Meteor Storm

I don't need to repeat everything other reviewers noted, but maybe a few:

1. Every disaster flick cliché ever imagined was included. 2. Soldiers, even airmen, don't salute civilians -- except those in direct line of command like the SecDef and the CINC (President). 3. The science is pure hokum. Radio frequencies don't cause attraction or repulsion. If you're gonna blow up stuff in outer space, do it before it starts to heat up from atmospheric friction.

And then a couple no one has as yet mentioned:

4. Brigaders are about as high up the food chain as amoebas. A BG who gets the President on the phone is a joke. 5. I think that element 120 should have been named unbelievium. 6. Toward the end, Keri Matchett who plays the professor (the one who does qualitative analysis by looking through a microscope for Pete's sake) spends the last reel, rather than looking scared, concerned, or dispirited, with a sly smile on her face, as if she knows something none of the rest of us do. Well, she was wrong. A lot of us realized just how silly this whole thing was.

An astro-physicist is tapped by the government to figure out why the city of San Francisco is being besieged by anti-social meteorites. BB-sized pellets crash a meteor light show stargazing event, and victims run for cover. Immediately, scientists and the military team up to repel the onslaught.

Time out for obligatory clichés: Obnoxios dumbbell TV news crew getting in everybody's hair. General wants to nuke something. Hero guy is married to scientist, and they argue a lot. Their stupid brat kids blunder into perilous locations, always at the exact time and place meteors show up. Hero guy diverts from saving the world to rescue his idiot brat kids. The ratio of cliché stuff to actual plot elements is about 70% to 30%.

The pseudo-scientific ramblings about why San Fran is being singled out are actually pretty imaginative (although ludicrous). Acting is fair. Action and CGI are fair. 99% of the budget was invested in the 500th movie depiction of the collapse of the city's most famous structure. It's done in spectacular fashion; the film's blazing glory moment. But sloppy editing also gives you glaring goofs: like light traffic in the background of a scene, during a supposed massive evacuation of the Bay area. Some evac.

As cheaply done as it may be, it's amusing enough to make it entertaining.

Even the action flicks are becoming chick flicks. We have a hero with what looks like a 200 inch chest riding a motorcycle through out the film, and that just begins the clichés. Everything in the film is completely cliché. Not one fresh idea.

The plot is something about meteors showering the Earth, and some guy in the military being dense to the hero, who controls what everyone in the world thinks, by the way, and commands the attention of a news crew for no reason. A news crew that follows a hunk instead of the usual slouches that they choose 100% of the time. Yeah, what planet is this on? Director Tukacs not only dwells in every cliché, but also makes this unwatchable for guys. If there is a cute girl, he kills her off as quick as he can, leaving only the pale plain girls that women identify with, making this the ultimate chick flick.

Across the board, the acting is as poor as the directing, which lends one to think they were directed to act this horribly, and the worst takes kept for the final cut.

There is nothing good about this film, nothing exciting, nothing interesting, nothing to care about.

SyFy movies are never going to win awards with their limited budgets and their hastily-written scripts, I realize that. Still, I think that if they had approached this project with some smarts, it could have been a decent time-killer. As it is now, it isn't. For a Canadian production, it looks decent (it doesn't have that "Canadian look"), but it still has a made-for-TV feel to the visuals, and the various British Columbia locations simply can't be passed off as San Francisco. Some of the special effects are okay, but they mostly look cheap and unconvincing, which is probably why long stretches of time go by between special effects shots. But it's the script that really sinks this movie. It's long and drawn out, which is why there is no feeling of tension, and the characters aren't really fleshed out enough. Director Tibor Takács has made some good movies in his career, but "Meteor Storm" is not one of them.

Does anyone really think that the local director of and emergency management agency would be able to do their job during an emergency while they were spending most of their time getting family members out of emergency situations? Would the responses of the other people involved in that emergency to a director of an emergency agency doing this be as supportive as in this movie? Whoever wrote this plot has no understanding of the difficulties encountered in emergency management and didn't do any research on it.

The 'science' was rubbish. Electrostatic attractions are only effective over short distances, they do not have an 'frequency' associated with them (as implied by the 'static' part), and like charged substances repel, rather than attract. Even if the authors couldn't pass high school science they should have done the research on this.

The saving graces of the movie are the special effects and, to some degree, the actors. The director and technical staff also seemed to be competent. The writers do not appear to have been competent.