Absentia

ABSENTIA marks a refreshing change for the low budget horror genre; there are no lame zombies here or psycho killers torturing their nubile victims. Instead, this is a sweeping, Lovecraftian episode in creeping terror, a subtle production where it's all about what you don't see rather than what you do. There are few clichés or stock jump scenes here, just originality shining through instead.

The entire movie is set around a creepy haunted subway and it's here that the director really shines. Mike Flanagan knows what works when it comes to building a sense of unease and undefined tension on the screen and a wonderfully evocative score really adds to the experience. Some viewers may be put off by the fact that the film's just too subtle in places - it could easily be described as one of those movies where "nothing much happens", like THE BLAIR WITCH PROJECT - but like BLAIR WITCH it knows what it's doing.

There are flaws here, not least a slightly overwrought script and some particularly unsympathetic characters who do little to gain the viewer's sympathy or indeed attention. Courtney Bell is saddled with the most uninteresting part, although at least Katie Parker's character has a little more conflict with her druggie background. Still, ABSENTIA is a film where the characters come a distinct second in comparison to the genuine suspense and fear built up elsewhere. Watch out for a creepy cameo from Doug Jones.

Summary: Mike Flanagan's first horror feature is an effective psychological thriller, packed with surprising moments, good performances and clever scares. 80/100 (B+)

Tricia's husband Daniel has been missing for seven years. Her younger sister Callie comes to live with her as the pressure mounts to finally declare him dead in absentia. As Tricia sifts through the wreckage and tries to move on with her life, Callie finds herself drawn to an ominous tunnel near the house. As she begins to link it to other mysterious disappearances, it becomes clear that Daniel's presumed death might be anything but natural. The ancient force at work in the tunnel might have set its sights on Callie and Tricia... and Daniel might be suffering a fate far worse than death in its grasp. Absentia is a great psychological horror film that will leave you guessing about what was real and what was not. It is a very well done low-budget flick, superbly acted, original and sinister.

Absentia is a strangely original movie. I really liked all of the psychological aspects of it. Flanagan surprises us with a bunch of unexpected scares, and some relentless drama. Also, the acting was quite good. The film does not feel hampered by its extremely low budget ($75,000 US), all of the scares have quality. It is impressive how well this film is directed. The performances were great, and I cared about the characters. If you are a horror fan you should not miss this hidden gem. It is amazing what Flanagan can do with a micro-budget. In spite of a kinda boring musical score, I still loved Absentia. It is one of the most thought-provoking horror films I have seen, it deals with a very moving story that is painfully sad. The ending leaves some questions, but it makes the film even more debatable. (B+)

After enjoying Ouija origin of evil and hush, and after ADORING oculus, i decided to watch some of flanagan's other movies. you can see his raw talent at work in this indy flick. you could definitely feel the low-budget nature of the movie, but you could also feel the clever story-telling and creative scares, not to mention the general sense of dread and suspense. i had a good time with this movie (1 viewing, 3/21/2021)

An early film from Director Mike Flanagan, ABSENTIA is about sisters Tricia (Courtney Bell) and Callie (Catherine Parker). Tricia has finally decided to have her missing husband declared dead in absentia, after 7 years. Unfortunately, it's not that simple, and bizarre circumstances unfold that point to something far more sinister than a disappearance.

Dark, mysterious, and, in spots, terrifying, this low budget film is evidence of what can be accomplished with some imagination and talent. While there are no big special effects, there is a well-written story, as well as great acting from the principal characters.

The strained yet close relationship between Tricia and Callie feels authentic, and their dialogue is natural / unforced. This makes the otherworldly threat they face seem more real, and in the end, more devastating. Ultimately, this is a tale of love and tragic loss, accentuated by horror. There's a tie-in to folklore that helps to flesh things out.

Creepy, disturbing, and satisfying...

This somber yet deeply unsettling film managed to give me the willies even in the less-than-ideal Horrorhound Weekend screening.

Not soon after a pregnant woman (Katie Parker) declares her missing husband (Morgan Peter Brown) legally dead, she begins to having terrifying visions that hint that maybe she spoke too quickly. Writer/director Flanagan pulls off an incredible feat with this film. He manages to reinvent the ghost story, then takes it to an unexpected, even creepier place.

Don't be fooled by the show-burn pacing, because the almost-suffocating tension had me squirming in my seat, forgetting to breathe.

It's been almost a year since I've seen ABSENTIA. What haunts me most is not the disturbing visuals or even the deeply unsettling story line. It's the mood. When I simply think about the title, I hear in my head its stark, two-note funeral organ score and my chest wells up with emotions not usually incurred by watching a horror movie: grief, loss and perhaps the most terrifying of all…the dread of inevitability.

Toss in a pitch perfect cast, including a heart-wrenching cameo from the always delicious Doug Jones, and BOOM! You've got my favorite horror movie of 2011.