The Song of Lunch
- टीवी फ़िल्म
- 2010
- 50 मि
IMDb रेटिंग
7.3/10
2.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंA London publisher recounts a lunchtime reunion with a former lover, in poetic monologue.A London publisher recounts a lunchtime reunion with a former lover, in poetic monologue.A London publisher recounts a lunchtime reunion with a former lover, in poetic monologue.
- निर्देशक
- लेखक
- स्टार
- 1 प्राइमटाइम एमी के लिए नामांकित
- 4 कुल नामांकन
Christian Wolf-La'Moy
- Advertising Guy Talking with Massimo
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Christopher Reed's poem 'The Song of Lunch' is brought brilliantly to life here by Alan Rickman and Emma Thompson, two fine actors and, though like most actors they sometimes waste time (and make money, no doubt) in rubbish, here we see them both at the top of their games. Rickman has the harder role, since he also has to narrate the verse; but Thompson handles herself excellently opposite him, never attempting to claim a larger space than is available but filling what is there perfectly. The story is a classic male tragedy, of a drunken middle-aged man whose awareness of his own increasing unattractiveness is a self-fulfilling prophesy; but the observation and psychology are razor sharp, and the words clear and cutting. It could be thought a bold move to dramatise a poem; but with this level of quality at all levels, perhaps the success of this project was never really in doubt.
Alan Rickman plays a jaded publisher meeting a past flame (Emma Thompson) at an old haunt, now impersonally renovated. The publisher has a one-track mind and views her every move as erotic.
This is a dramatised narrative poem. I'm sceptical about modern poetry but this one's quite good. It may be familiar ground but a lot of the phrases are actually quite good: consciously poetic but a concise description. Fans of Alan Rickman might find it hard to control himself as his character is aroused by everything: a squeezed hand, a glass of wine meeting his lips, a comely waitress, even a pepper shaker. The story is told through his perspective, much of it as voice-over. The switch between voice-over and dialogue really works, creating tension and drama in what is a fairly undramatic scene. It's like a short play.
Both Rickman and Thompson speak the blank verse (with the occasional rhyme) very naturally. Their characters are intellectual people and the talk comes naturally to them, particularly Rickman's emotionally/creatively/sexually frustrated character.
It's only 50 minutes so it's worth a watch. It would have been nice if it were part of a series of poems.
This is a dramatised narrative poem. I'm sceptical about modern poetry but this one's quite good. It may be familiar ground but a lot of the phrases are actually quite good: consciously poetic but a concise description. Fans of Alan Rickman might find it hard to control himself as his character is aroused by everything: a squeezed hand, a glass of wine meeting his lips, a comely waitress, even a pepper shaker. The story is told through his perspective, much of it as voice-over. The switch between voice-over and dialogue really works, creating tension and drama in what is a fairly undramatic scene. It's like a short play.
Both Rickman and Thompson speak the blank verse (with the occasional rhyme) very naturally. Their characters are intellectual people and the talk comes naturally to them, particularly Rickman's emotionally/creatively/sexually frustrated character.
It's only 50 minutes so it's worth a watch. It would have been nice if it were part of a series of poems.
A beautiful tale of two long lost lovers that doesn't fail to lift your spirit. Despite only being a short film I enjoyed it very much. Perfectly assembled with great cinematography which compliments the original poem greatly. The melancholy and passion between the protagonists were definitely sustained through out the film steering it away from titles bearing names such as Depressing-love-story-for-the-over-40s or a Horny- middle-aged-people-have-a-rendez-vous. No better actors could have been picked for this. A brilliant performance on behalf of both Alan Rickman and Emma Thompson who portray the characters exact to how I had imagined them to be.
All in all 'tis a great film. However, I advise people to read the book first before watching the film.
All in all 'tis a great film. However, I advise people to read the book first before watching the film.
I sat down to watch this for a second time in years and was immediately pulled in again by the clever vitriol of the male character with his witty and brutally honest musings. He is wasted potential personified, recognizing many of his own failings - right up to the point of changing anything, which he refuses to do. It's just easier to curl up around a bitter glass of restaurant chianti and bleat on about how all change is for the worse.
Joining him at the restaurant, the woman breezes into the picture, all lightness and controlled gladness - the picture of elegance and change personified. She is genuinely happy to see him and ready to scoop him into a reminiscence of nostalgic affection but he won't let go of his anger at her leaving him. He refuses to truly see himself and twists their reunion into an internal pity party that manifests in leers and snide comments. And still, he is somehow a sympathetic character (oh thank you, Alan Rickman). You understand her affectionate regard, but also her healthy detachment.
The poem is fascinating and the screenplay adaptation is practically perfect in every way. The beautiful photography and luscious sound editing propels this poem into an incarnate, omnisensory, and very human experience.
Joining him at the restaurant, the woman breezes into the picture, all lightness and controlled gladness - the picture of elegance and change personified. She is genuinely happy to see him and ready to scoop him into a reminiscence of nostalgic affection but he won't let go of his anger at her leaving him. He refuses to truly see himself and twists their reunion into an internal pity party that manifests in leers and snide comments. And still, he is somehow a sympathetic character (oh thank you, Alan Rickman). You understand her affectionate regard, but also her healthy detachment.
The poem is fascinating and the screenplay adaptation is practically perfect in every way. The beautiful photography and luscious sound editing propels this poem into an incarnate, omnisensory, and very human experience.
To all the Harry Potter nerds, Alan Rickman narrating for a whole 50 mins. In a film, what else do you need?
The song of Lunch is my recent find while browsing through the filmography of Emma Thompson. With run-time less than an hour, this TV movie is a poetic monologue of a struggling writer who's having a lunch date with his ex-lover. The whole movie shot from the POV of Rickman who's still obsessed with Thomson after all these years of their separation. Shot in an Italian restaurant on the streets of London where the two used to hang out while they were young, this drama clearly emphasizes on how the guy has remained stuck up to his long gone romantic venture while lady has moved on with her life and is there only for a formal reunion. The way he looks at her while drinking the wine and remembering the time they had together is a treat to watch.
If you like watching two people having random conversation, you will definitely like this.
The song of Lunch is my recent find while browsing through the filmography of Emma Thompson. With run-time less than an hour, this TV movie is a poetic monologue of a struggling writer who's having a lunch date with his ex-lover. The whole movie shot from the POV of Rickman who's still obsessed with Thomson after all these years of their separation. Shot in an Italian restaurant on the streets of London where the two used to hang out while they were young, this drama clearly emphasizes on how the guy has remained stuck up to his long gone romantic venture while lady has moved on with her life and is there only for a formal reunion. The way he looks at her while drinking the wine and remembering the time they had together is a treat to watch.
If you like watching two people having random conversation, you will definitely like this.
क्या आपको पता है
- ट्रिवियाThe photo on the dust jacket of the lead female character's husband's book is one of Greg Wise, Dame Emma Thompson's real-life husband.
- कनेक्शनFeatured in The Wright Stuff: एपिसोड #14.45 (2010)
टॉप पसंद
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विवरण
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