आलोचक समीक्षाएं

It gleams with a faintly-tacky, country club sheen, as if it'd been sheep-dipped in essence of 70s and come out feeling peachy.

It's a showcase of proficient storytelling that's eager to entertain.

Schechter’s soul-scored film is impeccably styled for the time period, and its easy pacing reminds me of the gold standard for Leonard adaptations, “Out of Sight.” It’s not that good, but it’s within striking distance.

Thing is, though, for anyone familiar with the Tarantino film, this less remarkable picture will totally seem like a prequel, peering back as it does on younger versions of characters audiences got to know in "Jackie Brown."

Flavorful yet brisk like the book, Life of Crime loses some of its source material’s character development as well as a few minor narrative pieces (the dialogue remains nearly all Leonard’s), but the excellent casting fills in any resulting gaps well enough.

With the genial pairing of Jennifer Aniston as a rich guy’s trophy wife and John Hawkes as a low-rent criminal at the center of a colorful cast and a pitch-perfect rendering of caste-divided Detroit, Life of Crime is a bittersweet end-of-summer surprise.

Daniel Schechter's Life of Crime starts promisingly and ends with a smile but underwhelms in between.

A solid, middle-of-the-road Leonard adaptation that lacks the singularity to be something more.

This one belongs to the women: As a gold-digging mistress, Isla Fisher does half-smart expertly, while Jennifer Aniston demonstrates her underrated timing as a wealthy kidnapping victim turned confidante.

The comedy's too broad to take the characters seriously, and the vibe is breezily aimless, a mistake in a story about anxious waiting.