पोस्ट एपोकैलिप्टिक दुनिया में जहां शहर पहियों पर सवारी करते हैं और जीवित रहने के लिए एक दूसरे का उपभोग करते हैं, दो लोग लंदन में मिलते हैं और एक साजिश को रोकने की कोशिश करते हैं.पोस्ट एपोकैलिप्टिक दुनिया में जहां शहर पहियों पर सवारी करते हैं और जीवित रहने के लिए एक दूसरे का उपभोग करते हैं, दो लोग लंदन में मिलते हैं और एक साजिश को रोकने की कोशिश करते हैं.पोस्ट एपोकैलिप्टिक दुनिया में जहां शहर पहियों पर सवारी करते हैं और जीवित रहने के लिए एक दूसरे का उपभोग करते हैं, दो लोग लंदन में मिलते हैं और एक साजिश को रोकने की कोशिश करते हैं.
- पुरस्कार
- 3 जीत और कुल 2 नामांकन
Leifur Sigurðarson
- Nils Lindstrom
- (as Leifur Sigurdarson)
फ़ीचर्ड समीक्षाएं
I've seen a lot movies like this, so I think this movie is not for me - it's for the newcomers. Great visuals, CGI looks good also the cinematography but the story has some flaws and the characters are flat and annoying. Useless sub plots, I don't think it's necessary and lame.
Zero empathy for characters, wasted talent of Hugo Weaving - the only reason why I want to watch this movie. Although the first scene of the movie looks promising.
Another thing that I hate about this movie, there's some line in this movie like "I don't want to tell you." then they looking at each other, and then "5 years ago..." and I'm like.. w-what.. the hell...
Zero empathy for characters, wasted talent of Hugo Weaving - the only reason why I want to watch this movie. Although the first scene of the movie looks promising.
Another thing that I hate about this movie, there's some line in this movie like "I don't want to tell you." then they looking at each other, and then "5 years ago..." and I'm like.. w-what.. the hell...
I was quite satisfied with this movie. I do wish I had seen it with my 12 year old son because I'm fairly sure he'd have enjoyed it too. Why? Because the whole story, plotline, characterization, basic concepts, love interest, action, bad guy - the whole shebang - is so clearly directed at "young adults" that anyone of my ancient age trying to judge it on the basis of those elements is going to be asking too much of it. But kids, and anyone who likes dystopian science fantasy action films will do too. And there's a good amount of humor in it too.
This was a hugely enjoyable piece of nonsense. I mean, the whole city of London on treadmills, eating up little German villages? With a hunt for a massive weapon of mass destruction? And imitation Twinkie bars that have lasted a thousand years?
Non-stop action, check. Tolerable dialogue, check. No uncomfortable love scenes that will make teens and preteens embarrassed, check. Obviously bad, bad guy, check. Great CGI, check. Did I mention the pretty much non-stop action?
The characters are pretty two dimensional, but sympathetic enough. The concept is fun to watch - steampunk does Star Wars. As dystopian visions of the world it goes pretty well, and I don't mind seeing my home town as the collective bad guys. I mean, come on, when isn't the bad guy from Britain?
It's not Blade Runner, but it's not Valerian either. I'll watch it again, but next time with my son.
This was a hugely enjoyable piece of nonsense. I mean, the whole city of London on treadmills, eating up little German villages? With a hunt for a massive weapon of mass destruction? And imitation Twinkie bars that have lasted a thousand years?
Non-stop action, check. Tolerable dialogue, check. No uncomfortable love scenes that will make teens and preteens embarrassed, check. Obviously bad, bad guy, check. Great CGI, check. Did I mention the pretty much non-stop action?
The characters are pretty two dimensional, but sympathetic enough. The concept is fun to watch - steampunk does Star Wars. As dystopian visions of the world it goes pretty well, and I don't mind seeing my home town as the collective bad guys. I mean, come on, when isn't the bad guy from Britain?
It's not Blade Runner, but it's not Valerian either. I'll watch it again, but next time with my son.
Movie has nice new idea, acting is good and movie is visually entertaining. What this film is missing is purpose. I do not get the idea of these cities or why they need to attack others. There is not really reason for all this violence. What are they trying to acheive? What is the end result that they need?
I enjoyed this movie mostly for the novel concept. Something really upsetting has happened to the Earth, there is some mention of a 60-minute war, perhaps nuclear. Now, at least 1000 years into the future, or as one character says, 1700 years after the big destruction, cities large and small are on very, very large traction devices, they travel the landscape and gobble up smaller cities for the food and supplies. The featured city is London with its many levels, the lowest for grunt work and the highest for the elite.
So the hook here isn't unlike many other fantasy movies, there is always one powerful man who wants to be all-powerful. And there are one or two ordinary people who need to stop him. Here it is a female and a male, 30-ish young adults.
The movie is loaded with action, especially the last third or so. It is entertaining as a futuristic action flick, I suppose one could draw parables about the human condition and caring for each other. I watched it on BluRay from my public library, my wife skipped.
The disc has a number of very interesting extras showing how they built the sets and made certain parts of the movie.
So the hook here isn't unlike many other fantasy movies, there is always one powerful man who wants to be all-powerful. And there are one or two ordinary people who need to stop him. Here it is a female and a male, 30-ish young adults.
The movie is loaded with action, especially the last third or so. It is entertaining as a futuristic action flick, I suppose one could draw parables about the human condition and caring for each other. I watched it on BluRay from my public library, my wife skipped.
The disc has a number of very interesting extras showing how they built the sets and made certain parts of the movie.
So way in the future, people live in big mechanical machines on wheels. And one of the bigger cities: London, has got some rather unsavory plans.
Mortal Engines looks pretty good. The house-machines look awesome, especially the big ones. We are treated to some fine shots. Grandiose stuff. That's cool. The action is alright, nothing too special, but at times it's quite exciting. There is one fight scene though and I gotta say: someone did NOT get the memo that we don't use a million cuts any more. But there isn't that much fighting anyway, so it's not a big problem. The action that's on a bigger scale is much better. The effects look good, except from some greenscreen stuff that will not age well. (remember that one scene in King Kong? Jeeesh)
This movie really is a mixed bag. On one side it's got some creative, original ideas, on the other some overused clishees. For every creative element, there's a cringy line or two.
The characters are okay, can't say I liked anyone to a very big extent..Although Hugo Weaving does have some charisma. What's with that Tom guy? Sorry, but I just didn't like his face. Reminded me of a ventriloquist dummy, or something. Dunno.
Mortal Engines does have a cool atmosphere about it that I liked. But it is a little long, and there is especially one plot element that fell totally flat, although it was supposed to be very moving. It wasn't.
All in all a decent movie, sure to entertain at least some people.
Mortal Engines looks pretty good. The house-machines look awesome, especially the big ones. We are treated to some fine shots. Grandiose stuff. That's cool. The action is alright, nothing too special, but at times it's quite exciting. There is one fight scene though and I gotta say: someone did NOT get the memo that we don't use a million cuts any more. But there isn't that much fighting anyway, so it's not a big problem. The action that's on a bigger scale is much better. The effects look good, except from some greenscreen stuff that will not age well. (remember that one scene in King Kong? Jeeesh)
This movie really is a mixed bag. On one side it's got some creative, original ideas, on the other some overused clishees. For every creative element, there's a cringy line or two.
The characters are okay, can't say I liked anyone to a very big extent..Although Hugo Weaving does have some charisma. What's with that Tom guy? Sorry, but I just didn't like his face. Reminded me of a ventriloquist dummy, or something. Dunno.
Mortal Engines does have a cool atmosphere about it that I liked. But it is a little long, and there is especially one plot element that fell totally flat, although it was supposed to be very moving. It wasn't.
All in all a decent movie, sure to entertain at least some people.
क्या आपको पता है
- ट्रिवियाThe original novel mentioned plastic idols of Walt Disney's Mickey and Pluto, "the animal-headed gods of lost America" in the London History Museum. This film, being made by Universal, instead has plastic idols of डेस्पिकेबल मी (2010)'s Minions.
- गूफ़When Hester and Tom are rescued by the old couple in the centipede-like craft, they share a small room. Hester, while lying on her back, shares her sad life story. A tear rolls down her cheek, but, given the horizontal position she's in, this would be impossible. The tear should roll pass the side of her face.
- भाव
Shrike: I can remake you, just as I was remade.
Hester Shaw: You're going to kill me?
Shrike: For a little while.
- क्रेज़ी क्रेडिटThe Universal logo shows the Sixty Minute War occurring across the Earth.
- कनेक्शनFeatured in Midnight Screenings: Mortal Engines (2018)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Máquinas mortales
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $10,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,59,51,040
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $75,59,850
- 16 दिस॰ 2018
- दुनिया भर में सकल
- $8,38,69,818
- चलने की अवधि2 घंटे 8 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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