Goodbye First Love

one of the best romance movie I've ever seen. it shows a story of an ordinary girl in Paris that her first love had some effect on her. Cammile believes in her love and always says she can't live without love. she's just a 15-year-old girl when finds her love and wants to keep it forever. but, the boy left him and pursue his happiness without her. throughout the movie, we don't hear much dialogs. but the different scenes talk to us about the life of the main character. Cammile is not kinda girl who mingle with different people or be talkative. you can just find out her feelings from her eyes. this movie is good for whom wants to see the real life of people. you cannot expect happen something thrilling or extraordinary from this movie. it just shows us the truth of life. someone may dislike the movie because of the slow pace of the movie. however, this is the feature of this kinda films. the slow pace lets you think about the feelings of the main character at the mean time. it ends in the best way that you can't anticipate it before. everything was natural and I really enjoyed it.

There are some films where while you're watching them you feel like your not watching a film but a real event from a parallel universe where the actors are not actors but real people and you are watching them through a scope that are invisible cameras all around that realm, I felt that in Krzysztof Kieslowski's films and this film is one of them.

A film that takes you to the late 90's and the start of 00's without realizing it was made in 2011.

A love story showcase the viewing angle and the feeling an individual give to another individual, the misunderstanding and how people's feelings to each other are different than what they seem, a proven story that love never dies but it fades as you learn to live with it as you grow stronger and better than ever.

I enjoyed this French drama. Hansen-Love seems very influenced by French New Wave filmmakers, such as Rohmer. The English title is poor since it gives away a plot line. The French title in English is A Love of Youth, or more freely A Teen Romance. It does manage to capture that interesting relationship, however it goes into other directions as well. For those who like indie/ art-house French dramas, Hansen-Love's work is well worth looking into.

(57%) If you close your eyes and imagine a modestly budgeted French film centred around the love and loss of Parisian girl, then this is almost certainly what you'd have in mind. In a very similar form to that of 2013's Blue is the warmest colour, this takes the more realistic route to express itself. So expect lots of scenes in which hardly anything happens, a purposefully plodding pace, and characters that live and breathe more in reality of everyday life rather than the pages of a piece of fiction. The performances are subdued, and the script is penned back keeping everything in the realms of normality which does have its engrossing elements, but it also could make this an unbearable watch for some. After Boyhood went above and beyond to have its lead actor at the same age as the character, while this on the other hand has the issue of Lola Creton looking a bit too old to be 15 at the start of the film, and a bit too young looking to be high-rising architect by the second half. Boyhood really has spoilt us. The relationship at the heart of the film is undoubtedly idyllic, sometimes a little too idyllic, but unlike the better Blue is the warmest colour this isn't as painful to watch when things start to go rough. Fans of realistic romantic drama should give this a look, but those who like explosions and fistfights need not apply.

Mia Hansen-Love comes from a philosophical background, and in my opinion is too clear eyed to indulge in the softer edges of so-called ' first love. ' I think the English translation of the film does it an injustice and ' Un Amour de Jeunesse ' should have remained. ' Goodbye First Love ' borders on a weepy prospect and this cinematic near masterpiece is anything but that. I have seen the film three times and its quiet intensity is overwhelming. The director is looking at her characters and trying, as every thinker does to see where the balances and imbalance of passionate young relationships are. The ' story ' is deceptively simple; Lola Creton plays a teenage girl who believes she has found her lifetime partner, and her passion is idealistic and her cry of ' Romeo ' as her lover enters through her window shows how much she projects on him of being the Shakespearean hero who would give up his life for her. Sebastian Urzendowsky plays her ' Romeo ' but has no intention of giving up anything for her. He loves her in his own romantic way as young men can but it is a romance that hurts him with its demands. There is a brief scene of him lying on a bed face clearly grief stricken at the feelings he is enduring towards her. He knows that despite his passion for her they are both suffering because of it. End of spoilers. Both young actors are good in their roles but somehow I found their names, Camille and Sullivan as too contrived and in their way too literary and this niggled. Visually the film is superb adding beauty to the visual beauty of the two lovers. Fortunately a Danish man comes into the film, and his older time worn face put a harder edge on this young perfection, and without saying why so as not to spoil the impact of his presence he balances a lot out and leads towards what we all call the reality of life. Love showed her intelligence and clear sightedness in not making him an outer ideal. I will watch this film again because it shows how deeply romantic love can scar, and hints that once we have known it we never forget. And that it can sour the rest of our lives. That is my take on this film and others will have less serious feelings about what they have just seen. In short Mia Hansen-Love is one of the finest directors France has, and long will she continue to make cinema that is against the grain of a lot of rubbish that has become a world wide necessity.