IMDb रेटिंग
6.7/10
8.4 हज़ार
आपकी रेटिंग
20वीं शताब्दी की भोर में एक सुंदर पेरिसियन बोर्डेलो में आनंद, दर्द, आशा, प्रतिद्वंद्विता - और सबसे बढ़कर, गुलामी की सुनसान दुनिया मौजूद है.20वीं शताब्दी की भोर में एक सुंदर पेरिसियन बोर्डेलो में आनंद, दर्द, आशा, प्रतिद्वंद्विता - और सबसे बढ़कर, गुलामी की सुनसान दुनिया मौजूद है.20वीं शताब्दी की भोर में एक सुंदर पेरिसियन बोर्डेलो में आनंद, दर्द, आशा, प्रतिद्वंद्विता - और सबसे बढ़कर, गुलामी की सुनसान दुनिया मौजूद है.
- पुरस्कार
- 6 जीत और कुल 15 नामांकन
Noémie Lvovsky
- Marie-France
- (as Noemie Lvovsky)
Céline Sallette
- Clotilde
- (as Celine Sallette)
Adèle Haenel
- Léa
- (as Adele Haenel)
Judith Lou Lévy
- Une prostituée
- (as Judith Lou Levy)
Maia Sandoz
- Une prostituée
- (as Maïa Sandoz)
Pierre Léon
- Un client
- (as Pierre Leon)
फ़ीचर्ड समीक्षाएं
This movie is a graphically shocking film about prostitution in France in a mansion of tolerance. It's French ("L'Apollonide") with English sub-titles.
Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.
It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.
The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.
The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.
Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.
If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.
Having researched heavily on this subject for one of my own works, I found it to be an eye-opening film. It's an intimate look behind the closed doors of a house of pleasure focusing on the lives of its mistress, prostitutes, and patrons.
It covers such aspects as registering as prostitutes with the Bureau of Morales, being indebted to mistresses and unable to leave their employ because of it, champagne baths with customers, selection parlors, global fashions worn by prostitutes, opulent client bedrooms, and the regulated visits by the physician examining the workers every 15 days for sign of sexually transmitted disease.
The movie contains naked women, sexually explicit scenes, and is not for the prudish or faint of heart. There are scenes of abuse of one of the girls, which may be disturbing to viewers. It delves honestly into the reality of life as a French prostitute, focusing on the sad and hopeless plight of women in brothels. The particular establishment depicted in this movie catered to aristocrats and rich businessmen, much like the Chabanais, which was one of the well-known brothels of its day.
The movie is two hours, slow moving, and not the best flick you'll ever see. Most of the sexual scenes show the men enjoying their paid visits, while the women merely go through the motions void of emotion. As troubling as the scenes were, I found myself transported into the world I researched and came away shocked at seeing the reality portrayed on screen.
Let's face it, being a prostitute wasn't glamorous. It was a profession that many poor and unskilled women chose in order to survive. It was a dangerous job where women died of syphilis, lived lives with no hope, and sold their bodies in order to eat and have housing. It portrayed a society that found pleasure in sex, living a way of life where brothels were an acceptable form of male entertainment until they were abolished in the early 20th century.
If historical films interest you on all levels, I can attest that this one hits the mark in every way. Being a French film, it adequately portrays the heyday of legalized prostitution.
I loved this film, I am surprised to see more than one review damning the film for a lack of plot. There is most definitely a plot it's subtle and thoughtful but the characters all have an arc and, for some, very definite resolutions.
The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.
Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.
This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
The cast are superb, even those with the smallest roles present fully rounded individuals of whom it's possible to infer their lives outside the bounded world presented to us. The relationships between the women of the house both amongst themselves and with their clients are rich and true.
Although full of sex and sexuality nothing is gratuitous or titillating but real and honest. Sometimes good, sometimes dreadful, sometimes funny, sometimes a violation.
This was a film that I would have been happy to watch for another two hours , I didn't want to leave these women behind.
Nicely acted and photographed, this could however easily be very depressing - not only in the unvarnished depiction of life in a Paris brothel 100 years ago but in the clear message that things aren't too different today.
Debt, disease and the possibility of shocking violence are ever-present, although conversations among the women about jobs that they have done beforehand (e.g. The "industrial injury" side of being a launderess) suggest that being a prostitute wasn't necessarily the *worst* option available.
Sobering stuff, but the camaraderie looks real and softens the tone somewhat. Recommended.
Debt, disease and the possibility of shocking violence are ever-present, although conversations among the women about jobs that they have done beforehand (e.g. The "industrial injury" side of being a launderess) suggest that being a prostitute wasn't necessarily the *worst* option available.
Sobering stuff, but the camaraderie looks real and softens the tone somewhat. Recommended.
If you don't speak French it's somewhat difficult to follow the subtitles, but once you get the hang of it, of course it becomes easier as It usually does with foreign films.
I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.
Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.
Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.
Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.
Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, ... within felted lounges. Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory. One of them will be disfigured by a consumer as perverse as sadistic.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
क्या आपको पता है
- ट्रिवियाThere's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
- गूफ़A character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
- क्रेज़ी क्रेडिटDedication before end credits: "For Charlotte"
- कनेक्शनFeatured in Ebert Presents: At the Movies: एपिसोड #2.23 (2011)
- साउंडट्रैकPlaisir d'Amour
Music by Jean-Paul-Égide Martini
Lyrics by Jean-Pierre Claris de Florian
Performed by Eloïse Decazes
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is House of Tolerance?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- €40,00,000(अनुमानित)
- US और कनाडा में सकल
- $19,327
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,766
- 27 नव॰ 2011
- दुनिया भर में सकल
- $13,89,920
- चलने की अवधि2 घंटे 2 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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