पोस्ट एपोकैलिप्टिक दुनिया में जहां शहर पहियों पर सवारी करते हैं और जीवित रहने के लिए एक दूसरे का उपभोग करते हैं, दो लोग लंदन में मिलते हैं और एक साजिश को रोकने की कोशिश करते हैं.पोस्ट एपोकैलिप्टिक दुनिया में जहां शहर पहियों पर सवारी करते हैं और जीवित रहने के लिए एक दूसरे का उपभोग करते हैं, दो लोग लंदन में मिलते हैं और एक साजिश को रोकने की कोशिश करते हैं.पोस्ट एपोकैलिप्टिक दुनिया में जहां शहर पहियों पर सवारी करते हैं और जीवित रहने के लिए एक दूसरे का उपभोग करते हैं, दो लोग लंदन में मिलते हैं और एक साजिश को रोकने की कोशिश करते हैं.
- पुरस्कार
- 3 जीत और कुल 2 नामांकन
Leifur Sigurðarson
- Nils Lindstrom
- (as Leifur Sigurdarson)
फ़ीचर्ड समीक्षाएं
Like many reviews said, you can easily spot other films' plots in this one. Predictable, basic and 0 empathy for characters. Save yourself some money and watch it at home when available.
Movie has nice new idea, acting is good and movie is visually entertaining. What this film is missing is purpose. I do not get the idea of these cities or why they need to attack others. There is not really reason for all this violence. What are they trying to acheive? What is the end result that they need?
I was quite satisfied with this movie. I do wish I had seen it with my 12 year old son because I'm fairly sure he'd have enjoyed it too. Why? Because the whole story, plotline, characterization, basic concepts, love interest, action, bad guy - the whole shebang - is so clearly directed at "young adults" that anyone of my ancient age trying to judge it on the basis of those elements is going to be asking too much of it. But kids, and anyone who likes dystopian science fantasy action films will do too. And there's a good amount of humor in it too.
This was a hugely enjoyable piece of nonsense. I mean, the whole city of London on treadmills, eating up little German villages? With a hunt for a massive weapon of mass destruction? And imitation Twinkie bars that have lasted a thousand years?
Non-stop action, check. Tolerable dialogue, check. No uncomfortable love scenes that will make teens and preteens embarrassed, check. Obviously bad, bad guy, check. Great CGI, check. Did I mention the pretty much non-stop action?
The characters are pretty two dimensional, but sympathetic enough. The concept is fun to watch - steampunk does Star Wars. As dystopian visions of the world it goes pretty well, and I don't mind seeing my home town as the collective bad guys. I mean, come on, when isn't the bad guy from Britain?
It's not Blade Runner, but it's not Valerian either. I'll watch it again, but next time with my son.
This was a hugely enjoyable piece of nonsense. I mean, the whole city of London on treadmills, eating up little German villages? With a hunt for a massive weapon of mass destruction? And imitation Twinkie bars that have lasted a thousand years?
Non-stop action, check. Tolerable dialogue, check. No uncomfortable love scenes that will make teens and preteens embarrassed, check. Obviously bad, bad guy, check. Great CGI, check. Did I mention the pretty much non-stop action?
The characters are pretty two dimensional, but sympathetic enough. The concept is fun to watch - steampunk does Star Wars. As dystopian visions of the world it goes pretty well, and I don't mind seeing my home town as the collective bad guys. I mean, come on, when isn't the bad guy from Britain?
It's not Blade Runner, but it's not Valerian either. I'll watch it again, but next time with my son.
First things first, I was lucky enough to be able to go to the pre-premier in Amsterdam and watched the movie in IMAX and I highly recomand watching it in this format.
Basicly what you are watching is a movie that almost seems to aim to be the next terrible tween trilogy. But... the story is not half bad. Filled with plotholes, obnoxious characters and refusing to explain just WHY THEY HAVE TO DRIVE THEIR CITIES!? but overall enjoyable.
The true attrection however is the scenery and boy is it worth it. The cities look amazing, the planes, buildings and everything in the film is dressed to impress. It made me want to crawl through the screen and just marvel at the beauty of it all.
So yeah! The movie is kinda like watching an anime like Howls moving castle without subtitles. I have no idee what they are trying to say but it sure looks nice.
Basicly what you are watching is a movie that almost seems to aim to be the next terrible tween trilogy. But... the story is not half bad. Filled with plotholes, obnoxious characters and refusing to explain just WHY THEY HAVE TO DRIVE THEIR CITIES!? but overall enjoyable.
The true attrection however is the scenery and boy is it worth it. The cities look amazing, the planes, buildings and everything in the film is dressed to impress. It made me want to crawl through the screen and just marvel at the beauty of it all.
So yeah! The movie is kinda like watching an anime like Howls moving castle without subtitles. I have no idee what they are trying to say but it sure looks nice.
I loved the idea, cities eating each other, but it hardly happens, the idea is introduced and then forgotten. The concept was great but I think Peter Jackson has lost the ability to adapt books. Lord of the Rings worked because the kept to the story and adapted it for screen, the Hobbit didn't work because they extended it into a bloated monster for screen and Mortal Engines fails because they have changed the story so much to make a their movie version. I didn't mind it when I first saw it, it's an ok film with great ideas that it doesn't really capitalise on but then I read the book.....
The nuanced villain has become almost comic book, despite Hugo Weaving's best efforts and the changes to make the Star Wars like ending took the tragedy from the finale. Hester seems hollow and her affection for Tom seems forced. Tom doesn't get to be our unwitting hero, with all his bravery that breaks down Hester removed and the tragic end is turned into an explosive pyrotechnic fest. Even Shrike's story is broken for no good reason, just to make Valentine even more evil and Tom less heroic. What a shame.
So, if you've not read the book, give it a go - there are far worse films - if you have, beware.
The nuanced villain has become almost comic book, despite Hugo Weaving's best efforts and the changes to make the Star Wars like ending took the tragedy from the finale. Hester seems hollow and her affection for Tom seems forced. Tom doesn't get to be our unwitting hero, with all his bravery that breaks down Hester removed and the tragic end is turned into an explosive pyrotechnic fest. Even Shrike's story is broken for no good reason, just to make Valentine even more evil and Tom less heroic. What a shame.
So, if you've not read the book, give it a go - there are far worse films - if you have, beware.
क्या आपको पता है
- ट्रिवियाThe original novel mentioned plastic idols of Walt Disney's Mickey and Pluto, "the animal-headed gods of lost America" in the London History Museum. This film, being made by Universal, instead has plastic idols of डेस्पिकेबल मी (2010)'s Minions.
- गूफ़When Hester and Tom are rescued by the old couple in the centipede-like craft, they share a small room. Hester, while lying on her back, shares her sad life story. A tear rolls down her cheek, but, given the horizontal position she's in, this would be impossible. The tear should roll pass the side of her face.
- भाव
Shrike: I can remake you, just as I was remade.
Hester Shaw: You're going to kill me?
Shrike: For a little while.
- क्रेज़ी क्रेडिटThe Universal logo shows the Sixty Minute War occurring across the Earth.
- कनेक्शनFeatured in Midnight Screenings: Mortal Engines (2018)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Mortal Engines?Alexa द्वारा संचालित
- Is this movie at all related to Mortal Instruments: City of Bones? I only ask cause the bad guy has the same name: "Valentine" and the title has "Mortal" in it.
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Máquinas mortales
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,59,51,040
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $75,59,850
- 16 दिस॰ 2018
- दुनिया भर में सकल
- $8,38,69,818
- चलने की अवधि2 घंटे 8 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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