Frank

Frank is probably the hardest film that I have ever watched to describe to someone who has never watched it. After viewing I had literally nothing to say. This is because it was a truly excellent watch.

I was initially attracted to 'Frank' by its strange and wacky trailer with promised an insane black comedy.

The first hour of Frank delivers on this completely and it is hugely entertaining. Some of the funniest scenes that I've seen at the cinema this year. This in my mind is properly revised comedy, until the film which is currently sitting at the top of the box office charts 'bad neighbours.' Anyways i digress.

During the last portion of the film there is a massive shift in the films tone, which could have easily been extremely jarring for the viewer but it is delivered in such a way that it only seems natural. This is when I decided that I did truly love the film. Not only was i capable of making me laugh but then also then to look at the more serious end of the coin.

I don't think that 'Frank' will make anywhere near as much money as some of the larger blockbuster which came out this week, but I done believe that it will linger in the memory of those who watch it. I can almost guarantee that Frank will become a cult classic over time.

(Also the soundtrack is bloody brilliant)

-What happened to Frank? -Something must have happened to make him like that. -Nothing happened to him. He's got a mental illness. -The torment he went through...to make the great musc. -The torment didn't make the music. He was always musical. If anything, it solwed him down. ---

The movie has engaging, funny and moving.It also made me jump more than any horror movie ever has. It has some wonderful scenes that made me laugh out loud and the direction is just beautiful with some truly clever touches. The comedy is effortless, the dialogue is smart but not pretentious, the performances are elegant and understated. Fassbender is great and the head thing really works for him Frank is a hard film to easily define and although it manages to remain on the right side of upbeat with plenty of laughs it does gently broach issues revolving around mental health. The exploits of the band trying to make a album touch on notions of artistic endeavour, originality and the sphere that songwriters and musicians have to encounter in trying to be creative

Funny, endearing movie led with a strange, flinty charm by Domhnall Gleeson, and expertly directed by Lenny Abrahamson. Within what is fundamentally a straightforward story, a lot of themes are packed - artistic credibility, the easy triumph of mediocrity, the nature of identity and individuality. And there are more. Too many, really.

The writers are keen to maintain a light tone, as if wary that the heavier themes might weigh us all down too much. Fortunately they have two major, definitely not mediocre, talents on hand to maintain the required balance: Michael Fassbender and Maggie Gyllenhaal, who are both amazing. For Fassbender in particular there needs to be a special award for succeeding in being intensely moving whilst wearing a false head.

So although the movie as a whole doesn't quite add up to more than the sum of its parts, it is nonetheless a wonderfully quirky, often hilarious, strangely touching piece of work. Well worth seeing and supporting.

Greetings again from the darkness. Most movies fit pretty easily into a genre: drama, comedy, action, etc. This latest from film festival favorite Lenny Abrahamson is tough to classify. It begins with silly and funny inner-dialogue from an aspiring musician/songwriter (Domhnall Gleeson), transitions into a dark dramady with complex characters and dialogue, and finishes as a bleak statement on mental illness and the music business.

That's more than I would typically disclose, but some have described the film as an outright comedy and I find that unconcsionable. If you are expecting a laugh riot, you will not only be disappointed, but are likely to miss the unique perspective provided.

The screenplay is written by "The Men Who Stare at Goats" collaborators Jon Ronson and Peter Straughan. Clearly inspired by the late British comedian and musician Chris Sievey (and his character Frank Sidebottom), Mr. Ronson's work with Mr. Sievey is the driving force. It's also the reason Gleeson's character is emphasized over Michael Fassbender's titular character who dons the paper mache head for the bulk of the movie. This script decision probably keeps the film from being truly great.

The exceptional and attention-grabbing first 15 minutes set up a movie that dissolves into an exploration of the creative process within mental illness ... Franks states numerous times that he has a certificate (certifiable). There is also an ongoing battle between art and commerce, as waged by Maggie Gyllenhaal's character and that of Gleeson. Social Media power is on full display as this avant-garde performance art band gathers a huge following prior to ever really producing any music.

Without seeing Frank's facial expressions, we witness his transformation from mystic/guru to an unstable and socially uncomfortable dude striving for likability, but unsure what the term really means. Must artists suffer for their art? Why does society latch onto the newest social media gimmick? What is creative success and why are so many afraid of it? The film begs these and other unanswerable questions. Certainly interesting, but definitely not 90 minutes of laughter.