Rye Lane

'Rye Lane (2023)' feels fresh because of its unique energy and flavour, offering a distinct spin on its well-worn genre by way of directorial flourish and writing prowess. It's this that allows the piece to rise above its familiar plotting and uncomfortably conventional finale. The believably sweet central relationship is strong enough to carry the narrative, primarily due to the witty screenplay and sturdy performances, but it's the extra bits of seasoning sprinkled throughout that really mark it as something special. There's a larger world at play here, one built on background detail and vignette-like side stories, and this grounds the core story in a satisfyingly quirky way. The bright cinematography renders the urban setting with genuine love and the visualised stories with Giallo-like vibrancy. The bouncy editing elevates the quick-witted, ever-so-slightly absurdist humour and is a joy to watch throughout. That's true of the entire affair, really: it's a joy to watch. It's always fun, often funny and rarely misses a bit. It's a sweet romantic comedy that does everything it needs to and more.

Thoroughly enjoyed this film it kept me entertained from start to finish. Performances were excellent by both leads. My only minor quibble is that for Jonsson voice acting and enunciation exercises are needed. I had to struggle to hear his lines at times and they were not articulated clearly. I can only describe it as mumble mouth. I have seen him in other films, shows and have the same issue. Other than that I highly recommend this film. It is quirky, unique and showcases relationships that unfortunately are very rarely seen in media especially in the U. K. It is impressive to me that they were even able to get this film made.

If you're looking for a film that's lots of fun, with great dialogue and some pictures of folks bums, where two people in despair, begin to form into a pair, then you'll find Rye Lane is probably the one; as Dom and Yas, kick-off their conversation, on London streets they wander round with animation, meeting exes who have hurt, plenty of teasing, taunt and flirt, Mooncups, strings, forgotten things, cause consternation.

What a wonderful piece of cinema, with two absolutely outstanding performances at its heart, a wave that effortlessly flows from start to end, genuinely laugh out loud funny, heartfelt and overwhelmingly gorgeous.

An unexpected treat. Director Raine Allen-Miller and the writing team of Bryon/Melia essentially de-construct the tired and shop-worn rom-com; then cleverly reassemble it in a form which seems fresh, new, and -- something quite rare for films this year - ENTERTAINING. The dialog is so sharp you could use it to cut open an Amazon package. Check out the line about the pitfalls of trying to impress your true love by letting chocolate melt in bed. And just when you think this can't get any better, you realize you are seeing a true breakout performance from Vivian Oparah, who immediately comes across as someone you want to know and spend time with. Highly recommended. ((Designated "IMDb Top Reviewer." Please check out my list "167+ Nearly-Perfect Movies (with the occasional Anime or TV miniseries) you can/should see again and again (1932 to the present))

This is the kind of film you put on when you're tired and want something lighthearted to enjoy. Dom - quiet, timid, and heartbroken - and Yas - effervescent and forthright - have brilliant chemistry as the two are brought together on a sunny day in south London.

The film is a vibrant picture full of bold bright colour and drives a sense of nostalgia as you watch the pair journey through an eventful day growing a bond between two strangers. Rye Lane feels authentic and you can't help but relate to the highly affable characters and their troubles.

The score behind the picture is very well curated. The story feels like it is beating along rhythmically to a beat that paces well to keep you invested without overwhelming. It's fun and it's finger is on the pulse to the challenges of modern dating and finding deep meaningful connections.

It's impossible to watch this film without letting out a smile.

8/10.