Headhunters

Wow. It has been a long time since I've seen a movie this good. The movie tells the story of Roger Brown, a headhunter who also has a side job as an art thief. His latest job goes wrong and things get out of control from there on. If I give any more of the plot, I will spoil the movie for you. And trust me, you don't want that. A big part of what I enjoyed about the movie is watching how crazy things go for Roger.

Apart from the very intelligent story, what really makes the film standout is the character development, especially for the main character Roger Brown played excellently by Aksel Hennie. You start of seeing him one way, but by the end of the movie, your perception of him will definitely change. He goes through a lot (and I mean A LOT) in the movie. While watching the movie I kept thinking, "Man, give this guy a break". The intelligent story has a whole lot of heart as well.

The acting was top notch from the 2 main actors, Aksel Hennie and Nikolaj Coaster-Waldau (who you may know as Jaime Lannister from Game of Thrones). Synnøve Macody Lund who play Roger's wife Diana is beautifully good too. I hope she gets more prominent roles after this.

This is one movie you shouldn't miss. There's a Hollywood version in the making but it would be very hard top this original.

Touted as the next Stieg Larsson (or if you prefer, Norway's answer to Sweden's other major literary export, Henning Mankell), Jo Nesbo's Headhunters had already been earmarked for a (no doubt inferior) US remake before it was even released overseas.

Roger Brown (Aksel Hennie) is a 168cm recruitment consultant with a big house, a beautiful wife and an inferiority complex that drives him to moonlight as an art thief. The prosaically named protagonist is no Thomas Crown - he steals to keep a (wildly overleveraged) roof over his head and only pockets a measly 30% of the revenue from his ill-gotten gains. Even his appearance is counterintuitive - more bug eyed Steve Buscemi than suited and booted Bond. Even so, there's more going on here than meets the eye, but suffice to say that his real troubles start when he decides to go after The Big One - the retirement score that will put an end to his financial troubles and allow him to keep his ridiculously attractive wife in the style to which he's become accustomed.

To say anything more about the plot would be superfluous, but I will take a moment to admire the confidence of the director Morten Tyldum. Headhunters is, in a sense, typically Scandinavian - stark, brooding and with as much silence as dialogue. The style here serves the substance - the camera is often completely immobile, forcing the audience to concentrate on what's going on, a complete contrast to the craftsmanship/gimmickry more typical of glossy mainstream thrillers coming out of the US. Rather than spoonfeeding the audience every single clue, Headhunters isn't afraid to lead the unwitting watcher on a merry dance. Naturally the whole enterprise rests on the small but perfectly formed cast, particularly Hennie, with whom we slowly come to empathise, and the more typically suave Nikolaj Coaster-Waldau as the former exec with a murky past.

If Headhunters has a particular weakness, it's that it spends most of its time descending into increasingly dark (and occasionally graphically violent) territory, while occasionally veering into light hearted caper. This does feel slightly bewildering, but to be honest, it's a relative minor criticism. Headhunters is definitely worth catching (particularly given the woefully slim pickings over the past few months), if not now, then 6 months from now when it premieres on Film Four in the middle of the night. Scandinavians (and cinéastes with a penchant for Northern European film) may be used to this kind of thing, but for the rest of us it's a wonderfully welcome arctic blast through the land's tat filled cinema screens.

Headhunters, based on Jo Nesbo's novel of the same, lived up to all my expectations - even though I am not very keen on thrillers in general. It all started out fairly interesting, although I quickly started to dislike the main character, Roger Brown. His snobbish, very self-confident attitude just put me off. However, to support his lavish lifestyle, he steals art to afford everything for his beloved wife and it all ends in a captivating battle of survival. Soon, he is chased by his rival, Clas Greve, and it seems to be an absolutely hopeless escape as Greve is always just a few steps behind. First, I attended the movie with close attention. But in the end, I didn't even dare to breath properly. A highly-recommended, although too bloody, high-quality thriller for everybody!

Pretty boy Aksel Hennie (ginger beauty on a par with Julian Rhind-Tutt), proves to be well cast in this frantic thriller. Starting as an arrogant self-important but clearly insecure (at just 5'6")office type, he soon shows his coolness in robbing job candidates of their fine art. The story is inventive and translates well to the screen in this version directed by Morten Tyldum. The action soon turns horrifying and Aksel Hennie has the perfect physiognomy to illustrate the change without recourse to words. You really do travel this terrible journey with him and it is truly terrifying. You begin to empathise with a man you have no reason to like, and that is saying something! Thank goodness there is no smell-o-vision as Roger Brown seeks refuge in a cesspool. There's nowhere for him to go and no way of hiding. You do feel he will never survive - and this takes you right to the penultimate scenes. A marvellous tour de force by all involved. Hurrah! A brilliant film at last!

I have seen some plot holes mentioned by other reviewers, but to be honest it won't spoil your viewing of this movie and I could even say that most films ask you for some kind of suspension of disbelief, otherwise you'd never go to the movies.

I really didn't like the protagonist at all at first, but then your sympathy for him grows as he ends up having to do things that he wouldn't dream of in a million years, just to stay alive.

It's all handled very well and moves along at a nice pace. There some particularly black moments when you almost feel guilty about laughing. But this film got a reaction from me, and for me, that's what a well put together film should do.