तानाशाह अलादीन यूनाइटेड नेशन्स को संबोधित करने के लिए न्यूयॉर्क की यात्रा करता है. हालांकि रास्ते में उसका अपहरण हो जाता है.तानाशाह अलादीन यूनाइटेड नेशन्स को संबोधित करने के लिए न्यूयॉर्क की यात्रा करता है. हालांकि रास्ते में उसका अपहरण हो जाता है.तानाशाह अलादीन यूनाइटेड नेशन्स को संबोधित करने के लिए न्यूयॉर्क की यात्रा करता है. हालांकि रास्ते में उसका अपहरण हो जाता है.
- पुरस्कार
- 1 जीत और कुल 1 नामांकन
John C. Reilly
- Clayton
- (बिना क्रेडिट के)
Nazanin Homa
- Virgin Guard
- (as Naz Homa)
Dawn Jackson
- Virgin Guard
- (as Dawn Zimniak)
फ़ीचर्ड समीक्षाएं
I re-watched it and it is not as great as borat but it has lot of amazing parts the comedic timing is also good It has re-watch potential sacha is such good actor in comedy movies.
I went to see this movie with my friend. I would consider that we both have a good sense of humor and are open to all sorts of jokes. I have seen other movies by Sacha Baron Cohen, like Bruno and Borat. I found Borat to be hilarious, but Bruno was a bit over the top for me. This movie strikes a balance between the two, but leans more towards (my personally favored) Borat side.
The comedy in this movie is both hilarious and uncomfortable at times. It has the same LOL- quality as it did in Borat, but there are scenes where the comedy is so crude that it is almost uncomfortable watching/listening to it. The movie is definitely funny, but you will not enjoy it if you do not find jokes about racism and stereotypes funny.
The plot is your typical Sacha Baron Cohen plot; a person from an entirely different culture travels to America and you watch how incompatible the two cultures are. Also, just like most of Sacha Baron Cohen movies, there is a love story intertwined. It's not the dramatic and sensitive kind of love story though. The plot itself is not very immersive, and I believe that its only purpose is to lead you to the funny parts.
I will say this though, the ending speech of this movie given by 'The Dictator' really impressed me. It made me realize how well Sacha Baron Cohen understands politics and stereotypes. You have to hear it for yourself.
If you're looking for a movie with consistent but crude laugh-out-loud comedy, but do not look for a serious and powerful plot, then you will enjoy this film. On the other hand, if you cringe at racist and stereotype jokes, you will be covering your ears virtually the entire movie.
Approach with an open mind.
The comedy in this movie is both hilarious and uncomfortable at times. It has the same LOL- quality as it did in Borat, but there are scenes where the comedy is so crude that it is almost uncomfortable watching/listening to it. The movie is definitely funny, but you will not enjoy it if you do not find jokes about racism and stereotypes funny.
The plot is your typical Sacha Baron Cohen plot; a person from an entirely different culture travels to America and you watch how incompatible the two cultures are. Also, just like most of Sacha Baron Cohen movies, there is a love story intertwined. It's not the dramatic and sensitive kind of love story though. The plot itself is not very immersive, and I believe that its only purpose is to lead you to the funny parts.
I will say this though, the ending speech of this movie given by 'The Dictator' really impressed me. It made me realize how well Sacha Baron Cohen understands politics and stereotypes. You have to hear it for yourself.
If you're looking for a movie with consistent but crude laugh-out-loud comedy, but do not look for a serious and powerful plot, then you will enjoy this film. On the other hand, if you cringe at racist and stereotype jokes, you will be covering your ears virtually the entire movie.
Approach with an open mind.
I'm revisiting various comedies from the 2000s and 2010s to answer one question: why do American comedies taken such a nosedive as of late?
The Dictator may not be one of the decade's greatest comedies and was widely viewed as - to use a contemporary term - quite mid. Not too bad, nothing amazing. Yes, Baron Cohen has made better films and more enduring, interesting characters. Oddly, General Aladeen (the titular Dictator) comes off as a relic of a time past: we really don't have dictators quite like Muammar Gaddafi or Saddam Hussein - two men who are obvious inspirations to Cohen's eclectic, offensive, and frankly, hilarious character - anymore, do we?
There's also this tongue-in-cheek, "we can be offensive as we want" energy that I kind of love about this movie. Nowadays, even Cohen himself seems mindful of causing too much offense to the wrong groups. But back then, it really didn't matter: anyone was fair game. That, along with the film's anti-authoritarian leanings, makes it a celebration of free speech and expression. So much so that the film (intelligently) manages to criticize the democratic world and the United States in particular quite mercilessly.
There are some truly hilarious gags involving bodily humour to, as per Cohen's style. He can be very sophisticated and satirical, but go for a good masturbation or body hair or...um...phone inside a woman giving birth joke as well. This is not a movie that "elevates" itself from the things we all know are really funny, deep down.
The supporting cast is also really good here. Ben Kingsley was the perfect choice, Anna Faris has that face that conveys well meaning stupidity unlike any other actress in Hollywood, and Jason Mantzoukas...man, you could've told me he was an Iranian nuclear scientist and I'd believe you. I cannot accept that he's of "100% Greek heritage" (although, apparently he's long has an interest in the Middle East and has lived and studied there).
The movie isn't perfect. It gets a little silly at times and the jokes sometimes overstay their welcome. Its brand of humour isn't for everyone either. It also lacks the staying power of Cohen's other films and I think part of that has to do with the - likely studio - insistence that it be a romantic comedy. It doesn't really work, even if it is really funny.
Lesson Learned: Even a "mid" comedy from America's Comedic Golden Age is better than most comedies today. The Dictator is willing to piss everyone off and it ages like fine wine.
The Dictator may not be one of the decade's greatest comedies and was widely viewed as - to use a contemporary term - quite mid. Not too bad, nothing amazing. Yes, Baron Cohen has made better films and more enduring, interesting characters. Oddly, General Aladeen (the titular Dictator) comes off as a relic of a time past: we really don't have dictators quite like Muammar Gaddafi or Saddam Hussein - two men who are obvious inspirations to Cohen's eclectic, offensive, and frankly, hilarious character - anymore, do we?
There's also this tongue-in-cheek, "we can be offensive as we want" energy that I kind of love about this movie. Nowadays, even Cohen himself seems mindful of causing too much offense to the wrong groups. But back then, it really didn't matter: anyone was fair game. That, along with the film's anti-authoritarian leanings, makes it a celebration of free speech and expression. So much so that the film (intelligently) manages to criticize the democratic world and the United States in particular quite mercilessly.
There are some truly hilarious gags involving bodily humour to, as per Cohen's style. He can be very sophisticated and satirical, but go for a good masturbation or body hair or...um...phone inside a woman giving birth joke as well. This is not a movie that "elevates" itself from the things we all know are really funny, deep down.
The supporting cast is also really good here. Ben Kingsley was the perfect choice, Anna Faris has that face that conveys well meaning stupidity unlike any other actress in Hollywood, and Jason Mantzoukas...man, you could've told me he was an Iranian nuclear scientist and I'd believe you. I cannot accept that he's of "100% Greek heritage" (although, apparently he's long has an interest in the Middle East and has lived and studied there).
The movie isn't perfect. It gets a little silly at times and the jokes sometimes overstay their welcome. Its brand of humour isn't for everyone either. It also lacks the staying power of Cohen's other films and I think part of that has to do with the - likely studio - insistence that it be a romantic comedy. It doesn't really work, even if it is really funny.
Lesson Learned: Even a "mid" comedy from America's Comedic Golden Age is better than most comedies today. The Dictator is willing to piss everyone off and it ages like fine wine.
Most of the movie is pretty witty. The satire is crude and unfiltered, but most of it is pretty spot on. A bit like South Park stories but with bigger children.
The gross out humor however could have been way shorter. Some low hanging fruit lowest common denominator jokes were drawn out unnecessarily. I had to skip several 10 minute parts, but I missed none of the story anyway.
The love story part was forced. The suspension of disbelief was stretched so far it was almost painful.
Overall it was a reasonable story and I did laugh several times.
It could have used some extra editing and other extra care, then it would be a really good movie.
The gross out humor however could have been way shorter. Some low hanging fruit lowest common denominator jokes were drawn out unnecessarily. I had to skip several 10 minute parts, but I missed none of the story anyway.
The love story part was forced. The suspension of disbelief was stretched so far it was almost painful.
Overall it was a reasonable story and I did laugh several times.
It could have used some extra editing and other extra care, then it would be a really good movie.
I'm a little perplexed having read a couple of user reviews - one of them said this was movie was unbelievable and unconvincing due to the fact that it had a love theme going on? huh? I suppose the film 'A Nightmare on Elm Street' is unbelievable too? In fact, how many movies are believable? 'The Dictator' is a comedy, nothing less and nothing more than that, and that was the intention. Whether it's believable or not is irrelevant. The movie had plenty of laugh out loud moments.
I'm glad this movie headed in a different direction from his previous efforts. Had the film continued in the same fashion as the reality TV way, then I don't think it would have stood any chance of working, not with this new character anyway. So to those who are expecting and hoping for something similar to Bruno and Borat you may be left a little disappointed, but for those who wouldn't mind seeing something slightly different, and can take a movie for what it is, then you should enjoy this, as I did.
I'm glad this movie headed in a different direction from his previous efforts. Had the film continued in the same fashion as the reality TV way, then I don't think it would have stood any chance of working, not with this new character anyway. So to those who are expecting and hoping for something similar to Bruno and Borat you may be left a little disappointed, but for those who wouldn't mind seeing something slightly different, and can take a movie for what it is, then you should enjoy this, as I did.
क्या आपको पता है
- ट्रिवियाThe mock-Arabic language that Aladeen (Sacha Baron Cohen) and Nadal (Jason Mantzoukas) speak on the helicopter tour is actually Hebrew.
- गूफ़At 09:40 (After leaving the nuclear research campsite), A Waving Spanish Flag can be found on the top of the palace instead of Wadiyan Flag.
- भाव
General Aladeen: [to his pregnant wife] Are you having a boy or an abortion?
- क्रेज़ी क्रेडिटIn loving memory of Kim Jong-il
- इसके अलावा अन्य वर्जनUnrated version - 99mins
- कनेक्शनFeatured in The Tonight Show with Jay Leno: एपिसोड #20.126 (2012)
- साउंडट्रैकWala Ala Baloh
Written by Khaled Ezz, Mohamed Refahy & Mohamed Rahem
Performed by Amr Diab (as Amir Diab)
Courtesy of EMI Music Arabia
Under License from EMI Film & Television Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- रंगीला तानाशाह
- फ़िल्माने की जगहें
- Plaza de España, Seville, Andalucía, स्पेन(Palace of Wadiya exterior scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $6,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,96,50,222
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,74,35,092
- 20 मई 2012
- दुनिया भर में सकल
- $17,93,79,533
- चलने की अवधि
- 1 घं 23 मि(83 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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