Eric

I was reminded of the movie "Harvey" going back many, many years with Jimmy Stewart playing an alcoholic accompanied everywhere by an enormous six foot rabbit named Harvey.

Here we have Vincent, played by Cumberbatch, accompanied by Eric, a monster blue puppet originally imagined by his missing son Edgar.

There are many layers to this story, far too many which is unfortunate as they took away from the central story. Of multi-generational father-son relationships and the concept of monsters lurking underneath them.

I won't get into spoilers, but suffice to say it's all very gripping, showing the under belly of homelessness and corruption in 1980s New York.

A unique ending is satisfying and unexpected if a little too saccharine.

8/10.

The 'Good Day Sunshine' puppet TV show is the successful brain child of creative genius Vincent Anderson (Benedict Cumberbatch). However, though the show has been successful in the 70's the network says it is badly in need of an update. Vincent is a narcissist and control freak, frequently abrasive to all around him, so he is not dealing with this well. Add to this that he is prone to schizophrenia (which his wealthy mother keeps patronising him about - "I think it's time to take your pills again Vincent") and alcoholism and you have the backdrop for the disappearance of his 9 year old son Edgar (Ivan Morris Howe).

Eric is essentially a drama about dealing with the open wound that a missing person (particularly a child) leaves behind. In this respect it is a darkly comic watch because of the juxtaposition of the pain (arguments, anger, profanity, alcoholism) against the child like muppet show style characters. The titular monster muppet Eric (who is reminiscent of 'sully' from Monsters Inc) is the 'Mr Hyde' alter ego of Vincent - imagined by his long suffering son - but manifested (literally) by the father. That's the central contrivance or 'Eric' - and it works well.

At one point the distraught mother, Cassie - brilliantly played by Gabby Hoffman as an emotional wreak - asks a family friend - "What is it about puppets Lenny?" To which he replies "They can say the things that we can't" And that's one of the key themes - using avatars to express the best and worst of our dreams and desires.

Add to this mix uber cool 'lost people' detective Michael Detroit (Belcher) - who rarely gets mad or breaks a smile - but is also strong, handsome and romantically sensitive with his dying partner. However - his investigations seem to move at a snail like pace as he spends most of his time being hounded by grieving parents to do more (or work colleagues to 'get a life / wife').

There are some great 'needle drops' - I won't spoil the surprises but they make you smile and they are well chosen and timed.

I've got to say - this is a promisingly refreshing and creative production. The characters are very well acted and surprisingly three dimensional. Despite its nostalgic 80's setting it has a comic book vibe about it - almost 'super-real'.

The one criticism I do have is that it did seem to me to be a little sluggish in its plot and pacing. I kept coming back for more because the characters and story were so engaging and compelling - but I have to admit, the lack of action was a bit frustrating sometimes. So I think this would have worked better as a four episode series - however - if you can 'go with the slow flow' it really is worth the watch in the end.

Benedict did a phenomenal job acting. Honestly, all the acting was great (even the kid). But there were entire unnecessary scenes that caused the show to feel like it was dragging. The timing was inconsistent, and the direction was weak. I kept thinking, "David Lynch would've done a better job with this." It was watchable, but only in the sense that I could be up doing things around the house or working on other things. It wasn't riveting enough to focus on. There were redeemable elements, like the fact that it represented the 80s more accurately than Stranger Things. Everything really was brown. I would not ever watch this or anything like it again. I'm not sure this was worth being a series, though. Maybe a movie, with all the boring parts cut out. But definitely not a series.

A lot of what's done here is great. The 80's setting is faithfully recreated, from the overly-tagged subway cars to grainy, vintage police station.

For that reason I gave it a 5/10. There is interesting stuff here.

Problem is, you are going to hate almost every character. Most of them are insufferable bleep holes, the main character most of all, and even the puppet is incredibly unlikable.

Will it entertain you? Perhaps.

But go in knowing that this show may well annoy you way more than it entertains you.

I know for some people that's not a huge dealbreaker, but for me, I kind of wish I could get my time back.

It feels like the purpose of this show was to adress as much societal issues as possible, and weave that all into a story.

It adresses; mental illness, addiction, gay discrimination, AIDS neglect, pedosexuality, gentrification, institutional racism, parental neglect and abuse, homelessness, corruption,....and I'm sure I missed a few.

When you strip it down though, to the centre of the storyline, the boy who's missing and what's going on with him, you're left with not a whole lot of substance to that.

Whether you like the show or not, it's strength will have to be working all those societal issues into one show, one story.

For me, I would have liked more substance to central storyline about the boy, and not all the sidesteps to add moral value.

And the show is a bit too long.