मानव जाति और समुद्र राक्षसों के बीच एक युद्ध के रूप में, एक पूर्व पायलट और एक प्रशिक्षु दुनिया को बचाने के लिए एक विशेष हथियार ड्राइव करने के लिए बनती हैं।मानव जाति और समुद्र राक्षसों के बीच एक युद्ध के रूप में, एक पूर्व पायलट और एक प्रशिक्षु दुनिया को बचाने के लिए एक विशेष हथियार ड्राइव करने के लिए बनती हैं।मानव जाति और समुद्र राक्षसों के बीच एक युद्ध के रूप में, एक पूर्व पायलट और एक प्रशिक्षु दुनिया को बचाने के लिए एक विशेष हथियार ड्राइव करने के लिए बनती हैं।
- 1 BAFTA अवार्ड के लिए नामांकित
- 7 जीत और कुल 48 नामांकन
- Chuck Hansen
- (as Rob Kazinsky)
फ़ीचर्ड समीक्षाएं
Perhaps I came to it with a small chip on the shoulder – this is THE Guillermo mother-flipping del Toro, after all, a man who has created dark, supremely designed imaginations with Pan's Labyrinth and the Hellboy movies, and here he is getting to take on stuff he loves in a completely B-movie landscape: gnarly monsters, giant robots, comic-book stakes, and action with some substance. And Pacific Rim, for what it set out to accomplish as a sensational blockbuster, reached its aims for what I wanted. When taken in total, it may not have much more or less action than a Man of Steel, but it is much smarter, or just more creative and skilled and knowing of its audience, in layering out its action set pieces, and even in the broad strokes it takes as, basically, a B-level Saturday matinée flick. Del Toro cares about these characters, or at least tries to, deep down, and can show some of that like with the Asian pilot Mako Maori.
Is any of this deep? I'm still not sure. Does it need to be an artistic meditation on the cancelling of the apocalypse? Maybe another watch or two of five - because there will always be a part of me that can keep a hold on to an inner 13 year old - will bring that into focus. And aside from the monsters-and-robot work, which contains such good sights to behold, weight and depth to the designs, and the know-how to pace the action and to let us see it – in 2D, anyway, I didn't bother with 3D so I can't speak to that experience – there's some just good fun dialog (Charlie Day! Ron Perlman!!) and a sense that, 'Yes, this is a Godzilla experience, but we can still make it EXCITING'. So much of what I wanted this summer and only got in smaller doses (look at the end of the article for a bit on that) was in full-bloom in this production, which had a 190 million budget and the money looked like it was up on the screen, and not just in the CG but in the big sets and technology, and a story told by a Big Kid that would only hope the rest of the audience can genuinely feel like Big Kids if they aren't young already.
In other words, the director accomplished what Michael Bay has, over and over again, failed to do: inspire wonder, and put some basic thought into the process itself, in story and craft, and without a large dollop of cynicism.
Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.
This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.
I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).
This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.
Pacific Rims story isn't a particularly complicated one but it's certainly got some interesting ideas. When the world is invaded by Colossal sized creatures known as Kaijus mankind bands together creating a defence against the Kaiju in the form of Colossal sized battle robots known as Jaegers each unique in style and armed to the teeth which are each piloted by two pilots who control the robot via neural interfaces the only problem is both pilots must be drift compatible meaning they have to be to link minds and create a stable neural link to be able to control the Jaeger during this both pilots share each other's memorys, feelings and thoughts. The Kaiju begin appearing faster than Jaegers can be assembled so with time running out before there are more Kaijus than Jaegers to fight them the last few remaining pilots prepare for a final assault on the portal the Kaijus are coming from.
The movie is like a mix between Godzilla and Power Rangers only a lot more adult and with much better effects. The Jaeger robots look amazing especially when fighting against the Kaiju monsters. There's plenty of cool action scenes which show the Kaiju monsters being shot, blown up, punched by robot rocket fists and even decapitations.
The characters are likable and interesting my favourite characters personally are the two mad scientists who dissect and study the Kaijus while they are meant to be the kind of comic relief of the movie they are very funny and likable both arguing over scientific theories and trying to prove each over wrong.
I highly recommend watching this movie if your a fan of movies that feature Colossal sized monsters crashing through city's while fighting with Colosal sized robots with swords, guns and rocket fists. This isn't a movie intended for kids in case your wondering this movie is definitely for a more mature audience even though the synopsis for the movie sounds like it was made for kids who watch Transformers cartoons.
Any change to see a real action movie with almost unstoppable battles monsters, and a dose of special effects so amazing you just leave you with your mouth open.
Of course, not everything is good, but entertaining plot is somewhat similar to that of other films: The hero gets a big pain that leaves the battle, then when the world needs the triumphant return finds the love of his life between the two due to the bad, the nearly died, and finally live happily ever after (like a soap opera).
We must clarify that thanks to special effects, battles, and good performances, the plot is not uncomfortable. I really think it's worth watching.
क्या आपको पता है
- ट्रिवियाApproximately a hundred Kaijus and a hundred Jaegers were designed, but only a fraction of them appeared in the film. Every week, the filmmakers held a vote for their favorites.
- गूफ़(at around 1h 14 mins) Gipsy Danger is said to be immune to an EMP because it is "nuclear powered" and therefore "analog". This would be nearly impossible as the two have nothing to do with one another. Most nuclear reactors have many digital parts and computers controlling them. Furthermore, the cockpit of Gipsy Danger is filled with what appear to be digital computers.
- भाव
Stacker Pentecost: Today. Today... At the edge of our hope, at the end of our time, we have chosen not only to believe in ourselves, but in each other. Today there is not a man nor woman in here that shall stand alone. Not today. Today we face the monsters that are at our door and bring the fight to them! Today, we are *canceling* the apocalypse!
- क्रेज़ी क्रेडिटAt the end of the closing credits, a Kaiju roar is heard.
- इसके अलावा अन्य वर्जनIn the North American release, the scene where Mako is introduced has her and Raleigh speaking in Japanese. Some international releases have this scene dubbed in English - not in Denmark and Norway though, where the Japanese is intact. To the exception of France where all Japanese dialogs are subtitled even in french dubbed versions.
- कनेक्शनFeatured in ReelzChannel Specials: Richard Roeper's Red Hot Summer (2013)
- साउंडट्रैकJust Like Your Tenderness
Written by Liang Hong Zhi
Executive Produced by Ivy Wang and Mathew D
Performed by Luo Xiaoxuan
Courtesy of R2G Music/Coden Music
टॉप पसंद
Everything New on Netflix in July
Everything New on Netflix in July
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Rudra Nagaram
- फ़िल्माने की जगहें
- Papenburger Meyer Shipyard, Lower Saxony, जर्मनी(Factory, where the Jaeger are built)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $19,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $10,18,02,906
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $3,72,85,325
- 14 जुल॰ 2013
- दुनिया भर में सकल
- $41,10,02,906
- चलने की अवधि2 घंटे 11 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1