IMDb रेटिंग
6.7/10
8.4 हज़ार
आपकी रेटिंग
20वीं शताब्दी की भोर में एक सुंदर पेरिसियन बोर्डेलो में आनंद, दर्द, आशा, प्रतिद्वंद्विता - और सबसे बढ़कर, गुलामी की सुनसान दुनिया मौजूद है.20वीं शताब्दी की भोर में एक सुंदर पेरिसियन बोर्डेलो में आनंद, दर्द, आशा, प्रतिद्वंद्विता - और सबसे बढ़कर, गुलामी की सुनसान दुनिया मौजूद है.20वीं शताब्दी की भोर में एक सुंदर पेरिसियन बोर्डेलो में आनंद, दर्द, आशा, प्रतिद्वंद्विता - और सबसे बढ़कर, गुलामी की सुनसान दुनिया मौजूद है.
- पुरस्कार
- 6 जीत और कुल 15 नामांकन
Noémie Lvovsky
- Marie-France
- (as Noemie Lvovsky)
Céline Sallette
- Clotilde
- (as Celine Sallette)
Adèle Haenel
- Léa
- (as Adele Haenel)
Judith Lou Lévy
- Une prostituée
- (as Judith Lou Levy)
Maia Sandoz
- Une prostituée
- (as Maïa Sandoz)
Pierre Léon
- Un client
- (as Pierre Leon)
फ़ीचर्ड समीक्षाएं
This is one of the best films of 2012. When it hits ex rental, this is one I'm definitely buying. It's a highly erotic period piece movie, that is ultimate viewing. It's a hypnotic film of this upper class french brothel in the last months 0f 1899. Some of our beauties are being sold to other brothels, others are leaving the business, where the remaining are facing a far worse fate, when health checks come into play, nearing the film's final. The last scene is kind of a teaser, showing what brothels are like today. The acting is bloody impressive from all, it's lavish sets, and wardrobe, adds to it's tasty viewing. We even have a sixteen year old, starting, a virgin, one of her first, double minded, about going with her. He finally does, here she ends up losing it in a champagne bath, later washing all the icky ailment off. This lass's interview with the madam that has her stripping off totally, then letting her hair loose, is very hot indeed. We do too have that one dangerous customer (it's always the quiet ones) who leaves a scarring impression on one of the prostitutes, by slitting the corners of her mouth open, where she now wears a joker kind of smile, 24-7 and has now resorted to mainly working as a housemaid. Some of the client's requests, are as you can guess, out of the ordinary, one girl pretending to be a robotic doll, where a handsome young french man comes up behind her, lifts up her dress and you know. At the the start of this somewhat bizarre scene's, where he's lying down, staring across at her, if transfixed, somewhat playing the role too, is an unforgettable image. The dialogue in subtitle is smart and original. A truly hypnotic movie experience, this is one those films that comes along every so often, a rare gem, a rare treat to the naked eyes. Highly recommended, especially for lovers of foreign erotica.
This is a serious and complex film. It takes the audience out of their comfort zone. Not everyone will understand the film. The film is about women that may have no other choice but to sell their bodies, about freaks that buy their bodies, about these women's inability to pay off their so called "debt", about cruelty, about general stigma that surrounds these women. All of the women in the story's brothel are regular girls that have no one to turn to for help, but possibly each other. The reference to the pseudo "study" that one idiot sites in the film, the choice of music, the way the film ends - all help to make the audience think about the film and its story not as something from the past, but as issues that continue on and the reasons (society maybe) behind these issues.
Nicely acted and photographed, this could however easily be very depressing - not only in the unvarnished depiction of life in a Paris brothel 100 years ago but in the clear message that things aren't too different today.
Debt, disease and the possibility of shocking violence are ever-present, although conversations among the women about jobs that they have done beforehand (e.g. The "industrial injury" side of being a launderess) suggest that being a prostitute wasn't necessarily the *worst* option available.
Sobering stuff, but the camaraderie looks real and softens the tone somewhat. Recommended.
Debt, disease and the possibility of shocking violence are ever-present, although conversations among the women about jobs that they have done beforehand (e.g. The "industrial injury" side of being a launderess) suggest that being a prostitute wasn't necessarily the *worst* option available.
Sobering stuff, but the camaraderie looks real and softens the tone somewhat. Recommended.
A dozen young prostitutes in a luxury brothel held by a madam, at the twilight of the nineteenth century. We may see women scarcely dressed, men from the Parisian bourgeoisie, champagne in abundance, a black panther, ... within felted lounges. Objects of fascination, fantasies or sometimes the tenderness of their customers, these young prostitutes circulate in a universe that will soon be a memory. One of them will be disfigured by a consumer as perverse as sadistic.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
Filmed with a breathtaking mastery of the frame. Moreover, the costumes and sets are top. It's an aesthetic shock. The actresses and actors are excellent, Céline Sallette especially.
If you don't speak French it's somewhat difficult to follow the subtitles, but once you get the hang of it, of course it becomes easier as It usually does with foreign films.
I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.
Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.
Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
I think this is a pretty realistic portrayal of what it would be like to work in a somewhat up-scale brothel in Paris at this time.
Of course the prostitutes that work there, work there out of need and not because they enjoy this line of work. In fact they get their emotional needs met from each other. Definitely not from the men who buy them for their pleasure.
Overall I think the film was quite well done and showed the complexities of such an environment at this time in history in Paris France.
क्या आपको पता है
- ट्रिवियाThere's a short epilogue at the end with a view of modern Paris streets, traffic and some streetwalkers, one of whom is a 'twin' to a brothel prostitute. Bertrand Bonello said that Thierry Frémaux, the artistic director of the Cannes Film Festival, asked him to cut it, though the film still made it into the main competition after Bonello refused. "A lot of people thought I was glorifying the brothels of the time, holding them up as an ideal against today's prostitution, but it was actually much simpler than that. I felt I couldn't end inside the brothel but needed a contrast. I wanted to burst this bubble I had created for two hours, to wake the viewer up, and that wake-up is the return to the present", Bonello said.
- गूफ़A character says he's been to the inauguration ceremony of the Paris Metro. After that there is a scene where we hear fireworks for Bastille Day (14 July). The opening of the Paris Metro (Line 1) was on 19 July 1900, five days after Bastille Day.
- क्रेज़ी क्रेडिटDedication before end credits: "For Charlotte"
- कनेक्शनFeatured in Ebert Presents: At the Movies: एपिसोड #2.23 (2011)
- साउंडट्रैकPlaisir d'Amour
Music by Jean-Paul-Égide Martini
Lyrics by Jean-Pierre Claris de Florian
Performed by Eloïse Decazes
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is House of Tolerance?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- बजट
- €40,00,000(अनुमानित)
- US और कनाडा में सकल
- $19,327
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,766
- 27 नव॰ 2011
- दुनिया भर में सकल
- $13,89,920
- चलने की अवधि2 घंटे 2 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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