The Awakening

The Awakening is pretty much what you would expect it to be. It's well made with gorgeous cinematography and strong performances from its cast. And the story if unsurprising is solidly made and well told. The film is directed well and builds a nice amount of suspense throughout. At times its confusing because of the sheer amount of convoluted ideals being thrown around. The story concerns an educated young woman who debunks ghost theories. She is approached by the headmaster of a school to help out with a problem concerning the boys being frightened there. After some convincing she arrives at the location and begins her investigation. Many secrets are discovered and it builds to a somewhat expected finale. For those of you who've seen the brilliant films The Others, The Orphanage and The Devil's Backbone there's not much new here. Still it's competently made and there is a nice slow burn of suspense even culminating in some surprising scares and plot twists. Overall it's a old fashioned classic spook fest with a bit of wit and borrowed imagination from slightly better films. A bonus scene features sexy Dominic West in a solid performance shedding his clothes which is much appreciated but unnecessary like the other "bathtub" scene. And there seems to be niche with that running through the proceedings it's almost as if the people involved with making the film knew they had something that wasn't the most original concept so they threw in unnecessary things to kind of lead you astray it's a little manipulative on their part but keeps you engaged as a viewer and you don't feel too cheated at the films conclusion. Overall it's an elegant, solid but expected ghost story.

Wow! I just finished watching The Awakening, and I have to say I've not seen such a complete and entertaining Gothic tale since The Orphanage.

While The Awakening does not have quite the depth of angst of El Orfanato, it nonetheless maintains a constant tension and audience puzzlement up until the last few minutes, when more questions than answers are evident.

Rebecca Hall's Florence Cathcart, and the method used for her professional 'Ghost Busting' procedures reminded me of the scenes set in Guy Ritchie's Sherlock Holmes mythology. I can't quite put my finger on it, but it is definitely there.

7/10 - Highly recommended.

This film is set in a post-World War One society, devastated by loss and alienated from traditional Christian answers about the afterlife. The settings, context and costumes are done perfectly. The tensions between the situation and characters develop quickly, with the help of some genteel and understated movie tropes. But it is in the these tropes that it loses its way somewhat, and towards the last quarter IMO it loses its way royally. Take a pick n mix from haunted doll house, weird kid, who's a ghost, repressed memories and crazy ladies and you can have the awakening of your choice.....

It's 1921 after the horrors of WWI, England is full of charlatans trying to scam grieving people. Florence Cathcart (Rebecca Hall) is a professional skeptic driven to exposing hoaxes and getting the cons arrested. Robert Mallory (Dominic West) invites her to investigate a ghost at a boarding school. There was a murder long ago that could be the source, and recently a student had died. Florence is met by governess Maud Hill (Imelda Staunton) and the boy Thomas Hill. Teachers and staff soon goes on vacation leaving Florence alone with Robert, Maud and Tom in the school.

This setting has a good old fashion atmosphere. It's basically a big old isolated building with a handful of people and a ghost story. You can't really get any more classic than that. The story does have a convoluted twist that could be quite problematic. I was able to follow the twist, and I'm fine with it. Rebecca Hall is a nice capable actress. And she makes a good avenging heroine and a damsel in distress.

The movie does not sound original, in terms of plot and style, it is a very old-style ghost story, built according to the most traditional but still effective means in pictures like these, where the supernatural has to find its ways. Creaking doors, mysterious sounds, light and dark play, set in a solitary gloomy mansion in the English countryside, are part of the oldest tradition of scary movies, the plot twists are also not new, but the impression I got is that of a simple, well crafted ghost story, with an interesting psychological insight, that without needing exaggerated sci-fi effects gets to appeal and entertain the viewer till the end. A good English cast helps give insight to the the frailty and fears of its characters, and to make up for some flaws in the picture, above all a rather hasty and underdeveloped finale, as opposed to some slowness in the previous parts.