Segue Catherine Ravenscroft, una giornalista di documentari televisivi il cui lavoro si basa sul rivelare le trasgressioni di istituzioni da tempo rispettate.Segue Catherine Ravenscroft, una giornalista di documentari televisivi il cui lavoro si basa sul rivelare le trasgressioni di istituzioni da tempo rispettate.Segue Catherine Ravenscroft, una giornalista di documentari televisivi il cui lavoro si basa sul rivelare le trasgressioni di istituzioni da tempo rispettate.
- 2 प्राइमटाइम एमी के लिए नामांकित
- 2 जीत और कुल 24 नामांकन
एपिसोड ब्राउज़ करें
फ़ीचर्ड समीक्षाएं
Some of the negative reviews seem to suggest the good reviews are a "conspiracy", unable to grasp the simple concept that we all have different tastes.
There are plot holes for sure, but the story hits you hard when you realize every character is a despicable human being, and you see the horrible cruelty, ego, and hate that fester in the human psyche. It's well acted, and the story develops impressively.
The 7/10 score reflects the plot holes, all the things that happened between Katherine and Jonathan were only witnessed by them, yet somehow the grieving mother wrote it up as if she saw every moment, and then it just became fact in the show.
But it is powerful, the emotions it instills, the wonderful way you catch yourself feeling sorry for one of the characters, only to realize they are despicable.
Well worth a watch (I am not a bot or an employee of the production company in case any conspiracy theorists are here).....(that's what THEY would say!!)
There are plot holes for sure, but the story hits you hard when you realize every character is a despicable human being, and you see the horrible cruelty, ego, and hate that fester in the human psyche. It's well acted, and the story develops impressively.
The 7/10 score reflects the plot holes, all the things that happened between Katherine and Jonathan were only witnessed by them, yet somehow the grieving mother wrote it up as if she saw every moment, and then it just became fact in the show.
But it is powerful, the emotions it instills, the wonderful way you catch yourself feeling sorry for one of the characters, only to realize they are despicable.
Well worth a watch (I am not a bot or an employee of the production company in case any conspiracy theorists are here).....(that's what THEY would say!!)
After an intriguing start Disclaimer quickly becomes a collection of plotholes and unlikely behaviour, beautifully sown together by a great director. Unfortunately. Cuarón did not only direct the series, but also wrote the scenario. After a few episodes it just becomes annoying to see so many unrealistic events and reactions unfolding.
But as you know there much be some plot twist somewhere you hang in there to the last episode, only to be confronted with not only disturbing events but also a ending that tops all previous episodes in its level of unbelievability.
In contrast, the filming is extremely good. Cuarón knows what he is doing and uses all the tricks in his book to create great looking scenes.
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But as you know there much be some plot twist somewhere you hang in there to the last episode, only to be confronted with not only disturbing events but also a ending that tops all previous episodes in its level of unbelievability.
In contrast, the filming is extremely good. Cuarón knows what he is doing and uses all the tricks in his book to create great looking scenes.
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Dang! I was not aware of the experience I was in for when I started screening this AppleTV+ limited series starring Cate Blanchett and Kevin Kline. "Disclaimer" is based on a novel of the same name by Renée Knight, and it was written for the screen and directed by Alfonso Cuarón. At its core, this is a revenge story. Blanchett stars as Catherine, a journalist whose secrets of her past resurface in an alarming way, causing her to confront that past as it wreaks havoc on her entire life. This was a masterfully told story, taking us along a fascinating journey of discovery as the audience is shown (sometimes in vivid detail) the "events" of Catherine's past. Blanchett, as always, is fantastic in here and Kline puts in a solid performance as well. It was surprising to see Sacha Baron Cohen in a more serious role, but he did it justice. Despite a couple/few minor nitpicks, I highly recommend this series if you like character dramas with some added tension/intrigue. Note: There are some pretty graphic depictions of sex/intimacy shown throughout various episodes. This isn't action-packed, and it did take about half an episode (roughly 30 minutes) before I eventually got "hooked" onto the story. But boy am I glad I stuck around. Video review to come shortly.
A visual interpretation of Renee Knight's novel by the simple genius of Alfonso Cuarón, approaching the material with a pure cinematic sensibility, where after only 2 episodes the viewer is addicted to the mystery within the story structure, revealing thin layers at a time on the darkness of human behaviour with an added tinge of masochistic humor.
The brilliance of the series is in the unusual casting of going against type, starting with Sacha Baron Cohen in a dramatic role as the pompous husband. And to top it all off is Kevin Kline as the conniving former private school teacher who finds a second lease in life with his torturous game of vengeance. Whereas Blanchett fits into any role and does it with abundance, as the actors go full tilt in this artful melodrama.
The brilliance of the series is in the unusual casting of going against type, starting with Sacha Baron Cohen in a dramatic role as the pompous husband. And to top it all off is Kevin Kline as the conniving former private school teacher who finds a second lease in life with his torturous game of vengeance. Whereas Blanchett fits into any role and does it with abundance, as the actors go full tilt in this artful melodrama.
Never read the book, so judging the series as a standalone. The series is way too long, stretched way too much. It was intriguing and mysterious for the first few episodes, but by episode five, I was like, "Oh my god, just conclude it already.". Catherine's silence/constantly being interrupt while trying to tell her side feels like just a plot mechanism to keep the story going. Clearly setting up for a "twist".
The constant, detailed sex scenes are just ew. Literally porn. I don't mind sex scenes, but if I want to watch "detailed" sex scenes that last ten minutes, my first choice for that would not be Apple TV+.
The constant, detailed sex scenes are just ew. Literally porn. I don't mind sex scenes, but if I want to watch "detailed" sex scenes that last ten minutes, my first choice for that would not be Apple TV+.
The 77th Emmys Acting Nominees in Character
The 77th Emmys Acting Nominees in Character
Check out our gallery of the nominees in the leading and supporting acting categories.
क्या आपको पता है
- ट्रिवियाIn a 2024 interview with The Playlist, Alfonso Cuarón spoke about how the 2 lead parts were cast: "When I was writing the screenplay, I thought of Cate Blanchett. I could only see Cate while I was writing. Luckily, Cate got involved in the project very early on. I finished the script and sent it to her. She agreed to do it, and then she became my creative partner. She was part of it, involved in every creative decision we made, all the way through the end of the show, including casting. She was the one who called me once we were discussing who could play Steven. She called and said, 'I'm just walking out of a dinner, and we were laughing and talking about A Fish Called Wanda (1988)' And I instantly said, 'Wait, do you mean Kevin Kline for the part?' She said, 'Yes, Kevin,' and that was how the idea of Kevin came through. So I contacted Kevin, and he was kind of a bit surprised, intrigued, and daunted, but he accepted it. Remember something: Kevin is an American actor, and he was playing a very specific British man, right?"
- गूफ़In multiple episodes, Jonathon uses the same lens throughout the series, a medium length telephoto. Such a lens would be incapable of focusing on close-in subjects such as selfies with Sasha or in the bedroom with Catherine.
- कनेक्शनReferenced in kuji: Lado Kvataniya: Analysis of Mechanisms (2025)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषाएं
- इस रूप में भी जाना जाता है
- Barcha tasodiflar tasodifiy emas
- फ़िल्माने की जगहें
- Forte dei Marmi, Lucca, Tuscany, इटली(location / exteriors - beach scenes)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि49 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.00 : 1
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