Junkhearts

This was an unexpected treat, a bunch of us were shown this movie. as part of a literature group. We are a mixed bag of folk, who have certainly seen our fair share of the kind of life experience on show here in this movie. we were told nothing of this film, but most of us agreed it was as authentic a depiction of addiction, alcoholism, crime, homelessness and p.t.s.d. (post traumatic stress disorder) as any other, in any movie ever. yeah it was ugly in places, but the beauty in i felt lay in the way that even these supposedly lowlife characters, could find some kind of dignity and redemption in their lives. I found a film full of honesty, humour and hope. a real treat indeed, the fact that the dirtector tinge came along to our humble group for the showing and a post screening discussion, also showed how the filmmaker's really cared about their creation and the audience.

After reading a lot of negative reviews for this film I almost decided not to watch it. Had I not been aware of how many idiots there are on the internet I might have missed out on what turned out to be a flawed yet enjoyable film. All the characters range from pitiable to despicable and this provides the flow of the film and depressing content and although the ending came across as a little too contrived ( I had expected something a little more messy given the lives of the characters) the story for the most part seemed an accurate representation of life and rang true for a gritty realism drama. By no means perfect but well worth a watch. I would give this a 6 but as it possesses elements I have not seen expressed in film before I am going to give it a 7

I've just seen Junkhearts at Chapter Arts centre in Cardiff. I saw Junkhearts solely because I'm a big fan of Eddie Marsan and wanted to see him in a lead role, as I think he's a fantastic actor with a great range and a lightness of touch. As expected Eddie Marsan was fantastic, here playing an ex-solider, and brought a freshness to quite a now archetypal character. Familiar as this archetype is, the character is normally played out in a flat depressed state that flies off the handle at a moments notice. Instead the director Tinge Krishnan chooses to create a distance between the character of Frank and everybody else, in terms of the acting, the cropped framing, the use of negative space, and specific points of focus, which works really effectively. Within Junkhearts we are also introduced to newcomer Candese Reid, who was found at Nottingham's Television Workshop – famous for Paddy Considine and the This Is England cast. Her character Lynette works her way under Frank's emotional barrier, fully realised in a spine-tingling scene where Frank cracks his first smile we've seen, bathed in gorgeous sun light. The performances of Frank and Lynette felt truthful and authentic and I felt sympathetic to each character and that's a testament to the director. Furthermore, the execution of the script really engaged me throughout. It was incredibly shot by Catherine Derry, I loved the self-defence/dance scene seeped in sunflare, the lovely bokeh in the bar scene with Shaun Dooley and Romola Garai, the bleak scenes in and around the tower block and lifts, the uncomfortable framing with Eddie when he's having flashbacks, the lovely slow-motion when he dances, and I loved the practical lighting, and the strip lighting inside the flat. If you like the work of Lynne Ramsay, Andrea Arnold, Mike Leigh, and Shane Meadows, Junkhearts could be right up your street. One to watch in 2012.

Please, please ignore any negative comments.

I have just had the privilege of watching this film with a group of recovering addicts(drugs,alcohol and of all age groups, most of them at one time or the other had lived on the streets).

Everyone of them testified to the realism of the movie, they all recognised aspects of themselves in the film and were moved by how close the director came to understanding their world.

The cast are superb,the small spots of humour are handled gently.

The whole piece is produced with great care and thought. I will undoubtedly watch it again

As a former trauma consultant, I can safely claim that Eddie Marsan's character draws from a credible and real portrayal of those who have experienced trauma in combat situations and war-zones. It is this authenticity that grounds Marsan's tremendous performance. Tinge Krishnan captures the mood, style and pace well to ensure the emotionality of the piece infuses into the viewer's awareness at just the right pitch, so we share the journey of the characters. Tom Sturridge should also take credit for his strong performance. Hats off to Simon Frank for writing an excellent script on a difficult subject, that doesn't exploit, sensationalise or stereotype. This is a film that will stay with you. And right it should.