एक परिवार अपने कोमा में गए हुए बच्चे को बुरी आत्माओं से बचाता है.एक परिवार अपने कोमा में गए हुए बच्चे को बुरी आत्माओं से बचाता है.एक परिवार अपने कोमा में गए हुए बच्चे को बुरी आत्माओं से बचाता है.
- पुरस्कार
- 8 जीत और कुल 16 नामांकन
Kelly Hitman
- Doll Girl #1
- (as Kelly Devoto)
Brynn Bowie
- Kali Lambert
- (बिना क्रेडिट के)
Madison Bowie
- Kali Lambert
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
The film Insidious has done something many horror movies have failed to do recently, and that is to be scary.
Insidious has a lot of really intense moments that scare, and then grab hold of you. Its not entirely made up of "make you jump" scenes, which it does have, but scenes with genuine horror.
Insidious has taken a risk with doing something original, and It works here for them. Without giving anything away the movie does not just talk about whats scary, or show the the aftermath of something going on in a room that you can only hear until its over and the door magically unlocks. Insidious shows you whats scary, and quite often reminds you whats there, and waiting in the dark.
Insidious has a lot of really intense moments that scare, and then grab hold of you. Its not entirely made up of "make you jump" scenes, which it does have, but scenes with genuine horror.
Insidious has taken a risk with doing something original, and It works here for them. Without giving anything away the movie does not just talk about whats scary, or show the the aftermath of something going on in a room that you can only hear until its over and the door magically unlocks. Insidious shows you whats scary, and quite often reminds you whats there, and waiting in the dark.
Insidious is the third film in my (reverse order) mini-marathon of James Wan horrors after Malignant (which I loved) and The Conjuring (which I hated). It starts off as basically the same film as the latter: Renai (Rose Byrne) and Josh (Patrick Wilson) are a young couple with small children that has recently moved into a new home, when one morning, their oldest son Dalton doesn't seem to wake up. Turns out he's in a "sort-of coma" (it's unlike anything the doctors have ever seen!). When other weird stuff starts to happen around the house (old-timey children running around, things moving around on their own, banging on doors at night etc.), Renai starts to become convinced that their new home is being haunted by malevolent presences. And unlike your average horror movie protagonists, the family doesn't ignore the obvious signs and actually moves houses. But when the problems don't stop after they have moved, they call in the help of two young ghostbusters and, later on, a psychic called Elise. Stop me if you've heard this before.
But this is where Insidious starts to diverge from The Conjuring (I know it was released before that film, but I watched them in reverse order). My biggest problem with The Conjuring was that it uses the "based on a true story" angle to legitimize its horrors. It tries very hard to claim its paranormal phenomena as being of this world, by using a "real life case" of "real life paranormal investigators" Ed and Lorraine Warren. And the more deadly serious it got in its treatment of the paranormal, the more ridiculous (and less scary) I found the whole thing to be. Insidious, on the other hand, makes no attempt to claim its supernatural presences as part of our world. An explanation for the strange occurrences that have been happening to the Lambert family is offered by Elise, in which esoteric phenomena like astral projection and out-of-body experiences are mentioned as well as another dimension occupied by spirits and demons ("The Further"). It's a very exposition-heavy few minutes and of course it's all silly nonsense, but at least it's original and fun and it firmly sets the film in its own fictional universe where we gladly suspend our disbelief and accept that anything can happen.
A detail that I liked is that we don't have to go through the tedious business of the protagonists doubting each other or the imminent danger itself. When Renai tells her husband that she can feel the evil presences in their new home, Josh is initially skeptic, but just a few minutes later (after a particularly eventful night) the family are seen moving houses. Again when Elise explains her theory about Dalton being trapped in the Further: Josh's (very normal) first reaction is to call her out for being dangerous and exploitative (as one would), but after being confronted with a piece of evidence (one of his son's drawings that is a bit too specific to ignore) he is quickly persuaded.
Ultimately, Insidious' main goal is to scare the bejesus out of you and it absolutely achieves that. From the opening credits scene (which I really liked) the filmmakers do a good job of establishing a creeping sense of dread that slowly gets under your skin, balanced with some more classical jump scares. While I rolled my eyes at the abundance of clichés in The Conjuring, even these more "traditional" scares in Insidious just worked for me. Then there's the intense finale, which may run just a bit too long, but is extremely unnerving anyway. The whole set piece inside the Further is a beautifully realized nightmare, with some seriously creepy imagery that gives this dark realm an appropriately surreal feel.
In summary, Insidious is an entertaining horror film by James Wan that doesn't reinvent the genre, but offers an original twist on the classic haunted house story. It does a good job of building its own world, while maintaining a tense atmosphere throughout and sporadically making you jump out of your seat. The film thankfully avoids annoying horror movie clichés to extend its plot, like the protagonists who are oblivious to the dangers around them. Finally, there's a satisfying (if slightly overlong) climax, in which some indelible images are exhibited that'll be burned into my retinas for some time to come. Overall, I'd still rate Malignant higher: that film just went completely balls to the wall, which made it ridiculously enjoyable to me. And although this film certainly doesn't look bad, the cinematography of the former was even better in my opinion. But I definitely liked Insidious a whole lot better than The Conjuring, which was completely unoriginal, took itself way too seriously and didn't manage to entertain or scare me at all.
But this is where Insidious starts to diverge from The Conjuring (I know it was released before that film, but I watched them in reverse order). My biggest problem with The Conjuring was that it uses the "based on a true story" angle to legitimize its horrors. It tries very hard to claim its paranormal phenomena as being of this world, by using a "real life case" of "real life paranormal investigators" Ed and Lorraine Warren. And the more deadly serious it got in its treatment of the paranormal, the more ridiculous (and less scary) I found the whole thing to be. Insidious, on the other hand, makes no attempt to claim its supernatural presences as part of our world. An explanation for the strange occurrences that have been happening to the Lambert family is offered by Elise, in which esoteric phenomena like astral projection and out-of-body experiences are mentioned as well as another dimension occupied by spirits and demons ("The Further"). It's a very exposition-heavy few minutes and of course it's all silly nonsense, but at least it's original and fun and it firmly sets the film in its own fictional universe where we gladly suspend our disbelief and accept that anything can happen.
A detail that I liked is that we don't have to go through the tedious business of the protagonists doubting each other or the imminent danger itself. When Renai tells her husband that she can feel the evil presences in their new home, Josh is initially skeptic, but just a few minutes later (after a particularly eventful night) the family are seen moving houses. Again when Elise explains her theory about Dalton being trapped in the Further: Josh's (very normal) first reaction is to call her out for being dangerous and exploitative (as one would), but after being confronted with a piece of evidence (one of his son's drawings that is a bit too specific to ignore) he is quickly persuaded.
Ultimately, Insidious' main goal is to scare the bejesus out of you and it absolutely achieves that. From the opening credits scene (which I really liked) the filmmakers do a good job of establishing a creeping sense of dread that slowly gets under your skin, balanced with some more classical jump scares. While I rolled my eyes at the abundance of clichés in The Conjuring, even these more "traditional" scares in Insidious just worked for me. Then there's the intense finale, which may run just a bit too long, but is extremely unnerving anyway. The whole set piece inside the Further is a beautifully realized nightmare, with some seriously creepy imagery that gives this dark realm an appropriately surreal feel.
In summary, Insidious is an entertaining horror film by James Wan that doesn't reinvent the genre, but offers an original twist on the classic haunted house story. It does a good job of building its own world, while maintaining a tense atmosphere throughout and sporadically making you jump out of your seat. The film thankfully avoids annoying horror movie clichés to extend its plot, like the protagonists who are oblivious to the dangers around them. Finally, there's a satisfying (if slightly overlong) climax, in which some indelible images are exhibited that'll be burned into my retinas for some time to come. Overall, I'd still rate Malignant higher: that film just went completely balls to the wall, which made it ridiculously enjoyable to me. And although this film certainly doesn't look bad, the cinematography of the former was even better in my opinion. But I definitely liked Insidious a whole lot better than The Conjuring, which was completely unoriginal, took itself way too seriously and didn't manage to entertain or scare me at all.
INSIDIOUS is yet another one of those Hollywood ghost stories involving a possessed child. It follows a predictable format, with minor, isolated incidents gradually giving way to larger-scale, more pronounced apparitions and events before culminating in a full-scale onslaught of evil. And it's all rather silly.
I enjoyed the first half of the movie. It's here where things are kept subtle and straightforward, with effectively creepy scare scenes and half-glimpsed figures spotted lurking in darkened rooms. So far, so good. But around the halfway mark, the film introduces a trio of paranormal investigators and things quickly descent into POLTERGEIST-style farce.
The problem with depictions of a hellish limbo or netherworld is that, in order to make something scary, you have to pretty much identify with the different fears of each viewer. Sorry, but I don't find tussles with greasy-looking hobos and Darth Maul from THE PHANTOM MENACE to be particularly frightening; in fact, there's something pantomime about the whole thing.
The actors, including the dependable Rose Byrne and Patrick Wilson, do their best but at times in the latter stages they seem to struggle to keep a straight face while the ludicrous events increase in scale and speed. It's a shame that the whole thing goes to pot, because if it had been handled more sensitively (and with less sensationalism) by the team behind the SAW franchise then it could well have worked much better.
I enjoyed the first half of the movie. It's here where things are kept subtle and straightforward, with effectively creepy scare scenes and half-glimpsed figures spotted lurking in darkened rooms. So far, so good. But around the halfway mark, the film introduces a trio of paranormal investigators and things quickly descent into POLTERGEIST-style farce.
The problem with depictions of a hellish limbo or netherworld is that, in order to make something scary, you have to pretty much identify with the different fears of each viewer. Sorry, but I don't find tussles with greasy-looking hobos and Darth Maul from THE PHANTOM MENACE to be particularly frightening; in fact, there's something pantomime about the whole thing.
The actors, including the dependable Rose Byrne and Patrick Wilson, do their best but at times in the latter stages they seem to struggle to keep a straight face while the ludicrous events increase in scale and speed. It's a shame that the whole thing goes to pot, because if it had been handled more sensitively (and with less sensationalism) by the team behind the SAW franchise then it could well have worked much better.
Insidious is totally in my list of favourite horror movie. I will not say that this will be the greatest horror movie ever but the cinematography is great and makes the whole mundane plot seems interesting and manage to crap the hell out of me.
I hate it when some so-called horror movies use old cheap tricks like the creepy music or sound effects to compensate their poor performance. I watched many scary movies and Insidious is the one that really made it sound and seems so real that it allows audience relate to it. I was expecting to see some people died in horrible way where their guts and bloods are everywhere and floor splashed with red tomato juices. You'll never have to see that kind of scene in here, they keep it as close as possible for you to relate in your real life and in your room while you are struggling to sleep.
I hate it when some so-called horror movies use old cheap tricks like the creepy music or sound effects to compensate their poor performance. I watched many scary movies and Insidious is the one that really made it sound and seems so real that it allows audience relate to it. I was expecting to see some people died in horrible way where their guts and bloods are everywhere and floor splashed with red tomato juices. You'll never have to see that kind of scene in here, they keep it as close as possible for you to relate in your real life and in your room while you are struggling to sleep.
When I first saw a preview for this movie, I knew it looked like it had potential. It had been a while since I saw a decent scary movie so I was looking forward to it. I went into it expecting some scares but nothing too bad. Wrong. This movie scared me out of my wits. I don't think I have ever jumped more during any other scary movie. The audience was spooked too. I saw many other people jumping out of their seats and even heard a few actual screams.
What I loved about this movie was that it actually tries to scare you, not gross you out. The images are frightening for sure. Insidious doesn't waste any time trying to creep you out. The scares already start with the opening credits. I sure was not expecting this to be one of the scariest movies i've seen but it lives up to that. That being said, I don't think I'd have the guts to see it again!
What I loved about this movie was that it actually tries to scare you, not gross you out. The images are frightening for sure. Insidious doesn't waste any time trying to creep you out. The scares already start with the opening credits. I sure was not expecting this to be one of the scariest movies i've seen but it lives up to that. That being said, I don't think I'd have the guts to see it again!
क्या आपको पता है
- ट्रिवियाThe film was shot in just three weeks.
- गूफ़(at around 14 mins) At the beginning when Dalton falls, after trying to turn the light on, Josh runs up to go see if he is okay. When Josh is sitting on the couch playing with his newborn his shirt is untucked, unbuttoned, and he has no tie on. When Josh reaches Dalton to pick him up, his shirt is tucked, buttoned, and has a tie on.
- भाव
Foster Lambert: I'm scared, Mom.
Renai Lambert: Scared of what?
Foster Lambert: Dalton. Can I change rooms?
Renai Lambert: Why would you want to change rooms?
Foster Lambert: I don't like when he walks around at night.
- क्रेज़ी क्रेडिटAfter the credits finish rolling, Philip Friedman as the Old Woman blows out his/her candle.
- कनेक्शनEdited into Diminishing Returns: Diminishing Returns Are Dead (2022)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Insidious?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- La noche del demonio
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $15,00,000(अनुमानित)
- US और कनाडा में सकल
- $5,40,09,150
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $1,32,71,464
- 3 अप्रैल 2011
- दुनिया भर में सकल
- $10,01,06,454
- चलने की अवधि
- 1 घं 43 मि(103 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.35 : 1
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