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The Artist

  • 2011
  • U
  • 1 घं 40 मि
IMDb रेटिंग
7.8/10
2.5 लाख
आपकी रेटिंग
लोकप्रियता
3,786
491
Bérénice Bejo and Jean Dujardin in The Artist (2011)
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
trailer प्ले करें0:31
15 वीडियो
99+ फ़ोटो
Period DramaShowbiz DramaSlapstickTragedyComedyDramaRomance

एक अहंवादी फिल्मी सितारा हॉलीवुड के मूक युग की पृष्ठभूमि के खिलाफ एक युवा नर्तक के साथ संबंध विकसित करता है।एक अहंवादी फिल्मी सितारा हॉलीवुड के मूक युग की पृष्ठभूमि के खिलाफ एक युवा नर्तक के साथ संबंध विकसित करता है।एक अहंवादी फिल्मी सितारा हॉलीवुड के मूक युग की पृष्ठभूमि के खिलाफ एक युवा नर्तक के साथ संबंध विकसित करता है।

  • निर्देशक
    • Michel Hazanavicius
  • लेखक
    • Michel Hazanavicius
  • स्टार
    • Jean Dujardin
    • Bérénice Bejo
    • John Goodman
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.8/10
    2.5 लाख
    आपकी रेटिंग
    लोकप्रियता
    3,786
    491
    • निर्देशक
      • Michel Hazanavicius
    • लेखक
      • Michel Hazanavicius
    • स्टार
      • Jean Dujardin
      • Bérénice Bejo
      • John Goodman
    • 765यूज़र समीक्षाएं
    • 573आलोचक समीक्षाएं
    • 89मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • 5 ऑस्कर जीते
      • 162 जीत और कुल 204 नामांकन

    वीडियो15

    TV Spot
    Trailer 0:31
    TV Spot
    Official Version
    Trailer 2:26
    Official Version
    Official Version
    Trailer 2:26
    Official Version
    First Trailer
    Trailer 2:26
    First Trailer
    Uggie, Toto, & Award-Winning Movie Dogs
    Clip 3:31
    Uggie, Toto, & Award-Winning Movie Dogs
    "Screen Dance"
    Clip 0:49
    "Screen Dance"
    "Taking Bows"
    Clip 1:01
    "Taking Bows"

    फ़ोटो150

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
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    + 144
    पोस्टर देखें

    टॉप कलाकार99+

    बदलाव करें
    Jean Dujardin
    Jean Dujardin
    • George Valentin
    Bérénice Bejo
    Bérénice Bejo
    • Peppy Miller
    John Goodman
    John Goodman
    • Al Zimmer
    James Cromwell
    James Cromwell
    • Clifton
    Penelope Ann Miller
    Penelope Ann Miller
    • Doris
    Missi Pyle
    Missi Pyle
    • Constance
    Beth Grant
    Beth Grant
    • Peppy's Maid
    Ed Lauter
    Ed Lauter
    • Peppy's Butler
    Joel Murray
    Joel Murray
    • Policeman Fire
    Elizabeth Tulloch
    Elizabeth Tulloch
    • Norma
    • (as Bitsie Tulloch)
    Ken Davitian
    Ken Davitian
    • Pawnbroker
    Malcolm McDowell
    Malcolm McDowell
    • The Butler
    Basil Hoffman
    Basil Hoffman
    • Auctioneer
    Bill Fagerbakke
    Bill Fagerbakke
    • Policeman Tuxedo
    Nina Siemaszko
    Nina Siemaszko
    • Admiring Woman
    • (as Nina Siemazko)
    Stephen Mendillo
    Stephen Mendillo
    • Set Assistant
    Dash Pomerantz
    Dash Pomerantz
    • Peppy's Boyfriend
    Beau Nelson
    • Peppy's Boyfriend
    • निर्देशक
      • Michel Hazanavicius
    • लेखक
      • Michel Hazanavicius
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं765

    7.8252.7K
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    फ़ीचर्ड समीक्षाएं

    9renzl

    stunning

    Jean Dujardin deserved his Palme D'or for his captivating and wonderful performance. Where to start...this film is so clever, so beautifully crafted, so mesmerising. The lost art of the silent film is once again brought to life and that era is impressively recreated, whether it be the acting style, the sets, the locations (shot in Hollywood), the shimmering black and white photography. It is obvious to see that the people behind L'artiste respected that era of film making and wanted to recreate the magic with some modern touches ( I won't spoil them) and totally succeeded. I saw this in Cannes at an 8.30 am press screening and was totally entranced. I cannot wait to see it again!
    6TheExpatriate700

    Doesn't Quite Live Up to the Hype

    The Artist is a well-made if not particularly involving homage to the silent films of the 1920s. The film itself looks beautiful, and makes interesting use of its lack of sound. However, the story lacks interest, and is as clichéd as the silent films it pays tribute to.

    The artist of the title is George Valentin, a silent film star caught in a loveless marriage to a petulant starlet. He gives a jump start to the career of actress Peppy Miller after kissing her at a premiere. However, he soon finds his stardom dwarfed by hers after the debut of talkies and losing his fortune in the stock market collapse.

    The film is at its best when it plays with the whole concept of silent movies. The most impressive example is a dream sequence conveying the transition from silent to sound movies. Valentin dreams that his word, previously filled with a silent movie soundtrack, now consumed by overly loud background sounds. This may be the first time in cinematic history in which a dog's bark has conveyed the shift of an entire world.

    Unfortunately, the film also suffers from one of the major flaws of silent films in general. Because of the lack of dialogue, The Artist ultimately has a simplistic story with largely one dimensional characters. To a large extent, the plot mimics that of A Star Is Born, focusing on a famous performer ultimately surpassed by his protégé. As a result, the film is boring and predictable.

    Furthermore, the film emulates the least interesting of the silent movies. Rather than focusing on the more experimental films that characterized the early years of silent movies, such as The Cabinet of Dr. Caligari and D. W. Griffith's work, it looks at the making of genre films. Given that The Artist, by its very nature, is aimed at film buffs with an extensive set of references, one would think they would give attention to more interesting films.

    Still, the film's cast does a lot, particularly given the lack of dialogue. Penelope Ann Miller gives Valentin's harpy wife as much dimension as one can to such a one note character. John Goodman is also good as a dictatorial producer.
    9AlsExGal

    I may like this so much because I am very interested in the transition to sound film...

    ... and I have to say that because I am familiar with that period of time, I think this is very well done. It has its own unique path, but if I had to pin it down I'd say it was A Star Is Born meets Singin In the Rain, although it avoids the depths of drama of the former as well as the comic highs of the latter. It is a very good mix of drama and comedy. Throw in Eddie from Frasier and you pretty much have it. And now on to the story.

    George Valentin is a huge silent star in 1927. One night at a premiere of one of his movies a fan of his, Peppy Miller, has a chance encounter with him and in front of the crowd and the cameras she snatches a kiss from him with the headlines reading "Who's that girl?". George's wife is not amused but Peppy manages to get into George's Kinograph Studios and get work as an extra on the strength of it.

    Even in the silent era, Peppy slowly works her way up the credits from just a girl in the chorus to strong supporting roles. Then sound comes in and she is put under contract as one of the "fresh new faces" of Kinograph when that studio converts completely to sound, where she stars in one hit film after another. Meanwhile, George no longer has a studio home as his producer (John Goodman) tells him that audiences will want new stars to match the new technology.

    As George's fortunes decline everybody abandons him including his wife who has been showing signs (she blackens his teeth out when he is on the cover of Variety) of being unhappy since we first meet her. Only his loyal dog and butler/chauffeur stand by him. What will become of him? Watch and find out.

    Visually this film gets everything right. The hairstyles, the fashions, the car models, and the architecture are correct for the 1920s and early 1930s. Everything about it reminds me of a film from the early 1930s - it's not meant to make you think too hard. It has some dramatic moments, but it is meant to make you leave feeling good, as the Great Depression was serious enough without adding to it.
    10RolyRoly

    Marvellous; one of the best movie experiences you'll ever have

    The Artist arrived at the Toronto International Film Festival preceded by the accolades it received at Cannes, so expectations were high, but those expectations have been more than amply fulfilled. This film is an absolute marvel - charming, witty, surprising, moving, clever and beautiful. Filmmaking is about decisions, thousands and thousands of them, and everyone involved in The Artist makes every decision to perfection. The cinematography is ravishing in luminous black and white. The musical score, on which the film, being silent, is so dependant, is subtle when it needs to be subtle, dramatic when the occasion calls for it, and never overbearing or overwrought. The screenplay (yes, silent films do have screenplays) toys with the conventions of the silent era, paying homage to some of the greatest films of the first two or three decades of cinema history. The acting is flawless, extracting emotion and humour from a simple but classic storyline. The direction displays such self-assurance, and treats the audience with such respect, that it is almost like having a dialogue with the director.

    The Artist is one of the most enjoyable movie experiences I have ever had. It deserves a wide audience and all sorts of awards. I can hardly wait to see it again.

    And oh yes, if there is ever an Oscar for best animal performance, the dog in The Artist should receive a lifetime achievement award for this role alone.
    10courageousjames

    Cannes Favorite

    I managed to catch a screening of this at Cannes, and if you're thinking about skipping this film because it's silent and black and white, you're going to be missing out on a very special experience.

    Everything about this film is exceptional. The acting is top-notch, the story is intriguing, and despite being black and white, the film is visually appealing. The filmmakers really make great use of the medium, and even though there are no voices or color, my interest was never lost.

    Jean Dujardin gives a great performance. You like him instantly and, without giving too much away, you want him to succeed. This movie is really chock full of great actors and actresses. You'll see some familiar faces, but they all blend in well with the world of the film.

    I really don't know a whole lot about the director Michel Hazanavicius, but after seeing this film I'm definitely interested in seeing what he does next.

    Highly recommend!

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Jean Dujardin became the first-ever French actor to win a Best Actor Academy Award when he won an Oscar® for this film.
    • गूफ़
      On the back page of Variety is full-page ad for Coca-Cola; ads in this trade paper were always for show biz-related concerns (studios, stars, agencies, upcoming productions) but never for traditional consumer products like soft drinks, cigarettes, cars, etc.
    • भाव

      Doris: I'm unhappy.

      George Valentin: So are millions of us.

    • क्रेज़ी क्रेडिट
      The opening credits are in the style of the 1920s and 1930s, complete with technical credits shown the way they were then.
    • कनेक्शन
      Featured in Ebert Presents: At the Movies: एपिसोड #1.18 (2011)
    • साउंडट्रैक
      Estancia OP.8
      (Alberto Ginastera))

      Conducted by Ernst van Tiel (as Ernst Van Tiel)

      Performed by Brussels Philharmonic (as Brussels Philharmonic - The Orchestra of Flanders)

      ©Boosey & Hawkes c/o Editions Durand/Universal

      (p) 2011 La Petite Reine

      Courtesy of Universal Music Vision

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    अक्सर पूछे जाने वाला सवाल22

    • How long is The Artist?Alexa द्वारा संचालित
    • To whom is the film dedicated?
    • Why didn't George Valentin make talkies?

    विवरण

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    • रिलीज़ की तारीख़
      • 24 फ़रवरी 2012 (भारत)
    • कंट्री ऑफ़ ओरिजिन
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      • Bradbury Building - 304 S. Broadway, Downtown, लॉस एंजेल्स, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Kinograph studio staircase)
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • $1,50,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $4,46,71,682
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,04,878
      • 27 नव॰ 2011
    • दुनिया भर में सकल
      • $13,34,71,171
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