Mighty Fine

I was very surprised to see that Mighty Fine has such a low score on IMDb. I can't figure out why that is. It was a very well done movie, with distinctive characters. Chazz Palminteri was excellent as a loving, but troubled father. Andie MacDowell was better in this movie than I have seen her in other films -- less wooden and her accent is strong and consistent. The actress, Jodelle Ferland, is a beauty -- very similar in looks to Megan Fox. The actress playing the younger sister, Rainey Qualley was quite expressive and consistently good. The ending was somewhat unexpected but satisfying. All in all, it's well worth viewing.

The movie is loosely based on writer/director Debbie Goodstein's childhood experiences with her family, so it's kind of based on actual events. Joe Fine (who is Chazz Palminteri's character) has a great sense of pride for himself and his family and that pride can take the turn for good and bad since he sometimes lashes out at his family. His wife, Stella (Played by Andie MacDowell who I also love) is constantly defending her husband's behavior since he is the provider for the family and it takes a tole on the children since they feel their Mother is kind of like a door mat since she acts like their father can do no wrong.

They have two children, two girls to be exact, named Maddie and Natalie. The oldest daughter is not afraid to speak her mind about her dislike for their father's behavior towards the family, while the younger daughter takes after her mother and constantly forgiving and defending him. The movie deals with the families struggle with their conflicting personalities and dealing with their relationship and bond as a family and the strain that Joe's personality and treatment of the family has on them. Chazz Palminteri is honestly amazing as this character and his performance truly makes the film shine.

Mighty Fine focuses on a Jewish-American family in the 1970's after they move from Brooklyn into a luxurious new home in New Orleans. The head of the family is Joe Fine, played by veteran actor and one of my favorite leading men Chazz Palminteri, accompanied by his wife Stella (Andie MacDowell), his oldest daughter Madie (Rainey Qualley), and his younger daughter Natalie (Jodelle Ferland). Joe and Stella are beyond excited for this new change - even Natalie, the young writer of the family holds some dearly strong optimism. The one who objects the most is Madie, who sees her father's allegedly kind gesture as an act of inexcusable selfishness as she had to drop everything, leave her friends, and now assimilate to a culture she doesn't remotely hold interest in.

Just when you think this takes over and becomes the facile plot-point of the film, the curve-ball is thrown. We see Joe's descent into madness, with stress at work boiling over his head, family disconnect, and bottled-up rage coming through like never before. He becomes verbally and physically abusive towards his wife and children, threatening violence, embellishing every little mistake, etc. All while Natalie captures her thoughts through diary entries.

Mighty Fine is a semi-autobiographical tale of writer/director Debbie Goodstein's childhood, which was surrounded by success with her writing and heartbreak with her father's mental instability. It's admirable to see that the film never seems to channel the lines of self-indulgence or self-satisfaction. It's surprisingly conducted on a small-scale and never seems overreaching. The film is so small-scale, at times, it feels like a TV pilot - a competent one, at that. We get to know the characters, we see their hardships, then when the credits finally role, we realize we wouldn't really mind seeing them again anytime soon.

However, at seventy-nine minutes, it feels as if Goldstein was handed the runtime prior to shooting and told to make a film that wouldn't go a minute over eighty. Mighty Fine seems to casually go about its runtime for the first forty to forty-five minutes, then rushes to include the plot-points of stress escalation, characters with mental states on the tipping point, suicidal thoughts, fights, etc in the last thirty minutes. The biggest problem is that this is all happening way too quickly, with certain little plot-strands being abandoned right after they're brought up.

Fortunately, Might Fine at least rebounds with its competence and gentle, well-articulated craft of storytelling and focus. The family is given a wide-range or interaction with each other, and Goldstein is essentially filming on an open range with several characters to look at, doing a fine job (or a mighty fine job) of giving them all their own time to shine. This is simple, genial fare, but it remains impressive given its lack of indulgence or mediocrity in tone.

Starring: Chazz Palminteri, Andie MacDowell, Rainey Qualley, and Jodelle Ferland. Directed by: Debbie Goldstein.

I watched this movie as part of a special preview group of moms through MomCentral, and I was struck at how dark and dramatic it was.

I was expecting something lighter (as it was being screened to a group of moms) but was thrilled that it wasn't some 'feel good' movie. I prefer darker, intense movies and this delivered.

If you like indie movies that are edgy and dramatic - I think you'll enjoy this.

The plot centers around a family who appears perfect on the surface but is hiding a dark secret - I don't want to go into any more detail. But it's a great movie, although i wouldn't show it to my kids!

The problems with "Mighty Fine" begin with the genre. Let's make this clear, it's not a comedy. There are a few moments and lines at the beginning that aren't as serious and fairly humorous, but it's a drama. The plot quickly devolves into a full-on family drama with serious issues where the characters need to rely on their internal strength to rise above.

Joe Fine (Chazz Palminteri) moves his whole family from Brooklyn to New Orleans in 1974, and literally he moves them since he didn't tell them in advance. Surprise! Oddly most of the characters don't see anything wrong with that. The other main member of the Fine clan is Maddie (Rainey Qualley) she's the one that doesn't think this is quite right and is the only one we can understand, care for and sympathize with. The younger daughter, Natalie (Jodelle Ferland), is fine too but she's much younger and more care free.

The father has money, status and other similar issues. He has a need to provide for his family and if that is ever in jeopardy he becomes increasingly unstable. It unfortunately was probably a common characteristic among war vets of the era. And that's why I have such a problem with this being classified as a comedy. The story probably applies to other families and it's not likely something they want to relive as a light-hearted laugh-fest! I wonder if Adopt Films would be willing to pay for their therapy afterwards? I doubt it.

Now that you're fairly warned about the dramatic issues explored, the teenage daughters were good characters, likable, which is pretty important and the young actresses were good (include Andie MacDowell's daughter Rainey Qualley). Palminteri gives a forceful performance but don't expect him to veer too far from his mobster typecast roots. The poorest realized character was the "mother". That word goes in quotation marks because I feel sorry for anybody who was "raised" by that character. She's not a terrible person, she's just not a person. MacDowell put on a terrible European accent and paraded around the house parroting everything that her unstable, deceitful and volatile husband said. Thankfully "Mighty Fine" is pretty short and eventually the daughters become their own role models.

Who Might Like This: People who like 70s-era family dramas; people who like stories of teenagers finding the internal strength to rise above their circumstances.