Citadel

Not as bad as the previous user has stated, and seeing that he is Irish, you would think he would have a bit more encouragement for Irish funded films. Granted it is certainly not perfect, but the scary scenes are genuinely scary and the film does provide a jump here and there. The lead performance was strong enough for an upcoming actor and I liked the idea of a weak main character. The bargained price Brian Cox priest character was a bit too much though and the scenes involving him really took from the film. Overall very watchable and with more of a budget this could have been a whole other film....which is probably a bad thing

I was teetering between 6 and 7 here, and settled on the latter because this IS a genuinely scary and disturbing film. We've definitely had a shortage of that lately in this genre - so it was nice to have some moments where, even at 39 years-old, I felt a little uneasy.

"Citadel" has many strengths and a few weaknesses. I'll touch on a bit of each while trying not to give too much away from what is a basic storyline. Now, it didn't have to be basic.

I think where the film misses is diving a bit further into the villains of this frightening tale. The back-story there is a bit vague to say the least, and the rest of the story doesn't do much to clear it up.

I'm sure that the budget constraints limited the production in certain ways, BUT I think all involved deserve more kudo's than criticism. After all, the intent with these types of films is to scare, and this is as "uncomfortable" as I've been watching a film in quite some time.

Think of a darker, scarier spin on Harry Brown. "Citadel" actually borrows quite a bit from "Harry Brown".

The film is extremely brooding - never really stepping into the light for more than a few seconds. I think it's definitely a strength. The film does have it's own sense of Style.

You have the feeling during this film that you are completely alone. There is no help coming, and you'll have to fend for yourself.

The film is without question under-rated at present on IMDb. I pulled up the rating on my phone after renting it from the redbox, and due to time, I nearly put-off watching it altogether. Glad I fit it in. I've seen 62 films from 2012 so far, and this is definitely in the top 20 for now. It's one of the better entries into the horror genre over the last few years, and could have been incredible if they would have just finished the film.

The ending needed a bit more carnage and revenge to put this over-the-top into the "true-gem-of-a-sleeper" category. They were so close... literally a few heads being axed-off and an explosion away from sheer low-budget glory, and a 9 ranking. Why do I get the feeling we'll see an American version of this that spends 10 times the money but has no sense of style or scare value?

The acting is way above average for this type of thing, and it's that acting and the mood that keeps it afloat. The lead and the priest are great. There are only 4 speaking roles in the whole film! 4! Rather than nit-pick the plot and the ending(which are easy targets) - let's step back and enjoy some of the strong characteristics of this film.

You might like this if you liked:Candyman(better), Winter's Bone(better),The Road(about even or ever-so-slightly better), Eden Lake(about even or ever-so slightly better), The People Under The Stairs(even), and The Brood(even).

If you want a sleeper horror film to rent - it's usually a dangerous proposition. That's one of the many reasons why I can recommend this one. Far from perfect, but boy this little low-budget Irish entry packs quite an uneasy punch.

67/100

This movie obviously did not have the budget of the fancy multi-billion Hollywood production. Thus, in order to capture us, it focuses on one thing that Hollywood can not put a price on. Talent and acting. Aneurin Barnard is an excellent choice as the lead actor, and gives a wonderful and solid performance. He obviously is a very talented actor, and I am convinced that we will be seeing a lot more of him in the future. Hopefully not in crappy Hollywood high-budget flicks, but in films that focus on performance and talent. The entire cast was quite good in general, and combined with the direction, they created a "wonderful" claustrophobic atmosphere, that was exactly what this story needed. This movie will not impress due to its originality (as it is not very original really), but it is good due to the work put in it by talented individuals, and it is definitely worth seeing.

I do normally take a look at other reviews of the films I watch, just to see if other people got something that I missed. Here, I think I must have been watching a completely different film. If you check out a lot of the online reviews of 'Citadel' then you'll be told it's one of the best modern horror films ever.

It just bored me.

It's an Irish horror film about a young man who witnesses his wife being murdered by demon children, leaving him an agoraphobic. He later meets up with a - slightly bonkers - old priest and they team up to fight the aforementioned demon hoodies.

It's an okay enough idea (I've seen worse), but I didn't find any of the characters interesting or likable, plus the children weren't that scary (well, no more than their identical clones you see hanging around every off license up and down the country).

Yes, it was presented in a reasonably different way which made it clear they were trying to steer away from the Hollywood style of film-making. But, at the end of the day, it didn't take away from the fact that it bored me.

Others obviously disagreed. Fair enough.

From the Irish and Scottish film boards a nice gritty horror that plays out like a great short story. Quite creepy with solid main performances from Cosmo (Braveheart and Game of Thrones) a world class actor and newcomer Barnard. This reminds me of another similarly gritty Celtic collaboration. A great Urban horror set in dangerous Scottish estates abandoned it seems by police and society where fear breeds. The agoraphobia of the main character is done well I thought and that different angle and its subsequent analogy of escaping from the hopeless forgotten edges of society added another dimension to the main character. Cosmo is great as always as the unorthodox priest and you'll not be seeing him waving about any bibles trying to dispossess anyone. The only complaint I will make is a scene which isn't really essential in which some dodgy CGI is employed. The main character might look a bit over made up in his attempt to look like a sleep deprived fear driven man, but otherwise I really enjoyed this film done on an extremely modest budget displaying just how to make a modern urban horror.