कोल्ट सीवर्स, एक पूर्व स्टंटमैन, जब उनकी पूर्व प्रेमिका का प्रोजेक्ट मुख्य अभिनेता रहस्यमय तरीके से गायब हो जाता है, तो एक बड़े बजट की फिल्म पर वापस काम करने लगते हैं.कोल्ट सीवर्स, एक पूर्व स्टंटमैन, जब उनकी पूर्व प्रेमिका का प्रोजेक्ट मुख्य अभिनेता रहस्यमय तरीके से गायब हो जाता है, तो एक बड़े बजट की फिल्म पर वापस काम करने लगते हैं.कोल्ट सीवर्स, एक पूर्व स्टंटमैन, जब उनकी पूर्व प्रेमिका का प्रोजेक्ट मुख्य अभिनेता रहस्यमय तरीके से गायब हो जाता है, तो एक बड़े बजट की फिल्म पर वापस काम करने लगते हैं.
- पुरस्कार
- 22 जीत और कुल 43 नामांकन
Ioane Saula
- Birdie the PA
- (as "Ioane Sa'ula")
सारांश
Reviewers say 'The Fall Guy' is lauded for its thrilling stunts and the portrayal of stunt work's skill and danger. The film blends action, comedy, and romance effectively, with standout performances from Ryan Gosling and Emily Blunt. Their chemistry is a highlight, along with the movie's self-aware humor and Hollywood references. However, some find the plot predictable and pacing uneven, with underutilized characters. Despite these issues, it is generally viewed as a fun, entertaining homage to film industry heroes.
फ़ीचर्ड समीक्षाएं
Just back from the cinema and can't remove the smile from my face. This genre of movie has been really lacking lately. Silly, cheesy, action packed movies that are just fun.
I'm a fan of the original television show and while this is it's own thing it definitely gives a nod here and there to the 80's. The casting is great, the stunts are brilliant, the plot is fairly thin but hey, it's a popcorn movie. Not everything has to be Oscar worthy.
I'd really love to see more movies like this released. Very little CGI, good stunts and just fun. The homage to the stuntmen at the end of the movie was a really nice touch too. Job well done.
I'm a fan of the original television show and while this is it's own thing it definitely gives a nod here and there to the 80's. The casting is great, the stunts are brilliant, the plot is fairly thin but hey, it's a popcorn movie. Not everything has to be Oscar worthy.
I'd really love to see more movies like this released. Very little CGI, good stunts and just fun. The homage to the stuntmen at the end of the movie was a really nice touch too. Job well done.
I'd love to get behind this as a thrilling stunt showcase and worthy campaign for stunt-performance film-awards recognition, all tied together with a witty and self-aware central rom-com performance from two top quality actors with top on-screen chemistry, I did love the trailer, I did find the concept appealing. However for a project like this to work satisfactorily, regardless of the talent involved, it must be written well, it must be directed well. This is written badly and it doesn't hold together, and the direction is poor, it's a stupid story that doesn't work.
That accepted I enjoyed many elements, the stunts, some of the jokes, the sometimes ridiculous neon hair-shimmering slow-motion cinematography, the ultimate man-cave sequence, Ryan's jackets, Emily's catsuit-belt-combo (with invisible holster), the on-set movie-making exposition-demonstration-magic similar to HBO's Irma Vep...the behind-the-scenes stunt-reel over the end credits...until that last bit.
Look, I'm glad everyone is enjoying themselves, I just think it is also possible to make a good story out of a fun concept, so we can all enjoy it, and somehow that's not what happened here.
That accepted I enjoyed many elements, the stunts, some of the jokes, the sometimes ridiculous neon hair-shimmering slow-motion cinematography, the ultimate man-cave sequence, Ryan's jackets, Emily's catsuit-belt-combo (with invisible holster), the on-set movie-making exposition-demonstration-magic similar to HBO's Irma Vep...the behind-the-scenes stunt-reel over the end credits...until that last bit.
Look, I'm glad everyone is enjoying themselves, I just think it is also possible to make a good story out of a fun concept, so we can all enjoy it, and somehow that's not what happened here.
Whatever problems The Fall Guy has really aren't an issue when the final product is this much fun. It's a loving tribute to the never ending selflessness of stunt people wrapped inside of an endearing romantic comedy and meta action film. If David Leitch and 87 North did all the action in cinema the world would be a better place.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
Ryan Gosling achieves new levels of perfection by merging the reserved stunt man character of Drive with his natural Kenergy. His version of Colt is just so lovable, especially because he's completely unafraid to be open in his vulnerability which makes him more relatable whilst being really funny. His comedic timing continues to be faultless, proving he can make any joke land.
Emily Blunt thankfully also gets a lot to do. Any scene she shares with Gosling is effortlessly charming and she has her own brand of bona-fide movie star charisma. Winston Duke is a great movie referencing support to Gosling, Aaron Taylor-Johnson does a hilarious McConaughey impression and Hannah Waddingham's cartoonishly over the top producer really works.
David Leitch's direction plays squarely to his strengths and after the disappointment of The Gray Man, it's extra satisfying to see Gosling be given some actually good fight scenes. Stunt designer Chris O'Hara and the whole stunt team really accomplished some breathtaking feats that are only made more impressive by seeing how they shot them during the credits.
In an era where blockbusters often demand homework, with their intricate universes and complex lore, "Barbie" emerges as a delightful outlier. Movies today, from the sprawling epics of "Dune" to the interconnected sagas of the MCU, seem to require a viewer's full dedication-and maybe even a notepad to keep up. This isn't to diminish their artistry, but it's clear that the pure joy of cinema, the sort of effortless fun Hollywood once peddled so well, has become a rare find. A film that welcomes you without prerequisites, "The Fall Guy," seeks to reignite that spark of unadulterated entertainment. It aims to dazzle with the sheer magnetism of its leads, thrust into a whirlwind of romance and adventure, harking back to the days when stunts were real and filmmaking was a team sport, offering a joyride that's as heartwarming as it is thrilling.
Hollywood's narrative-rich turn hasn't dulled the magic of star power, a fact "The Fall Guy" embraces wholeheartedly, reminiscent of a time when the charm of icons like Burt Reynolds was all the spectacle one needed. Ryan Gosling proves his mettle as a jack-of-all-trades, winning hearts even in the most casual settings, his performance in this film further cementing his versatile appeal.
"The Fall Guy" also champions the unsung heroes of cinema: the stunt performers. Through breathtaking feats and daredevil escapades, it pays homage to the risk-takers who've silently shaped cinematic history, although it's not without its critiques, especially in how it sidelines some of its stellar cast in the latter half.
Yet, beyond the adrenaline, there's a poignant commentary on the digital age's challenges to authenticity, making "The Fall Guy" a vibrant counterpoint to the prevailing trends of faceless, CGI-dominated blockbusters. It's a film that doesn't just want to entertain; it wants to remind us of the value of genuine connection, both on the screen and in the stunts that make us hold our breath. In doing so, it doesn't just invite audiences to have fun; it demands it, championing the kind of cinema that's been overshadowed by the gravitas of today's tentpoles.
Hollywood's narrative-rich turn hasn't dulled the magic of star power, a fact "The Fall Guy" embraces wholeheartedly, reminiscent of a time when the charm of icons like Burt Reynolds was all the spectacle one needed. Ryan Gosling proves his mettle as a jack-of-all-trades, winning hearts even in the most casual settings, his performance in this film further cementing his versatile appeal.
"The Fall Guy" also champions the unsung heroes of cinema: the stunt performers. Through breathtaking feats and daredevil escapades, it pays homage to the risk-takers who've silently shaped cinematic history, although it's not without its critiques, especially in how it sidelines some of its stellar cast in the latter half.
Yet, beyond the adrenaline, there's a poignant commentary on the digital age's challenges to authenticity, making "The Fall Guy" a vibrant counterpoint to the prevailing trends of faceless, CGI-dominated blockbusters. It's a film that doesn't just want to entertain; it wants to remind us of the value of genuine connection, both on the screen and in the stunts that make us hold our breath. In doing so, it doesn't just invite audiences to have fun; it demands it, championing the kind of cinema that's been overshadowed by the gravitas of today's tentpoles.
I don't usually write reviews, but I feel like I need to defend this movie from the people writing these reviews that clearly just don't get it. This is one of the most fun, tightly written movies I've seen in a while.
If you're looking for a phenomenally directed action film with great jokes, running gags, and unexpected payoffs, this is it. You can just tell EVERYONE who worked on this movie was putting in 110%.
"The plot doesn't make sense if you think about it" Yeah man, it's an over the top goofy comedy action movie. The plot isn't really the focus. I think it's perfectly servicable for what it's trying to do: take us from setpiece to setpiece, gag to gag with these characters, and watch them grow. That's where the soul of the movie lies. Could the plot have been better? Yeah sure. But the plot is in the background of most of the film. We're intended to be watching these characters and their relationships, laughing at the jokes, and enjoying the excellent action and stunt work.
It really comes down to what you're going into a movie for and what a movie is trying to give. This movie is trying to give you a very funny and action packed 2ish hours with some very likeable characters in engaging situations. It's not The Godfather, and it was never trying to be. Highly recommend.
If you're looking for a phenomenally directed action film with great jokes, running gags, and unexpected payoffs, this is it. You can just tell EVERYONE who worked on this movie was putting in 110%.
"The plot doesn't make sense if you think about it" Yeah man, it's an over the top goofy comedy action movie. The plot isn't really the focus. I think it's perfectly servicable for what it's trying to do: take us from setpiece to setpiece, gag to gag with these characters, and watch them grow. That's where the soul of the movie lies. Could the plot have been better? Yeah sure. But the plot is in the background of most of the film. We're intended to be watching these characters and their relationships, laughing at the jokes, and enjoying the excellent action and stunt work.
It really comes down to what you're going into a movie for and what a movie is trying to give. This movie is trying to give you a very funny and action packed 2ish hours with some very likeable characters in engaging situations. It's not The Godfather, and it was never trying to be. Highly recommend.
क्या आपको पता है
- ट्रिवियाRyan Gosling has a fear of heights, but still did the 150-foot fall at the beginning of the movie.
- गूफ़Colt is seen leaving the hotel room where Henry is later found dead, and this is used as proof he killed Henry, but he already had brought the police there right after leaving the room and they didn't find a body, so the video can't be used as proof.
- भाव
[from trailer]
Jody Moreno: You are literally the last person on Earth I wanna see. I'd slap the shit outta you. I really could.
Colt Seavers: And I'm open to that in a safer environment.
- क्रेज़ी क्रेडिटDuring the closing credits the left side of the screen is dedicated to stunts done for the movie. And then an additional scene, that includes cameos.
- साउंडट्रैकI Was Made for Lovin' You
Written by Desmond Child, Vini Poncia (as Vincent Poncia), Paul Stanley
Performed by KISS
Courtesy of Island Records
Under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- The Fall Guy
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $13,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $9,29,00,355
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $2,77,47,035
- 5 मई 2024
- दुनिया भर में सकल
- $18,10,73,291
- चलने की अवधि2 घंटे 6 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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