IMDb रेटिंग
7.1/10
5.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंIn a war ridden country a woman watches over the husband reduced to a vegetable state by a bullet in the neck, abandoned by Jihad companions and brothers. One day, the woman decides to say t... सभी पढ़ेंIn a war ridden country a woman watches over the husband reduced to a vegetable state by a bullet in the neck, abandoned by Jihad companions and brothers. One day, the woman decides to say things to him she could never have done before.In a war ridden country a woman watches over the husband reduced to a vegetable state by a bullet in the neck, abandoned by Jihad companions and brothers. One day, the woman decides to say things to him she could never have done before.
- पुरस्कार
- 4 जीत और कुल 7 नामांकन
Hamid Djavadan
- L'homme
- (as Hamidreza Javdan)
Mohamed Al Maghraoui
- Le mollah
- (as Mohamed Maghraoui)
Hatim Seddiki
- Homme turban 1
- (as Hatim Seddiki)
फ़ीचर्ड समीक्षाएं
Became an instant favorite. It does not matter what country this takes place in, and that it's never named. Often the enemy is easily indistinct.
Those little girls were precious, running in the street, in the cellar wile bombs are going off. Been there. Been around men like that too.
Loved the colors of Golshifteh Farahani's clothes, and the way they billowed magnificently about her. One of the most beautiful women I have ever seen. Her spirit shines through.
The sex, better said as rape, is more spoken and little shown.There is one frame of Eros though, love making, you'd see in a Fine Arts Museum.
The issue of child brides is a theme, and these girls are given away like chattel. They do not choose this.
Those who do not know how to make love, make war, and that is not just the kind with guns. 10/10
Those little girls were precious, running in the street, in the cellar wile bombs are going off. Been there. Been around men like that too.
Loved the colors of Golshifteh Farahani's clothes, and the way they billowed magnificently about her. One of the most beautiful women I have ever seen. Her spirit shines through.
The sex, better said as rape, is more spoken and little shown.There is one frame of Eros though, love making, you'd see in a Fine Arts Museum.
The issue of child brides is a theme, and these girls are given away like chattel. They do not choose this.
Those who do not know how to make love, make war, and that is not just the kind with guns. 10/10
Awe-inspiringly powerful, The Patience Stone is one of the greatest character films I have ever seen - without a doubt. With immaculate cinematography, camera work and acting, this stands tall as a film I can't describe to be anything other than perfect.
For people form middle east it would be good to know that women are as human as men. For the rest of the world its good to know that human feeling exist the same way even under hijab! The most impressive line is "those who don't know to make love, make war". Golshifteh is a pioneer in breaking the control freak nature of middle eastern culture which I believe is the main factor that underlies sexual complexes and subsequent dysfunction in the layers of society. She, aware or not, is the first person who is putting an end to this. The picture and landscaping is realistic and the motion of the lens is so touchable in alternative induction of life threatening vigilance and peaceful love making moments. Filmography explains the culture for non-afghan viewers pretty digestible.
In a war-torn Muslim nation (that we can presume is Afghanistan) we are introduced to a young woman (Golshifteh Farahani) who is trying to look after her two young daughters whilst their father is lying lifeless on a mattress with a bullet hole in his neck. His colleagues have long deserted them and so she must try - with the help of a nearby aunt (Hassina Burgan) - to keep her family safe whilst nursing her husband as best she can. There are militia everywhere and with him paralysed on the floor, she has to find ingenious ways to try and hide him from their murderous hands. As the days pass, she begins to talk to the man (and us) and that provides for much of the fairly traumatic backstory that sees her exposed to brutality, indifference and negligence since childhood. She also has an encounter with the local commander whom she convinces she sells her body "for the pleasure of men". He is disgusted but seems to have mentioned this to his men as a nervous young man (Massi Mrowat) appears on the doorstep ostensibly just looking to pay for sex but actually he is in need of a great deal more. Vulnerabilities are rife amidst the chaos of war. Gradually, her memories become more descriptive, more explicit and by the conclusion we know much more about her than perhaps she had realised. Is he listening, though? It's most unusual to have an incapacitated man, on death's door, serving as a conduit for a story like this but it works effectively. She tells us a story riddled with persecution - physically and intellectually and once she has opened the floodgates, her resentment pours out. It's not a rant, there's not really that much rancour. It is a measured and rational evaluation of her life and of her treatment by those she loved and who were supposed to care for her in return. It invites us to critique the austerity of her faith, and of her sex's role within that framework, without telling us exactly what to think. Any judgements here are ours. It can get a little repetitive at times but Faharani exudes a sense of intensity that does make this quite a poignant watch.
Universities across the world put forward that humans choose their own partner and marriage, and that everyone is the same as a Western person. Yet we know that this isn't the case.
This film presents the life of an Afghan woman, who is in an arranged marriage, and if he dies, she will simply be married off to one of his brothers. It's an environment where there is no love between husband and wife. The film gives a rare presentation of the lives of women in the non-Western world. It's probably the best film I've seen to do this. Actress Golshifteh Farahani does a great job of presenting the material in a warm and likable fashion.
It's worth watching and thinking about. A little slow, but very well made, scripted and acted. Very watchable.
If you're interested in what life is like for non-Western women, it's definitely worth seeing.
This film presents the life of an Afghan woman, who is in an arranged marriage, and if he dies, she will simply be married off to one of his brothers. It's an environment where there is no love between husband and wife. The film gives a rare presentation of the lives of women in the non-Western world. It's probably the best film I've seen to do this. Actress Golshifteh Farahani does a great job of presenting the material in a warm and likable fashion.
It's worth watching and thinking about. A little slow, but very well made, scripted and acted. Very watchable.
If you're interested in what life is like for non-Western women, it's definitely worth seeing.
क्या आपको पता है
- ट्रिवियाThe official entry of Afghanistan to the Best Foreign Language Film of the 85th Academy Awards 2013.
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Patience Stone?Alexa द्वारा संचालित
विवरण
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,48,671
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $9,361
- 18 अग॰ 2013
- दुनिया भर में सकल
- $6,54,587
- चलने की अवधि1 घंटा 42 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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