अपनी भाषा में प्लॉट जोड़ेंAfter she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for an... सभी पढ़ेंAfter she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.After she inherits an Italian restaurant in Brooklyn, manager Amy teams up with a blacklisted master chef looking for a second chance. They discover that the most important ingredient for any recipe is always love.
- पुरस्कार
- 2 कुल नामांकन
फ़ीचर्ड समीक्षाएं
Films centered around food and the culinary world is not a new thing for Hallmark, but there are plenty of their films that did this setting and concept really well in an entertaining and easy to relate to manner. Despite not being novel, the idea for 'Welcome to Mama's' was a lovely one and had real potential to be light hearted and heart-warming. Which has been the case with most of the previous 2022 Hallmark films (though there have already been stinkers), even with the serious-themed ones.
'Welcome to Mama's' just didn't come together properly for me. It was not the light hearted and heart-warming film it intended to be, or at least certainly to begin with it wasn't, and was a case of having the right ingredients but not using them very well and not doing enough with them. There are good things and it is not the worst 2022 Hallmark film up to this point, that's between 'Cut, Color and Murder' and 'Butlers in Love' with 'Where the Heart Belongs' not far off. But it is no 'North to Home', 'The Wedding Veil' or 'Presence of Love'. Of the three Loveuary films, 'Welcome to Mama's' is the weakest.
Am going to begin with the good. Lorraine Bracco brings some welcome zest whenever she appears and, while not liking his character to begin, Daniel DiTomasso does easy going charm very well and always looked natural.
The production values also look lovely, loved the look of the setting and it is a nicely shot film. The momentum does pick up a little going into the final third and it was nice seeing some Italian culture.
Melanie Scrofano however didn't do it for me, she is very stiff throughout and it didn't look as though her heart was in it. She and DiTomasso agreed do not have any spark together and come over as too antagonistic towards each other and both characters are sketchily developed. While disliking his character at first, coming over as a jerk, his character at least grew and relaxed, but Scrofano's did not making her a lot more difficult to warm to. The cast chemistry is disconnected and the direction feels very routine throughout.
Did find the dialogue very awkward sounding and cheesy throughout and the banter is overused and goes too far on the hostility that it becomes mean spirited. The story is dull (especially the first act which was a slog in almost every way) and predictable and the charm and heart are not there. Also found that it took itself too seriously for any light hearted-ness to come through and the conflict is very contrived and phony. The ending felt too pat.
Overall, lacklustre. 4/10.
'Welcome to Mama's' just didn't come together properly for me. It was not the light hearted and heart-warming film it intended to be, or at least certainly to begin with it wasn't, and was a case of having the right ingredients but not using them very well and not doing enough with them. There are good things and it is not the worst 2022 Hallmark film up to this point, that's between 'Cut, Color and Murder' and 'Butlers in Love' with 'Where the Heart Belongs' not far off. But it is no 'North to Home', 'The Wedding Veil' or 'Presence of Love'. Of the three Loveuary films, 'Welcome to Mama's' is the weakest.
Am going to begin with the good. Lorraine Bracco brings some welcome zest whenever she appears and, while not liking his character to begin, Daniel DiTomasso does easy going charm very well and always looked natural.
The production values also look lovely, loved the look of the setting and it is a nicely shot film. The momentum does pick up a little going into the final third and it was nice seeing some Italian culture.
Melanie Scrofano however didn't do it for me, she is very stiff throughout and it didn't look as though her heart was in it. She and DiTomasso agreed do not have any spark together and come over as too antagonistic towards each other and both characters are sketchily developed. While disliking his character at first, coming over as a jerk, his character at least grew and relaxed, but Scrofano's did not making her a lot more difficult to warm to. The cast chemistry is disconnected and the direction feels very routine throughout.
Did find the dialogue very awkward sounding and cheesy throughout and the banter is overused and goes too far on the hostility that it becomes mean spirited. The story is dull (especially the first act which was a slog in almost every way) and predictable and the charm and heart are not there. Also found that it took itself too seriously for any light hearted-ness to come through and the conflict is very contrived and phony. The ending felt too pat.
Overall, lacklustre. 4/10.
This is a sweet heartwarming story about the origin of an Italian American restaurant in New Jersey. The restaurant is called Mama's and as you can imagine the story starts with Mama and Papa. The contemporary story is about Frank and Amy...Amy who Mama thought of as a granddaughter inherits the restaurant when Mama dies and that is when she meets Frank the current chef at Mama's.
The story is a bit about taking in strays, creating a family, about trust, compromise and taking a chance on someone as a way to spread the love.
My favorite nugget is about writing a letter to someone and how precious that can really be.
This was a little different for a hallmark film, less emphasis on the wooing and more emphasis an the living, just being...and on friendship.
The story is a bit about taking in strays, creating a family, about trust, compromise and taking a chance on someone as a way to spread the love.
My favorite nugget is about writing a letter to someone and how precious that can really be.
This was a little different for a hallmark film, less emphasis on the wooing and more emphasis an the living, just being...and on friendship.
I really enjoyed the story line. This film truly had great potential!
But, I felt that Melanie Scrofano (Amy) held back the quality of this film.
It had great potential, but she did not appear to be "into" this film, which is too bad, since it had potential to get a 9 rating from me. Her acting did not appear to be genuine. She seemed to simply make statements. Her body language including facial expressions did not match her statements.
The transitioning back and forth from the origins of Mama's to now, could have been done so that it was easier to follow ... perhaps not as many transitions with longer sessions so that the original mama and papa could be clearly seen and understood. Eg: When did papa disappear? What happened to him? When did Amy leave Mama's? Etc.
Unlike what some reviewers had stated about Daniel di Tomasso (Frank Rossi), I felt that he played his part well. More details about the transition and blending of both he and Melanie (Amy) should have been included to better display how they bettered the new Mama's and how their romantic relationship grew.
But, I felt that Melanie Scrofano (Amy) held back the quality of this film.
It had great potential, but she did not appear to be "into" this film, which is too bad, since it had potential to get a 9 rating from me. Her acting did not appear to be genuine. She seemed to simply make statements. Her body language including facial expressions did not match her statements.
The transitioning back and forth from the origins of Mama's to now, could have been done so that it was easier to follow ... perhaps not as many transitions with longer sessions so that the original mama and papa could be clearly seen and understood. Eg: When did papa disappear? What happened to him? When did Amy leave Mama's? Etc.
Unlike what some reviewers had stated about Daniel di Tomasso (Frank Rossi), I felt that he played his part well. More details about the transition and blending of both he and Melanie (Amy) should have been included to better display how they bettered the new Mama's and how their romantic relationship grew.
Not as good as hallmark's usual offerings it had all the elements, just lacked chemistry with the viewer. The lead actress just felt awkward and it took a while to get the hang of the flashbacks. No experienced manager would have an argument with a member of the staff in front of guests. Background sound/music might've been authentic to a kitchen but was a bit loud for dialogue. Fine for one watch but that's enough.
When ambition and tradition don't mix, the flavor of Mama's Ristorante is lost. But with the help of Mama's recipe for love, a partnership is born, and her legacy lives on.
क्या आपको पता है
- ट्रिवियाAired as the last of three original films in The Hallmark Channel's 2022 "Loveuary" lineup.
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