IMDb रेटिंग
6.6/10
7.1 हज़ार
आपकी रेटिंग
फ्रान, एक विचित्र महिला जिसे मृत्यु बारे में सोचना पसंद है, अपने नए सहकर्मी से आकर्षित होती है जब उसकी मौत संबंधी बातों पर वह हँसता है, डेटिंग के दौरान, फ्रान के आत्म-विनाशकारी रुझान उनके नव... सभी पढ़ेंफ्रान, एक विचित्र महिला जिसे मृत्यु बारे में सोचना पसंद है, अपने नए सहकर्मी से आकर्षित होती है जब उसकी मौत संबंधी बातों पर वह हँसता है, डेटिंग के दौरान, फ्रान के आत्म-विनाशकारी रुझान उनके नवजात रिश्ते को खतरे में डालते हैं.फ्रान, एक विचित्र महिला जिसे मृत्यु बारे में सोचना पसंद है, अपने नए सहकर्मी से आकर्षित होती है जब उसकी मौत संबंधी बातों पर वह हँसता है, डेटिंग के दौरान, फ्रान के आत्म-विनाशकारी रुझान उनके नवजात रिश्ते को खतरे में डालते हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 जीत और कुल 4 नामांकन
फ़ीचर्ड समीक्षाएं
The actress delivered an exceptionally perfect performance in this challenging role. Although many films have previously explored this type of character, her portrayal was unique and distinct, imbued with a personal touch that only she could bring. I genuinely believe that no other actress in the world could embody this character with such a level of distinction. My praise is not an exaggeration.
The film does not feature extensive dialogue or a lot of spoken words. Instead, the main character's facial expressions and simple actions were profoundly expressive, and the actress managed to convey her emotions largely without speaking. The film generally has a sad tone and a grim atmosphere, yet the director succeeded in making it engaging despite these elements. It was a film in which I fully immersed myself, connected with on a deep level, and it left a lasting impression on me.
The film does not feature extensive dialogue or a lot of spoken words. Instead, the main character's facial expressions and simple actions were profoundly expressive, and the actress managed to convey her emotions largely without speaking. The film generally has a sad tone and a grim atmosphere, yet the director succeeded in making it engaging despite these elements. It was a film in which I fully immersed myself, connected with on a deep level, and it left a lasting impression on me.
First thing, is that this is a very depressing movie to relate to. Especially the character. The movie itself is pretty uneventful, it's purposely not trying to do anything conventionally interesting. I enjoyed it though just because of how deliberate that was.
You can feel how socially awkward Fran is. This felt like it was made by an introvert, the type that isn't an introvert of their own volition. I love how introversion is depicted as something we don't have a choice in. I think the movie does a good job at conveying her emotions in the moment. Daisy Ridley was fantastic. There probably are movies out there that depict social awkwardness pretty well, but this is the one that I feel did it best. Probably because there were so many awkward interactions in this where I thought "oh that happens to me a lot" Or "oh I those thoughts too."So it felt personal to me.
I also loved how the movie is narrated from Fran's perspective. It feels like we're in her head, and for the most part we don't get to see if other characters are judging her introversion for the most part. So we just get to see her inaudibly, through her mannerisms, ask herself oh is this weird? Was that a weird thing to say? This is weird, right? I think it's the perfect depiction of social anxiety, awkwardness and loneliness.
The only thing I didn't like was the argument in the car. It made sense but it felt unnatural in the moment, sudden and random. Otherwise the movie is perfect to me. Every now and then I wondered when this movie is set; sometimes I think it's the 90's because I haven't seen anyone play CDs in a while, but then the computers in the office are new.
A guy fell asleep and was snoring. Didn't seem like a movie that should be playing in theater. I think it's a movie most people wouldn't like or maybe even relate to, but I loved it.
You can feel how socially awkward Fran is. This felt like it was made by an introvert, the type that isn't an introvert of their own volition. I love how introversion is depicted as something we don't have a choice in. I think the movie does a good job at conveying her emotions in the moment. Daisy Ridley was fantastic. There probably are movies out there that depict social awkwardness pretty well, but this is the one that I feel did it best. Probably because there were so many awkward interactions in this where I thought "oh that happens to me a lot" Or "oh I those thoughts too."So it felt personal to me.
I also loved how the movie is narrated from Fran's perspective. It feels like we're in her head, and for the most part we don't get to see if other characters are judging her introversion for the most part. So we just get to see her inaudibly, through her mannerisms, ask herself oh is this weird? Was that a weird thing to say? This is weird, right? I think it's the perfect depiction of social anxiety, awkwardness and loneliness.
The only thing I didn't like was the argument in the car. It made sense but it felt unnatural in the moment, sudden and random. Otherwise the movie is perfect to me. Every now and then I wondered when this movie is set; sometimes I think it's the 90's because I haven't seen anyone play CDs in a while, but then the computers in the office are new.
A guy fell asleep and was snoring. Didn't seem like a movie that should be playing in theater. I think it's a movie most people wouldn't like or maybe even relate to, but I loved it.
7FKDZ
Sometimes I Think About Dying, I think this is the first Ridley movie I've seen after her career in star wars, so.. quite a shift in tone. But a good film nonetheless. It allowed Ridley to show a lot more of herself and she deserves it because being tainted by a massive franchise is hard to break out of and really shape your own path.
Directing is something special here, and is what elevates this movie beyond it's subdued plot and somewhat lackluster story. But the beautiful meditative method of filming really sucks you into the world, but also the time and place, it just really slows you down. It's a very oddly relaxing movie. The into perfectly blends you into the little world you're stepping into. Just great. Paced well too, certainly didn't really overstay it's welcome but also didn't stick the land as much as I'd hoped.
The story and how it accentuates it with scenes like the poster, for me never really managed to capture much that the character was already doing day to day. It added another highlight, but not a layer or depth to the thought process. And if anything I wish we had more of that, more to explore. But it continues to be distant. Intentionally, in story, but also to the viewer.
Is this a movie that showcases depression that well. Nah. But it doesn't hurt it either, it's a perspective and I can appreciate the directing behind it. It has snippets of the real thing, also some blending of social anxiety.
Music was good too, used effectively. Sound design was excellent. Making dull quite rooms sound like dull quiet rooms isn't easy.
Good, but some potential left out.
Directing is something special here, and is what elevates this movie beyond it's subdued plot and somewhat lackluster story. But the beautiful meditative method of filming really sucks you into the world, but also the time and place, it just really slows you down. It's a very oddly relaxing movie. The into perfectly blends you into the little world you're stepping into. Just great. Paced well too, certainly didn't really overstay it's welcome but also didn't stick the land as much as I'd hoped.
The story and how it accentuates it with scenes like the poster, for me never really managed to capture much that the character was already doing day to day. It added another highlight, but not a layer or depth to the thought process. And if anything I wish we had more of that, more to explore. But it continues to be distant. Intentionally, in story, but also to the viewer.
Is this a movie that showcases depression that well. Nah. But it doesn't hurt it either, it's a perspective and I can appreciate the directing behind it. It has snippets of the real thing, also some blending of social anxiety.
Music was good too, used effectively. Sound design was excellent. Making dull quite rooms sound like dull quiet rooms isn't easy.
Good, but some potential left out.
Fran (Daisy Ridley) is a quiet loner who often thinks about suicide. She is alone even in a crowd at her work. Co-worker Robert gets past her barriers and they start dating.
Initially, I'm interested for about ten minutes and then I'm wondering if anything is going to happen. Something happens and I'm interested for another ten minutes before wondering if anything else is going to happen. That's how it goes. I alternate between mildly interested and waiting for the next thing. For the second half, I am interested in one thing. I'm waiting for the ending. I'm just not sure if it's going full dark or going for something more hopeful. This is not for everyone and not all of this is for me.
Initially, I'm interested for about ten minutes and then I'm wondering if anything is going to happen. Something happens and I'm interested for another ten minutes before wondering if anything else is going to happen. That's how it goes. I alternate between mildly interested and waiting for the next thing. For the second half, I am interested in one thing. I'm waiting for the ending. I'm just not sure if it's going full dark or going for something more hopeful. This is not for everyone and not all of this is for me.
The energy of this film is in its stillness.
Sparse dialogue. No driving, linear narrative. The camera is perpetually stationary. Almost nothing is loud or abrupt. But it hums restlessly with quiet anxiety.
Your attention is never commanded, but your interest is rewarded. Fran is the subject of your observation, and she is in everything subtle and restrained. Every modulation of body language, shade of facial expression, and placement of gaze dispenses information. You are with her constantly and quickly become intimate. You consider her, wonder at her. You empathize with her; you're confused by her. You don't have to understand her. You simply see what she sees and feel what she feels. You are there when she is tense and afraid, when she allows herself to smile, when she indulges her desire and when she represses it. She's a particularly vulnerable human, and you are there in the midst of all of it. This film and its protagonist are beautifully small, shy, and fragile, and watching it is compelling if you can feel the weight of responsibility that comes with so intimately witnessing a person in their intense vulnerability.
Sometimes I Think About Dying feels precious in its plain honesty and total vulnerability.
It's not a story, just a person.
Sparse dialogue. No driving, linear narrative. The camera is perpetually stationary. Almost nothing is loud or abrupt. But it hums restlessly with quiet anxiety.
Your attention is never commanded, but your interest is rewarded. Fran is the subject of your observation, and she is in everything subtle and restrained. Every modulation of body language, shade of facial expression, and placement of gaze dispenses information. You are with her constantly and quickly become intimate. You consider her, wonder at her. You empathize with her; you're confused by her. You don't have to understand her. You simply see what she sees and feel what she feels. You are there when she is tense and afraid, when she allows herself to smile, when she indulges her desire and when she represses it. She's a particularly vulnerable human, and you are there in the midst of all of it. This film and its protagonist are beautifully small, shy, and fragile, and watching it is compelling if you can feel the weight of responsibility that comes with so intimately witnessing a person in their intense vulnerability.
Sometimes I Think About Dying feels precious in its plain honesty and total vulnerability.
It's not a story, just a person.
क्या आपको पता है
- ट्रिवियाThe soundtrack album Fran chooses is Blue Velvet, and the song that plays is Mysteries of Love by Julee Cruise.
- गूफ़When Fran writes in the retirement card, the handwriting of one of the messages changes between shots.
- कनेक्शनFeatured in On Cinema: Sometimes I Think About Dying & The Underdoggs (2024)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Bazen Ölmeyi Düşünüyorum
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,30,457
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $40,460
- 28 जन॰ 2024
- दुनिया भर में सकल
- $3,26,508
- चलने की अवधि
- 1 घं 34 मि(94 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 3:2
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किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें