Terri

Terri (Jacob Wysocki) is a misfit who comes to school in his pajamas. He lives with his spaced out uncle (Creed Bratton). His vice principal Mr Fitzgerald (Jon C. Reilly) tries to reach out to him. Terri becomes friends with two other misfits. Chad (Bridger Zadina) is an angry wired loner, and Heather (Olivia Crocicchia) is the disgraced beautiful girl who got caught in a sexually permissive situation while in class.

Jacob Wysocki is playing a very low energy character. They have to figure out how to show that character in a compelling manner. Watching him getting picked on all the time wasn't such a fun watch. Bridger Zadina has a nice role as the energetic crazy little guy. I think it would have been better to start the movie with them as friends. At least the movie would have the energy to drive it along. Olivia Crocicchia does a good job as the girl. The big scene feels voyeuristic. But all three kids play their roles well. It's an odd little film. I just wish they showed what happened to their friendship after that night.

Terri (Jacob Wysocki) has been dealt a rough hand. A heavy-set teenager with more than a touch of social anxiety, Terri finds school to be a hellhole where he goes unnoticed (when he's lucky). His home life is not much better. He doesn't know where either of his parents are and he lives with his uncle (Creed Batton) who is slipping further and further into dementia. When he gets in trouble for firing back at one of his many mockers, the school's principal, Mr. Fitzgerald (John C. Reilly), sees a kid who desperately needs a friend. He sets up weekly meetings with Terri and attempts to take the boy under his wing. But the many years of loneliness have taken a toll on Terri and despite the influence of Mr. Fitzgerald, transitioning into a fully functioning member of high school society proves more difficult than originally thought.

There is serious promise to be found within Terri. Up-and-coming director Azazel Jacobs has a firm handle on his subject matter and he works hard to show Terri for the good hearted boy that he is. It is a very simple and understated film (more on this in a minute) as Jacobs lets his protagonist move at his own pace. You can see why so many respected critics have identified Jacobs as a name to watch in the future. Wysocki himself gives an honest performance and displays solid chops for a kid who has almost no acting experience. He makes it easy to identify with Terri and that brings about a sense of natural empathy that is essential to the film's success. Likewise, Reilly is a perfect choice for the would-be-cool principal who tries extremely hard to be relevant and accessible to his students but can't quite make it work. The relationship between Terri and Fitzgerald is poignant and heartfelt and without question their shared scenes are the best of the film.

When Terri diverts from its main storyline, however, it tends to bog down. What starts out as sympathy for Terri eventually turns into near depression as his narrative struggles to find an upswing. His interactions with his friends Chad (Bridger Zadina) and Heather (Olivia Crocicchia) are tenuous and never fully realize the potential they have together resulting in a choppy feel that I never could quite shake. Jacobs adds very little in the way of production value, too, and while I can appreciate that sort of simplicity, in this case a pronounced soundtrack and the like would have added to the experience. I found myself growing bored with Terri and had a hard time staying invested when Terri and Fitzgerald weren't on screen together. That's a real shame because I really wanted to care about Terri's relationships with Chad, Heather, and his uncle but Jacobs story didn't quite give me enough reason to get there. With a little more focus, Terri would be a touching and possibly even uplifting coming-of-age vision based around the Terri-Fitzgerald dynamic. Instead, it becomes too dull and convoluted for my tastes and limited my ability to stay connected.

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The independent film "Terri" is not a bio flick about Berlin lead singer Terri Nunn; if that would be the case, it would be a surefire Oscar winner. OK, so I am bias; and I do promise I will provide "no more words" to this review on my fascination with Ms. Nunn. Anyways, "Terri" actually is a very sweet movie about an overweight outcast teen named (see movie title) who wears pajamas to school, and is not to expressive. Terri lives with his uncle who suffers from Alzheimer's. The main subject of "Terri" is Terri's meetings with his school's assistant principal Mr. Fitzpatrick. The best scenes of "Terri" is on the elevator relationship of Mr. Fitz and Terri, and how Fitzpatrick notices the good-heartedness in Terri even though he is constantly tardy and does not have the proper school attire. But life is not one big Pajama Party for Terri; he is so profoundly unemotional due to the constant bullying he must have encountered throughout his young life; it is a norm to his daily routine. Terri does develop a friendship with an unstable student named Chad who pulls his hair follicles out due to his mental condition. The attractive teen student Heather enters the picture and has a key role in Terri's development. She herself is bullied at school due to an incident where students saw a male student perform a sexual act on Heather during home economics class. I can't put my finger on which sexual act it was; OK, that is enough. Director Azazel Jacobs does an admirable job in directing the picture; even though I could have done without the mousetrap scenes, which to me were kind of cheesy. However, Jacobs mastered the interaction chemistry between Mr. Fitzpatrick and Terri. Jacobs co-wrote the screenplay with Patrick Dewitt, and I must say it was very "dewitty". Newcomer Jacob Wysocki was not sucky at all as the title character. He was very impressive. I am sure Jacob will be climbing up the thespian ladder in the motion picture industry. And there is the great John C. Reilly who was a stalwart as A.P. Mr. Fitzpatrick; I will discipline those that say JCR is not one of the best actors in the movie business. Impressive supporting turns were also turned out by teen actors Olivia Crocicchia as Heather and especially Bridger Zadina as Chad. "Terri" was solid enough to get me terri-eyed to notice how authentic this character-oriented movie was; and that really is enough for me to recommend to you to get terried-away with a "Terri" viewing experience. **** Good

As we know, high school can be a difficult and challenging place for even the most socially adaptive student. For those who are different in one way or another, it can be misery, and alienated students do not always find a compassionate counselor or friend to steer them through the tough times. In the movies, however, it is often a different story. We have seen several films recently about teens that have lost their way but somehow find the perfect mentor to support them. The latest example of this is Terri, a new film by Azazel Jacobs, whose 2008 Momma's Man, was a work of rare honesty about a recently married man who falls into a psychological paralysis that keeps him from accepting the reality of his adult life.

Though the genre of teen misfits has been done before, Terri looks at the situation from a different vantage point and the result is a film of unusual freshness. Based on a screenplay Jacobs wrote with novelist Patrick Dewitt, Terri brings together an unlikely friendship between Terri (Jacob Wysocki), a heavily over-sized parentless teenager who lives with his Uncle James (Creed Bratton) who is in the beginning stages of Alzheimer's, Chad (Bridger Zadina), a skinny, androgynous-looking youth with a high-pitched squeaky voice who directs his anger towards himself by pulling his hair out, and Heather ((Olivia Crocicchia), an attractive girl who has developed an unfortunate reputation around school for inappropriate sexual acting out.

Terri is consistently late to school and comes to class dressed in pajamas because he feels they are more comfortable. He is constantly teased and bullied by those who do not understand (and perhaps never will) the meaning of empathy. His behavior, while otherwise normal, can be bizarre. When his uncle asks him to set traps for mice in their attic, Terri takes the traps out into a wooded area near his suburban home and gleefully watches the dead mice being torn to shreds by devouring falcons. His tardiness and odd behavior draws the attention of the school's vice-principal Mr. Fitzgerald (John C. Reilly) who sets up sessions with Terri each week for counseling. Attempting to play the role of buddy rather than authority figure, Fitzgerald calls Terri "dude", uses "hip" language, and exchanges high-fives, but his behavior often feels strained.

Terri learns to appreciate the attention he is given, however, and, though he is tight lipped at the beginning of the meetings, he slowly begins to open up and express his feelings. Fitzgerald also has his problems at home and is not averse to sharing them with Terri. His sharing about his personal life, however inappropriate it may be for a school administrator, does provide a more level playing field and a closer relationship grows between the two people struggling to make sense of the world. An awkward late night party at Terri's house filled with drugs, alcohol, and sexual experimentation could have become a disaster, except for Terri's new found sense of self that allows him to know intuitively when to back off.

There are few dramatic movements in Terri, no sudden insights, and no startling epiphanies backed by the swelling chords of an orchestra. There is, rather, simply a growing ability of the characters to see beyond their differences to discover their common humanity. While the question of what Terri can do to lose some weight is oddly never brought up either by his mentor or his friends, Terri is a sweet, tender, and very observant film about young people coming to terms with the reality of their being different. It is not a cruel film in the slightest but one that conveys a sincere affection for its troubled characters, and the natural performances of Wysocki, Zadina, and Crocicchia make it a film to remember and cherish.

The misfit in high school is a tried and true indie genre (were ANY indie filmmakers well-adjusted jocks in high school?). So one approaches yet another example of the breed with some weariness, expecting certain marks to be hit, especially when the protagonist is, as here, hugely overweight. And indeed he is unpopular with his phys ed teacher and gets more than one comment about his breasts. But all manner of subtle variations make this one unique from the start, starting with his mixed relationship with his uncle (a surprisingly touching turn by "The Office"'s Creed Bratton), whose condition - Alzheimer's? - makes him sometimes the one needing care, but whose age and fundamental compassion also make him the caretaker (in the never explained absence of Terri's parents). Perhaps because of this ambivalent situation, Terri has a strong sense of self which takes him from the start out of victim territory, prompting him, for instance, to defiantly wear pajamas to school. His relationship with John C. Reilly's assistant principal character is similarly ambivalent, since as a mentor the latter is both empowering and disappointing. The two other students who become his friends are similarly displaced yet defiant and the film is rich in both vulnerability and self-assertion. The quiet intrigues of the film are not the stuff of stirring plot, but do show Terri and his friends in their own messy, determined way becoming themselves in a way that is, almost unobtrusively, optimistic and uplifting.