entertaining in-the-moment experience that does have some interesting aspects. The most obvious of these is its avant-garde direction from Park Chan-Wook, which is turned up to eleven in almost every single scene. This creates an odd effect that does elevate the flick's mysterious atmosphere, even if it sometimes seems a little too 'arty' for its own good. Another thing the film has going for it is its strong cast, each of whom turn in fairly strong performances. The overall thing just falls down in retrospection, though, because it doesn't really do anything all that special. Its overly complex direction hides the fact that it isn't all that deep, something which becomes clearer and clearer the longer you spend thinking about it. It's one of Park's weakest films, for sure. Still, it's a decent mystery-thriller. It's entertaining enough while it lasts. 6/10.

Without the appropriate cinematic skills, this film could have sunk completely, but thanks to Chan-wook Park being a master of psychological thriller, it came to be a nice work of art. A great manipulator of the audience's emotions, he meticulously constructs the movie in such a way to get you exactly where he wants you throughout it. He might be a little bold, but he knows how to keep the balance.

"Stoker" obliges you to stay fully conscious all the time to keep up with the symbolisms and invites you to use your imagination. The director wants a participating audience, is ambiguous on purpose, loves to make us wonder and speculate just as much as he loves leaving us room for interpretation when the film ends. Deliberate loose ends and cut scenes, designed to confuse the viewer and cause uncertainty.

Much like with his all-time classic, puzzling masterpiece "Oldboy", Park wants to disturb you. An exciting, twisted story, very powerful scenes, even scenes that many people won't be able to tolerate. A compelling story about dark nature and sickness, about liberating yourself and becoming aware of your desires. Violence is portrayed with scenes focused on beauty, and sexuality is portrayed dark and repressed.

I liked the script by Wentworth Miller (although I don't think the script gets full credit for the suspense created here), and I found Mia Wasikowska's performance superb.

This film is dark and might make you feel disgusted or uncomfortable. But for me, the beauty of the scenes, the emotions it provokes and how it climaxes, made me think of it as a piece of music.

I read many of the reviews on this site before deciding to watch this movie. And since I really like slow moving psychological thrillers I gave this move an honest chance. That should not be given.

The movie is well shot, well acted, yet utterly uninteresting. The story does not build up in any straight direction, you never know what is real and what is not and there is just so much confusion in the storytelling that I never really knew where I was standing. I began to wonder if there would be some grand twist in the end, and was waiting for it through one pointless scene after the other, just to realize the ending could be seen a mile away and all that confusing storytelling really amounts to absolutely nothing.

I would recommend this movie only to people who can sit through two hours of something they are not exactly sure whether it is what you are watching. Just terrible in my opinion. The entirety of the story could be summed up in 30 minutes and it would make for a wonderful short movie. But as it is - it is tedious and unrewarding.

Stoker, celebrated Korean director Chan-wook Park's English-language debut, is a dark, disturbing and diabolical film about an introspective young girl named India who witnesses the loss of innocence following the sudden and untimely death of her beloved father. In Stoker, Park's fixation for the bizarre and the morbid is once again on full display. But, he is clearly a bit more cautious than usual. He seems to keep his characters on a tight leash for a much longer duration, and this makes the movie's first half appear much slower and less hyper than a typical Park film. But, once the dust settles down, the viewer is treated to sheer mastery of Park's craft.

In Stoker, Park pays homage to the master of suspense, Alfred Hitchcock. Those who have seen Hitchcock's 1943 thriller Shadow of a Doubt wouldn't find it hard to draw parallels. Park limns a colorful canvas like only he can and his characters tread it like spirits caught in a limbo. While the characters are highly emotional, their strangely selfish actions make it difficult for the viewers to sympathize with them. Chung-hoon Chung's alluring cinematography gives the movie a hypnotic feel. The acting of movie's three lead characters viz. Mia Wasikowska, Nicole Kidman, and Matthew Goode is quite brilliant and in that order.

Overall, Stoker is an intriguing work of cinema that despite managing to stoke the fire of curiosity may still leave any keen-eyed, intelligent viewer high and dry. Those accustomed to watching the quintessential Hollywood product are likely to find Stoker very strange and deeply disturbing. But, if you are looking for something different to break your monotonous daily routine then Stoker will surely not disappoint you. 8/10

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