Downton Abbey

At 19 minutes in I was hooked.

I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.

This is a series where one can become just as addicted.

The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.

As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.

The cast couldn't be better suited for their roles, not one can be called a weak link.

Maggie Smith has a presences all her own, making each of her projects shine.

I am on episode four and can't wait for the remainder.

Once again our cousins across the pond show us "how good drama" can be.

I have to say I loved Downton Abbey, and thought it was one of the better programmes airing this year along with Luther, Sherlock and the stunning Channel 4 drama Mo. Downton Abbey was beautifully produced, well cast and interesting, when it was first advertised it looked as though ITV had a hit and from the first episode I think Downton Abbey lived up to that expectation.

I for one loved how elegant Downton Abbey was. The photography was beautiful and skillful, while the scenery was breathtaking and the costumes were exquisite. The scoring was also very good, often very hypnotic and beautiful. The direction was controlled, the episodes were well paced and for me the characters were believable my favourites being Violet and Robert.

The writing in general was another strength. It was witty in a subtle way, is often funny and could be heart warming and poignant too, the best coming from Violet and Mrs Hughes I felt. The only bit of dialogue that rang false, and this is such a minor criticism, is Robert's "Downton is my third parent and my fourth child" which came across as somewhat cheesy. And the stories were well written and as believable as the characters, not to mention pretty original.

And of course the acting was excellent. Maggie Smith was perfect as Violet. She plays this sort of character well, and she had such good timing and dialogue. Plus I love her in costume. Hugh Bonneville was dashing, and I cannot get over how beautiful Michelle Dockery was here. Jessica Brown-Findlay was also fine as another of my favourite characters Lady Sybil, and Phyllis Logan was always good value though I would love to see more of her if and when the series returns.

In conclusion, Downton Abbey was a wonderful series thanks to the great cast and production values especially and I cannot wait to see more. 10/10 Bethany Cox

I remember the '70s and another Series which was cut more or less in the same parameters as this one, and that was "Usptairs, Downstairs".

This too was a masterpiece of a social study, of the times at the turn between the 19th and early 20th Century.

The only difference was that it was set in a City based household, while "Downton Abbey" is set in the very elegant English countryside.

Both series display the best of British Theatre and Cinema, in terms of production teams, actors, technicians and general staff.

It is absolutely to be considered high quality movie-making, even though meant for the home screen.

Everyone, but everyone, in this series, knows his business and does portray his own character with honesty and truth.

There is no dull moment, due to a skillful editing of scenes that are almost put together like in an elegant dance sequence.

It is a very intelligent show that explores every facet of Society as it was structured (so far, in season 1 and 2), before, during and right after World War I, and as people behaved and felt back on the Homefront, being so detached, yet totally involved with the destinies of those men sent abroad to fight.

It is no melodrama in the classic sense of the word. It is an honest depiction of what people "downstairs and upstairs" went through during those years. The conventions, the rigid rules, the traditions, all changing just in a ten year period and being uprooted and twisted by the new winds of war.

There is something for everybody here. You want a thrilling story? Check! You've got it. You want love and romance? Check! You've got it. You want a social drama? Check! You've got it. You want a war drama? Check! You've got it too.

It's a very human story of all characters on board of this static ship that is "Downton Abbey". As firm as the Rock of Gibraltar one might say. And yet, not so static after all... Lots is happening here, and this, day by day.

Just think of the nightmare to have a sudden dinner invitation. The kitchen is in uproar, serving hands are missing, the masters are nervous, and everything seems to be doomed from the beginning, but then, somehow, everything comes together beautifully, like by magic... Magic? Let's say blood and a lot of sweat...

I started this saying that it was addictive, and indeed it is. AFter an episode is over you immediately want to jump back in and watch the next to see how it goes on.

I only have Seasons 1 and 2 on DVD and I am already asking for the 3rd Season to appear, just to know what happens next.

I simply can't wait... I hope it pops up soon.

DOWNTON ABBEY is the kind of "Masterpiece Theatre" material that the British do with such finesse that one can only sit back and marvel at the sets, costumes, music, and above all, the performances that are all on an extraordinarily high level.

The moment the first series ended, I wanted to see more--so no doubt I'll be ordering my copy of Season 2. Central among the gifted performers are Maggie Smith (as the Dowager Countess Violet), Hugh Bonneville as the Earl of Grantham, and Elizabeth McGovern as Cora, his American wife. But all of the lesser roles are played to perfection with special mention for Brendan Coyle as John Bates, Joanne Froggatt as Ana, Michelle Dockery and Laura Carmichael.

Complicit in schemes involving wicked behavior are two of the downstairs help played brilliantly by Siobhan Finneran and Rob-James Collier as Thomas, both of whom cast a shadow over the household.

The plot has dialog that is always witty and good for a quick chuckle or a gasp of disapproval and the character motivations are all played out in a convincing manner true to each person involved.

Very compelling to view the fluid story unfold with its many sub-plots and shadings of the class warfare that existed in the U.K. then and now.

Absolutely one of the most rewarding and richly satisfying shows from Great Britain that have come along in recent years. The color photography amid location settings create the proper atmosphere for the entire story which takes place just before WWI among a wealthy titled household undergoing some major changes inside the castle walls.

First off i am definitely not the demographics this show was trying to capture. I am a United States Marine and I really don't think the writers had a guy like me in mind. All I can say is I'm so glad I took the time to watch this show. I absolutely loved it and have now watched the series twice. Its not action packed or anything like that. It is all about the writing and the characters. Just brilliant from start to finish and is a show the entire family can watch together. Maggie Smith if you ever read these comments just know you played my favorite character out of any series I've ever watched. You made this show absolutely perfect! If you are debating on whether or not to give this show a try take it from me, you wont want the show to ever end...