20 वीं शताब्दी की शुरुआती दौर में ब्रिटिश अभिजात वर्ग क्रॉली परिवार और उनके नौकरों के जीवन की कहानी को दर्शाती है.20 वीं शताब्दी की शुरुआती दौर में ब्रिटिश अभिजात वर्ग क्रॉली परिवार और उनके नौकरों के जीवन की कहानी को दर्शाती है.20 वीं शताब्दी की शुरुआती दौर में ब्रिटिश अभिजात वर्ग क्रॉली परिवार और उनके नौकरों के जीवन की कहानी को दर्शाती है.
- 15 प्राइमटाइम एमी जीते
- 61 जीत और कुल 231 नामांकन
एपिसोड ब्राउज़ करें
सारांश
Reviewers say 'Downton Abbey' explores class dynamics and historical impacts, similar to 'Upstairs, Downstairs' and 'Brideshead Revisited'. The show is lauded for its detailed settings, lavish costumes, and superb cinematography. Strong performances, especially Maggie Smith's Dowager Countess, enhance its appeal. However, some critics argue it occasionally resorts to soap opera tropes and lacks historical accuracy in certain areas.
फ़ीचर्ड समीक्षाएं
At 19 minutes in I was hooked.
I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.
This is a series where one can become just as addicted.
The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.
As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.
The cast couldn't be better suited for their roles, not one can be called a weak link.
Maggie Smith has a presences all her own, making each of her projects shine.
I am on episode four and can't wait for the remainder.
Once again our cousins across the pond show us "how good drama" can be.
I remember when Lady Marjorie Bellamy of Upstairs, Downstairs died on the Titanic and the impact it had on my family. We felt this because of the investment we had made in the series.
This is a series where one can become just as addicted.
The lives and loves of the Grantham and the Crawly family are well-written and performed beautifully. The castle and the grounds a pleasure to look at, as are the costumes of the time.
As Elizabeth McGovern and I are equal in age, and I have grown up watching her on the silver screen, hers was a warming and dignified touchstone for me personally.
The cast couldn't be better suited for their roles, not one can be called a weak link.
Maggie Smith has a presences all her own, making each of her projects shine.
I am on episode four and can't wait for the remainder.
Once again our cousins across the pond show us "how good drama" can be.
First off i am definitely not the demographics this show was trying to capture. I am a United States Marine and I really don't think the writers had a guy like me in mind. All I can say is I'm so glad I took the time to watch this show. I absolutely loved it and have now watched the series twice. Its not action packed or anything like that. It is all about the writing and the characters. Just brilliant from start to finish and is a show the entire family can watch together. Maggie Smith if you ever read these comments just know you played my favorite character out of any series I've ever watched. You made this show absolutely perfect! If you are debating on whether or not to give this show a try take it from me, you wont want the show to ever end...
I can't hold this back. I enjoyed every moment Maggie Smith was on scene. I was a bit sceptical in the beginning, but her performance is simply stellar. I laughed out loud alone at home watching her unique moments in the show. This is simply not comparable to anything I saw before in any other shows or movies. She is a treasure.
DOWNTON ABBEY is the kind of "Masterpiece Theatre" material that the British do with such finesse that one can only sit back and marvel at the sets, costumes, music, and above all, the performances that are all on an extraordinarily high level.
The moment the first series ended, I wanted to see more--so no doubt I'll be ordering my copy of Season 2. Central among the gifted performers are Maggie Smith (as the Dowager Countess Violet), Hugh Bonneville as the Earl of Grantham, and Elizabeth McGovern as Cora, his American wife. But all of the lesser roles are played to perfection with special mention for Brendan Coyle as John Bates, Joanne Froggatt as Ana, Michelle Dockery and Laura Carmichael.
Complicit in schemes involving wicked behavior are two of the downstairs help played brilliantly by Siobhan Finneran and Rob-James Collier as Thomas, both of whom cast a shadow over the household.
The plot has dialog that is always witty and good for a quick chuckle or a gasp of disapproval and the character motivations are all played out in a convincing manner true to each person involved.
Very compelling to view the fluid story unfold with its many sub-plots and shadings of the class warfare that existed in the U.K. then and now.
Absolutely one of the most rewarding and richly satisfying shows from Great Britain that have come along in recent years. The color photography amid location settings create the proper atmosphere for the entire story which takes place just before WWI among a wealthy titled household undergoing some major changes inside the castle walls.
The moment the first series ended, I wanted to see more--so no doubt I'll be ordering my copy of Season 2. Central among the gifted performers are Maggie Smith (as the Dowager Countess Violet), Hugh Bonneville as the Earl of Grantham, and Elizabeth McGovern as Cora, his American wife. But all of the lesser roles are played to perfection with special mention for Brendan Coyle as John Bates, Joanne Froggatt as Ana, Michelle Dockery and Laura Carmichael.
Complicit in schemes involving wicked behavior are two of the downstairs help played brilliantly by Siobhan Finneran and Rob-James Collier as Thomas, both of whom cast a shadow over the household.
The plot has dialog that is always witty and good for a quick chuckle or a gasp of disapproval and the character motivations are all played out in a convincing manner true to each person involved.
Very compelling to view the fluid story unfold with its many sub-plots and shadings of the class warfare that existed in the U.K. then and now.
Absolutely one of the most rewarding and richly satisfying shows from Great Britain that have come along in recent years. The color photography amid location settings create the proper atmosphere for the entire story which takes place just before WWI among a wealthy titled household undergoing some major changes inside the castle walls.
What can i say? Since I saw the first season I've been an unconditional fan of Downton Abbey. I think it's one of the most historically accurate and refined series of recent years.
Over the course of six seasons, we have been following the life and adventures of the Crawley family, which has lived in Downton Abbey for generations. We also follow the lives of house servants, with all their quarrels, ambitions to rise in life, and leave behind service in the big house. And it is rare to find a series with as much respect and appreciation for historical rigor as it has shown over the six seasons. An enormous effort has been made to make real the historical period in which everything happens, which does not exceed fifteen years (1912-1926). A short time span between the six to seven years the show aired, which allowed the cast's natural aging to dispense with make-up gimmicks to forge the characters' aging.
The script, created and written by Julian Fellowes, is interesting and covers well hot topics from that historical period: the sinking of the Titanic, the First World War, the political turn of Russia, the rise of Nazism, the emancipation of women, the loss of influence of aristocratic families etc. We can really see how all this has changed society, political life, mentality. We felt transported to that time to see how this noble family had a way of life threatened with extinction by the rapid advancement of time. Serious themes, in fact, but lightly approached and with room for moments of perfectly British humor, in charge of strong characters like Violet, who is against everything modern, and Mrs. Pattmore, always with a sharp tongue. There are no villains here ... despite some classic antagonists appearing in certain seasons (such as Bates's ex-wife) the one who comes closest to a villain is first footman Thomas Barrow, although last season be a true redemption for the character. In addition to it, we have some situations where generally good or neutral characters antagonize each other. This is the case of the Crawley sisters, where rivalry and mutual grudge prevail, while blood ties unite them, or Violet and Isobel, who cherish mutual love and hatred.
The cast is excellent and congratulations. Maggie Smith, a veteran, never disappoints us by impersonating the perfect Victorian lady. Hugh Bonneville was perfect in the role of Robert. Laura Carmichael and Michelle Dockery are amazing in the roles of the Crawley sisters. Jim Carter is the perfect butler and makes a great pair with Phyllis Logan. A word of appreciation, too, for Elizabeth McGovern, Jessica Findlay, Brendan Coyle, Joanne Froggatt, Robert James-Collier, Sophie McShera, Lesley Nicol, Penelope Wilton, Kevin Doyle, Siobhan Finneran, Dan Stevens, Lily James, Jeremy Swift, Sue Johnston and Zoe Boyle.
With sleek production and smooth photography, magnificent scenery (Highclere Castle's choice was very wise and made the house an additional character to the plot, which proves that I am right when advocating location shooting rather than abusive use of the green screen Downton Abbey is a true time machine. Grand, magnificent, it is certainly one of the best period television series of this decade.
Over the course of six seasons, we have been following the life and adventures of the Crawley family, which has lived in Downton Abbey for generations. We also follow the lives of house servants, with all their quarrels, ambitions to rise in life, and leave behind service in the big house. And it is rare to find a series with as much respect and appreciation for historical rigor as it has shown over the six seasons. An enormous effort has been made to make real the historical period in which everything happens, which does not exceed fifteen years (1912-1926). A short time span between the six to seven years the show aired, which allowed the cast's natural aging to dispense with make-up gimmicks to forge the characters' aging.
The script, created and written by Julian Fellowes, is interesting and covers well hot topics from that historical period: the sinking of the Titanic, the First World War, the political turn of Russia, the rise of Nazism, the emancipation of women, the loss of influence of aristocratic families etc. We can really see how all this has changed society, political life, mentality. We felt transported to that time to see how this noble family had a way of life threatened with extinction by the rapid advancement of time. Serious themes, in fact, but lightly approached and with room for moments of perfectly British humor, in charge of strong characters like Violet, who is against everything modern, and Mrs. Pattmore, always with a sharp tongue. There are no villains here ... despite some classic antagonists appearing in certain seasons (such as Bates's ex-wife) the one who comes closest to a villain is first footman Thomas Barrow, although last season be a true redemption for the character. In addition to it, we have some situations where generally good or neutral characters antagonize each other. This is the case of the Crawley sisters, where rivalry and mutual grudge prevail, while blood ties unite them, or Violet and Isobel, who cherish mutual love and hatred.
The cast is excellent and congratulations. Maggie Smith, a veteran, never disappoints us by impersonating the perfect Victorian lady. Hugh Bonneville was perfect in the role of Robert. Laura Carmichael and Michelle Dockery are amazing in the roles of the Crawley sisters. Jim Carter is the perfect butler and makes a great pair with Phyllis Logan. A word of appreciation, too, for Elizabeth McGovern, Jessica Findlay, Brendan Coyle, Joanne Froggatt, Robert James-Collier, Sophie McShera, Lesley Nicol, Penelope Wilton, Kevin Doyle, Siobhan Finneran, Dan Stevens, Lily James, Jeremy Swift, Sue Johnston and Zoe Boyle.
With sleek production and smooth photography, magnificent scenery (Highclere Castle's choice was very wise and made the house an additional character to the plot, which proves that I am right when advocating location shooting rather than abusive use of the green screen Downton Abbey is a true time machine. Grand, magnificent, it is certainly one of the best period television series of this decade.
क्या आपको पता है
- ट्रिवियाCast members of the show have revealed that the costumes are, in many cases, actual articles of clothing from the 1910s and 1920s. They are so fragile that they cannot be laundered, and as a result, don't smell very good.
- गूफ़In episodes showing a Christmas tree inside Downton Abbey, classy all-white Christmas lights with tiny raisin-sized bulbs are lit; however, these impressive lights didn't appear for sale until the late 1960s and early 1970s. In the series' historical period, the smallest bulbs available were Mazda Lights, which are golf ball-sized.
- भाव
Mrs. Patmore: I'll have no swear words in here, thank you very much. Unless I'm doing the swearing.
- कनेक्शनFeatured in Breakfast: 24 सितम्बर 2010 को प्रसारित एपिसोड (2010)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Masterpiece Classic
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि1 घंटा
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
- 16:9 HD
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें